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Here are just a few of the many teachers offering Cello lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Cello
For younger beginners, I like to start with a method book such as Essential Elements to build the foundations of music and the instruments. After students have worked through this, we begin working on solo repertoire to get students excited to perform songs at their first recital! This is also a great time to begin learning about improvisation and creative playing, something that we all already have within us. Students learn the basics of improv through fun games, songs, and duets to build their confidence and hone their voice. Read More
Instruments: Cello
I received my Master’s degree from the Jacobs School of Music at Indiana University, studying with former LA Philharmonic Principal cellist Peter Stumpf, and my bachelor’s degree at Temple University, studying with cellist Jeffrey Solow. As a chamber musician, I have studied with Menahem Pressler, Mark Kaplan, Jorja Fleezanis, and Kurt Muroki. Other studies include masterclasses with Fred Sherry, Colin Carr, Tokyo String Quartet, St. Lawerence String Quartet,and Ben Zander. Read More
Instruments: Guitar Violin Cello Viola Bass Guitar Electric Violin Electric Guitar Classical Guitar Acoustic Guitar
Besides teaching privately, I am also the adjunct cello teacher for The Pennington School. My responsibilities also include running sectionals, orchestra rehearsals as well as performing for various functions and with the students in their concerts. This has given me the opportunity to work with an ensemble, which is something I did really enjoy while working in the public schools. With over 20 years of teaching experience, I have worked with students from the beginning level through advanced. Read More
Instruments: Piano Cello
There are little bit differences between Korea and the U.S.A about teaching idea. I have lots of advantages from it because I can combine each of them very well. I also encourage my students to take opportunities, for example, joining in Youth Orchestra, Ensemble, Competitions not only giving private lessons. Since I want my students to have more joy, confidence, and advanced experiences from music. Most of my students are member in Orchestra ( Metropolitan New York Youth Orchestra, Carnegie Hall Youth Orchestra, Philadelphia Youth Orchestra). Read More
Instruments: Cello
More than anything else, I try to grow a love for the cello and music, because without a passion, lessons can be a drag (trust me, I know!). I try to incorporate some of the student's other interests into the lessons, ie. pop music, art, even science! I also place a lot of value on progressing at the student's own pace and understanding when a student doesn't really like a particular piece, not to spend too much time on it. Read More
Instruments: Guitar Voice Cello Synthesizer Banjo Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
In the early years of my music career, I experienced many omens of encouragement and positivity from my peers, mentors, and family. Having such a buoyant support system has enabled me confidence in myself as human being and musician to succeed and exceed expectation by remaining humble & versatile in my field(s) of work.
In middle school, my conductor left an indelible impact on my musical ambitions. While rehearsing Danse Macabre, a renowned Halloween dance, I was caught noodling (improvising) in the key of the song. I was bored with the arrangement; my brain began to analyze contrapuntal harmony & syncopated rhythms to compliment the theme. My conductor stopped rehearsal to call me out...I was nervous! Incredibly, Mr. Simon went on to say "This kid...right here...he may not even be playing the sheet music...and while I'm angry at him for wandering away from the piece...he has more talent than everyone in this room combined...Jack...you'll be a rockstar someday, but for now, let's focus on Danse Macabre and nail it for the concert"
As an 8th grader, equally timid as I was emotionally pubescent, it was a surreal moment that inspired me to tackle head-on my pursuit of music with diligence, creativity, and exuberant confidence.
What advice do you have about practicing effectively?
To practice is to appreciate! When you make the conscious decision to practice your instrument, you must realize that your time allocation should be primarily focused on FORM not FLASHINESS. The little things we tend to overlook, like how one holds their instrument, switching hand positions, and nuances of that nature are critical to a progressive practice session. Bad habits tend to snowball over time, so my best advice is to practice material you are familiar with and (or) comfortable with in a formulaic fashion. Start by playing a given 4 bar passage at a slower tempo than suggested. Gradually increase the tempo as you vamp up the tempo. It is also important to remain hydrated and stretch before, during, and after playing. Your guitar is a lot like your body- it won't work with you if you don't honor and respect it!
When will I start to see results?
Oftentimes, we have tunnel vision on our end goals and can lose sight of the task at hand. A student will see results when they:
A) Practice & Prepare
B) Ask relevant questions
C) Develop a style and their own expressive form in performance
What do YOU desire to achieve? Retaining musical knowledge and skill is a testament to how much effort YOU put in to make it happen.
The tired rhetoric of "practice, practice, practice" simply isn't enough!
I advise my students to periodically self-check, before, after, and while practicing:
1) Am I playing in tune (no fret-buzzing/unwritten accidentals) and in time (in sync with the metronome)?
2) Am I observing dynamics to expressively and musically interpret the music I am working on?
3) Am I making notes on my tablature/sheet music? Annotate hints, tips, reminders, and notes to self!
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in Philadelphia to students of all ages and abilities.
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