816-463-3583
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24 Years
Since We Started
41,456+
Happy Customers
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Cities with Students
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Teachers in Network
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Here are just a few of the many teachers offering Music lessons in Kansas City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice Synthesizer Keyboard
My teaching experience started in High School when I would exchange piano lessons for guitar with a musician friend of mine. My formal teaching experience began in Atlanta 5 years ago when I co-taught group keyboard lessons for beginner elementary school students and taught adult beginner voice students through my in-home studio. I took this experience back to my home town of Iowa City where I traveled to teach beginner adult piano and beginner adult voice and taught beginner-early intermediate piano and voice through a local music lessons studio. Read More
Instruments: Voice Music
My methods vary greatly dependent upon the needs of the student. For younger students, I start with early fundamentals (music in general, breathing, and confidence) through easy songs that are recognizable and fun to learn. As a student ages, the voice matures, so I assess a student's vocal qualities and give them appropriate rep through their voice changing. For teens and adults, I focus on finding appropriate pieces that are in line with a student's preferred genre. Read More
Instruments: Piano Guitar Voice Organ Ukulele Recorder Keyboard Djembe
I am a creative, goal-centered and insightful instructor who has spent many years dedicating her life to excellence in music. My primary instrument is piano. I'm an exceptionally gifted sight-reader and love to pass on some of those skills to my students. While I specialize in accompaniment, I've given some lessons for a variety of other instruments as well. I graduated in April 2018 with a Bachelor of Music degree in Music Therapy from Illinois State University. Read More
Instruments: Violin Viola
I have eight years teaching experience in collage with differnt levels. I have my student working with orchestras, recording career, Tv music programs.. I hold the Doctor of Musical Arts degree in Violin Performance and a Master of Music degree in Orchestral Conducting from the University of Kansas. I taught violin and chamber music for eight years at the Sulaimany Fine Arts Institute in Kurdistan. I also taught viola for one year and for several years in the field of Middle Eastern music theory (Maqams). . Read More
Instruments: Voice
Each student comes in with their own unique experience, ability level, and personality. So, while the overall structure of my lessons is going to be the same for everyone, it is vital that I set realistic goals for each student based on their own experience and individuality. Each student should be able to look back over the course of a year and pinpoint areas in which they have improved...having this conversation is one of the huge payoffs of teaching! Read More
Instruments: Piano Saxophone Clarinet Oboe English Horn
For piano students, I like to use the Alfred method books with supplemented music that peeks their interest. I like these books because they have several series depending on the age of the student and their interests such as music theory and broadway hits.-For woodwind students, I like to work for a few weeks out of their band books so I can assess their strengths and weaknesses. From there I will assign the appropriate method book; typically from the Rubank series. Read More
Instruments: Guitar Drums Bass Guitar Harmonica Electric Guitar Classical Guitar Acoustic Guitar
What musical accomplishments are you most proud of?
I would say my earliest accomplishment was getting into music school after having played guitar for just over two years. At the University of Kansas, I also provided classical guitar accompaniment for a DMA flute student, and played on several of his doctoral recitals. For a 19 year old, it was greatly stressful, but I managed to help him to execute successful performances despite my relative lack of experience. Later, some of my favorite performances were with a gypsy jazz quartet where we performed in an idiom similar to Django Reinhard, and st the same time I performed many solo acoustic shows playing both original compositions and covers.
What do you think is the hardest thing to master on your instrument?
In terms of mechanics, I believe right hand technique is one of the most tedious to develop, and takes an immense amount of time to hone in. In a larger-scale sense, I would say mastery of jazz or classical styles are some of the most difficult, and for two totally different reasons. For jazz, a guitarist has the dual role (like piano) of rhythm and lead. Many guitarists start on styles more akin to pop or rock, and do not develop sight reading skills that other instrumentalists do, so that is always a battle for guitarists. Also, there are multiple positions you can use to play the same note, so certain judgements have to be made. Sight reading is even more paramount in classical music, thus, classical guitarists must work extra diligently to develop this skill.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I prefer as much as possible to not use these methods, as I have found them to be disinteresting for most students. I prefer to make notes by hand, or selecting printouts from the internet. I also encourage students to look through various websites, and searching through YouTube to help their practicing throughout the week. For more advanced students, I do encourage them to purchase Real Books and other materials that give explicit education to music theory. I have a printer, and will print materials before a lesson, or will email suggestions as needed.
What does a normal practice session look like for you?
I like to begin with technique warmups for 5-10 minutes. In my most focused practice time, I will set a timer on each idea I’m working on. In general, I like to limit my intense focus on a couple of keys per week, and run through different ideas in each of them. For instance, recently I’ve been looking at half-diminished chords and their inversions and arpeggios. I will take two keys that are generally unrelated (Dmaj and A-flat maj this week) and execute the exercises until they feel comfortable. This extends for all ideas and sets of scales. Then if I have time, I will do some ear training, and sight reading. Afterwards, I usually work on repertoire for the remainder of my practice session. I have a few apps on my phone that I will browse through if I have free time and am away from an instrument.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Kansas City to students of all ages and abilities.
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