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Featured Guitar Teachers Near Sunnyvale, CA

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Here are just a few of the many teachers offering Guitar lessons in Sunnyvale . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Janet S

Instruments: Guitar Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar

My teaching experience dates back to my college days, and have been consistently teaching students ant homes and in my home studio in Antioch for the past 3 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Robert G

Instruments: Guitar Voice Ukulele Acoustic Guitar

I firmly believe that, as the Latin derivation of the word "Educate" would demonstrate, the key to teaching is NOT in the pouring of information into a student, but in the "Drawing Out" (E Ducere) of the student's interest and instincts... While lesson plans are very helpful as tools, I prefer to PERSONALIZE my instruction by first assessing the innate desires of the student and their initial acumen--and THEN devising a plan that COMBINES what THEY want with what i know as an educator will lead them to THEIR goals... Read More

Robert L

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

For the last thirty-plus years my passion has been music. I read magazine articles and books on music theory. I compile lessons from various sources, to create personalized lesson material for each individual student. Im currently taking advanced lessons myself, and teaching 2-5 students weekly. I have been writing, recording, studying, and performing music consistently, for over twenty years. I have intermittently taught private guitar lessons over the same time period. Read More

Scott C

Instruments: Guitar Drums Bass Guitar

My students generally comment that I am patient. I try to go at the right speed for the student, pushing them where it works but slowing down when needed. I'm very methodical and try to break things down to focus on the details so each piece of information is easily digestible and easy to grasp. Read More

Alex C

Instruments: Guitar

I use a variety of books, recordings, and online resources for all levels- transcriptions of classicstylesand newer artists , scale and chordreference books, solo pieces for different genres,beginning guitarmethods bytraditional publishers such as Hal Leonard and Warner Bros. plus newer books. Online video and audio content andrecording software such as garageband arealso valuable resources to work with.Learning to read and write music opens up great potential for communication and creativity- theory and improvisation are other topics that I like to teach. Read More

Ronald T

Instruments: Piano Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I'm a patient instructor that allows each person to grow at their own pace. We all have a goal of what we want to achieve and I guide you toward that goal. My primary goal is to create great musicians- people who are versed in many styles and have a handle on music as a language. I want to share my knowledge to help you find your musical voice and the creativity you seek through the guitar. Read More

Michael O

Instruments: Piano Guitar Voice Keyboard Acoustic Guitar

My teaching experience is primarily with private voice and piano lessons. I began teaching as a private instructor in 2010, and have taught privately since. I've had the pleasure of working with a diverse age group from Pre-k to Seniors, and from Beginners to Advanced. I teach fundamentals and technique, but my primary focus in teaching is to inspire the student to explore their instrument, and what it's capable of. I am much more inclined toward cultivating Artists than I am in cultivating immaculate performers. Read More

Teacher In Spotlight

Peter R

Instruments: Drums Music

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
It's important for beginners and intermediate drummers to learn from the same basic books that have been the staple for teachers and students for time and memorial. I make sure I incorporate lessons from: 1) George Lawrence Stone's Stick Control 2) Ted Reed' Progressive Steps to Syncopation for the Modern Drummer 3) Joe Morello's Master Studies 1 & 2, 4) Podemski's Standard Snare Drum Method 5) George Lawrence Stone's Accents and Rebounds 6) Rubank Elementary Method I use so many other books that are too numerous to list.

What do you think is the hardest thing to master on your instrument?
The drums never cease to amaze me. There is always something new to learn or improve on. This instrument requires musicianship, strength, endurance, and 4-way independence unlike any other instrument. As a drummer, you need to "get out of your head", and let yourself go. Once you overthink something, your playing can start to sound academic. You must be able to execute without tripping over yourself. Unless you're ambidextrous, getting your non-dominant hand to do what your dominant hand does is the single hardest thing to achieve and maintain. Every one of my professional drum colleagues says the same thing, "it's a constant struggle and a lifelong challenge to build control with a non-dominant hand."

Why did you choose your primary instrument?
Like many children of the sixties and seventies, Rock n Roll was very popular. The English music revolution had taken hold. When I saw The Beatles, The Rolling Stones, Herman's Hermits, the Kinks, and more, that did it for me. But it was the Dave Clark Five that pushed me over the top. Dave Clark was the lead singer and the drummer. That, too me, was the coolest thing I'd ever seen, and that's when I knew I wanted to be a drummer. I needed to be a drummer!

What musical accomplishments are you most proud of?
Being endorsed by HingeStix Practice Drumsticks was monumental for me. I knew I had arrived as a player and a drum teacher when I got that endorsement. But I also knew I had accomplished being a drummer when fellow musicians would tell me that I was a great drummer, perhaps the best drummer they had ever heard or played with. I know that I'm not as good as some, or better than others. But I appreciate the positive feedback. I've also written and produced music projects over the years that borrow from my percussion background to create driving music beds and themes for television and cable broadcast, and streaming digital platforms.

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Recent Articles from the Musika Blog

Guitar Speed Exercises

...effort to develop. This exercise is designed to get your right hand comfortable skipping strings at a fast pace. You’ll need to develop a good amount of spatial awareness and muscle memory if you want to be able to skip strings quickly and accurately.   Starting on the 12th fret of the 5th string, play that note, skip the 4th string and play the 10th fret of the third string. Repeat this sequence down a fret until you reach the bottom of the guitar. Feel free to tailor this exercise to fit your specific needs. Increase the metronome speed as you... Read More

Choosing a Saxophone Mouthpiece

...saxophone/mouthpiece/reed set-up on their websites. If they don’t, chances are someone that has worked with them or has taken lessons from them has posted their set-up on one forum or another. But, that information is not necessarily useful. Some people say they mimic their favorite player’s set-up because “then the only limitation holding me back from sounding exactly like them is me.” In a way, that’s true. But it’s much more complicated than it sounds. If you play the exact horn, mouthpiece, and reed that your favorite player had just played on, then technically you would be the only limitation. But there’s not much you ... Read More

Soloing Over Blues Changes

...discussed earlier in the article to get fully acquainted with each progression. Conclusion When I was in grad school, the trumpet player Tim Hagans came and did a week-long residency. He worked with the students in a variety of settings. One of those settings was him working with a small jazz combo that I was in. He had us do an exercise in which we played the blues, but with no harmony. The instructions were as simple as that: “Play a 12-bar blues, but don’t play it in any key… ok, go.” So we tried it out. It wasn’t perfect. But what ... Read More

Listening to Jazz: A Beginner's Guide

...to the piano/guitar, I mean to listen to what they do during the melody or during other solos. Listen to how they comp. Listen for sparse, one-note textures vs. large open-chord figures. Listen for when they decide to play vs. when they decide to lay out. For the bass, listen for when they walk in two vs. when they walk in four, listen for what range they decide to play in. Listening to the drums can be several listens on its own. You could listen for what textures drummers decide to use as a whole, whether they decide to play sparse or ... Read More

Reading Music and Reading Words Are Very Similar

...used for higher pitched voices and instruments. Piano students will need to learn to read both clefs since their music spans several octaves and is written in both at the same time. It can be helpful to use mnemonic devices to remember the note names. The example below shows mnemonic devices that can be used for the lines and spaces of bass and treble clef, but the possibilities are endless. Find something that will stick for you and soon you’ll be able to name the notes without even having to think about it! In addition to learning note names and how they relate to your instrument, it’s also a ... Read More
Guitar Speed Exercises
Choosing a Saxophone Mouthpiece
Soloing Over Blues Changes
Listening to Jazz: A Beginner's Guide
Reading Music and Reading Words Are Very Similar

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