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Featured Guitar Teachers Near Sunnyvale, CA

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Here are just a few of the many teachers offering Guitar lessons in Sunnyvale . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James F

Instruments: Guitar Bass Guitar

I love all types of music, but especially jazz. I attended Sacramento City college from 2003-2006 majoring in recording studio engineering but with a minor in jazz performance. I moved to NY in 2006 where i regularly played jazz and rock gigs with up and coming young musicians. I had the opportunity of playing on a jazz album, as well as playing for some studio sessions. I love learning all types of music and just having fun playing. Read More

Diego M

Instruments: Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I'm a 20 year old college student from Austin, Texas. I'm currently studying at the world famous San Francisco Conservatory of Music, with a specialization in Classical Guitar Performance. Performing and teaching are my main passions with music, and I think its such an important aspect of what we musicians do. I was luckily able to have opportunities to open for Grammy nominated artists such as, Mak Grigic, and Nino de Pura. Read More

Travis Y

Instruments: Guitar Synthesizer Electric Guitar Acoustic Guitar

I have 16+ years of playing experience growing up gigging around the Bay Area to studying guitar as my principle instrument at Berklee in Boston. I specialize in improvisation and songwriting and can equip you with the tools to unlock your flow state and create the music you feel called towards in any style. My lessons are hands-on, interactive and finely adapted to your skill level. You will be given weekly exercises and pieces to practice in order to facilitate the learning process. --- Whether it's online or in person, I will offer thoughtful and engaging activities, lessons, and conversations to help you grasp what you need to learn in order to reach your personal and unique creative goals. Read More

Robert L

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

I have often received complements from my students parents, thanking me for my passion in teaching and that they noticed great improvement in their childs playing. I have fun with the children but also encourage discipline, concentration, and constant effort for improvement. I like to connect with each student and try to find a way to inspire them to want to play music. Acknowledging accomplishments helps fuel a students desire to progress. Read More

Atemu A

Instruments: Guitar Bass Guitar Double Bass

I have for the past twenty-two years been working as a Music Educator, Administrator, Jazz composer and performer. The last eleven of those years have been in the San Francisco Bay area at Oakland School for the Arts, teaching and leading large jazz ensembles, orchestra, small groups and music theory classes for grades 6-12. As Chairman of the Instrumental Music Department, I was responsible for teaching and developing music curricula, developing new programs, recruiting and auditioning new students, presenting and speaking with incoming parent groups, writing and developing the school A-G requirements, and meeting with community schools and faculty to create meaningful collaborations. Read More

Julie L

Instruments: Piano Guitar Violin Viola Saxophone Flute Clarinet

I began teaching private lessons part-timewhen I was still in high school on Long Island. I have taught in elementary day care in the early 1990's and taught in public schools elementary general music and chorus, beginning instrumental music at the elementary level, as well as middle school orchestra in the San Lorenzo Unified School District. After a vocal chord injury, I left the public schools to create my indie record label, produce new projects and allow healing. Read More

Gian Franco S

Instruments: Guitar Music Electric Guitar

Hi! My name is Gian, and I would like to help you in your musical journey. As a music artist, producer, and educator, there are several ways I can help you achieve one, some, or all of your music objectives. In my professional experience I have the chance to collaborate as performing musician in several music projects, as well as produce my own music and beats. In 2017, I collaborated as studio producer and featuring artist, along side Tercer Tipo, an independent hip-hop, acid jazz band from Santiago, Chile. Read More

Teacher In Spotlight

Peter R

Instruments: Drums Music

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
It's important for beginners and intermediate drummers to learn from the same basic books that have been the staple for teachers and students for time and memorial. I make sure I incorporate lessons from: 1) George Lawrence Stone's Stick Control 2) Ted Reed' Progressive Steps to Syncopation for the Modern Drummer 3) Joe Morello's Master Studies 1 & 2, 4) Podemski's Standard Snare Drum Method 5) George Lawrence Stone's Accents and Rebounds 6) Rubank Elementary Method I use so many other books that are too numerous to list.

What do you think is the hardest thing to master on your instrument?
The drums never cease to amaze me. There is always something new to learn or improve on. This instrument requires musicianship, strength, endurance, and 4-way independence unlike any other instrument. As a drummer, you need to "get out of your head", and let yourself go. Once you overthink something, your playing can start to sound academic. You must be able to execute without tripping over yourself. Unless you're ambidextrous, getting your non-dominant hand to do what your dominant hand does is the single hardest thing to achieve and maintain. Every one of my professional drum colleagues says the same thing, "it's a constant struggle and a lifelong challenge to build control with a non-dominant hand."

Why did you choose your primary instrument?
Like many children of the sixties and seventies, Rock n Roll was very popular. The English music revolution had taken hold. When I saw The Beatles, The Rolling Stones, Herman's Hermits, the Kinks, and more, that did it for me. But it was the Dave Clark Five that pushed me over the top. Dave Clark was the lead singer and the drummer. That, too me, was the coolest thing I'd ever seen, and that's when I knew I wanted to be a drummer. I needed to be a drummer!

What musical accomplishments are you most proud of?
Being endorsed by HingeStix Practice Drumsticks was monumental for me. I knew I had arrived as a player and a drum teacher when I got that endorsement. But I also knew I had accomplished being a drummer when fellow musicians would tell me that I was a great drummer, perhaps the best drummer they had ever heard or played with. I know that I'm not as good as some, or better than others. But I appreciate the positive feedback. I've also written and produced music projects over the years that borrow from my percussion background to create driving music beds and themes for television and cable broadcast, and streaming digital platforms.

Read More

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Recent Articles from the Musika Blog

Guitar Speed Exercises

...effort to develop. This exercise is designed to get your right hand comfortable skipping strings at a fast pace. You’ll need to develop a good amount of spatial awareness and muscle memory if you want to be able to skip strings quickly and accurately.   Starting on the 12th fret of the 5th string, play that note, skip the 4th string and play the 10th fret of the third string. Repeat this sequence down a fret until you reach the bottom of the guitar. Feel free to tailor this exercise to fit your specific needs. Increase the metronome speed as you... Read More

Choosing a Saxophone Mouthpiece

...saxophone/mouthpiece/reed set-up on their websites. If they don’t, chances are someone that has worked with them or has taken lessons from them has posted their set-up on one forum or another. But, that information is not necessarily useful. Some people say they mimic their favorite player’s set-up because “then the only limitation holding me back from sounding exactly like them is me.” In a way, that’s true. But it’s much more complicated than it sounds. If you play the exact horn, mouthpiece, and reed that your favorite player had just played on, then technically you would be the only limitation. But there’s not much you ... Read More

Soloing Over Blues Changes

...discussed earlier in the article to get fully acquainted with each progression. Conclusion When I was in grad school, the trumpet player Tim Hagans came and did a week-long residency. He worked with the students in a variety of settings. One of those settings was him working with a small jazz combo that I was in. He had us do an exercise in which we played the blues, but with no harmony. The instructions were as simple as that: “Play a 12-bar blues, but don’t play it in any key… ok, go.” So we tried it out. It wasn’t perfect. But what ... Read More

Listening to Jazz: A Beginner's Guide

...to the piano/guitar, I mean to listen to what they do during the melody or during other solos. Listen to how they comp. Listen for sparse, one-note textures vs. large open-chord figures. Listen for when they decide to play vs. when they decide to lay out. For the bass, listen for when they walk in two vs. when they walk in four, listen for what range they decide to play in. Listening to the drums can be several listens on its own. You could listen for what textures drummers decide to use as a whole, whether they decide to play sparse or ... Read More

Reading Music and Reading Words Are Very Similar

...used for higher pitched voices and instruments. Piano students will need to learn to read both clefs since their music spans several octaves and is written in both at the same time. It can be helpful to use mnemonic devices to remember the note names. The example below shows mnemonic devices that can be used for the lines and spaces of bass and treble clef, but the possibilities are endless. Find something that will stick for you and soon you’ll be able to name the notes without even having to think about it! In addition to learning note names and how they relate to your instrument, it’s also a ... Read More
Guitar Speed Exercises
Choosing a Saxophone Mouthpiece
Soloing Over Blues Changes
Listening to Jazz: A Beginner's Guide
Reading Music and Reading Words Are Very Similar

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