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Featured Piano Teachers Near Daly City, CA

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Here are just a few of the many teachers offering Piano lessons in Daly City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Virginia T

Instruments: Piano

As a performer, I was one of the winners of the 2009 SJSU French Music Competition, and one of the finalists of the 2013 BGSU Art Song Competition. In 2012-13, I served as the accompanist of the BGSU Men's Chorus, in which I've had the opportunity to participate in the performnace tour twice through 6 states along the East Coast. I also serve as a church pianist since Feburary 2014. Besides my performing endeavors, I have over 10 years of teaching experience (see My Experience). Read More

Aaron M

Instruments: Piano Trumpet

I'm a caring, straight-forward and passionate instructor who believes anyone can achieve greatness when it comes to music. I graduated from The University of Texas at Austin with a Bachelor of Music in Trumpet Performance. I received my Master's Degree in Trumpet Performance from the San Francisco Conservatory of Music. I have performed in many countries including Germany, Italy, The Netherlands, Czech Republic, Austria, China, Taiwan and Japan in venues such as the Kennedy Center, the Royal Concertgebouw in Amsterdam and the Berlin Philharmonie. Read More

Julie L

Instruments: Piano Guitar Violin Viola Saxophone Flute Clarinet

I love seeing my students grow in their knowledge and appreciation of music! Excellence is rewarding, and I teach the process to get there from whatever level we begin. I use positive reinforcement and notice what the student is doing right. Then, I give critique and an action plan to improve performance. It feels good for the student and teacher when they learn the methods to break down what is currently difficult into smaller pieces so that it is both manageable and possible to go further than they thought. Read More

Richard Max H

Instruments: Piano Clarinet

My greastest reward is seeing each student develop a greater love of music as they progress and come to be able to express their personal feelings through music. It is important that each student progress at his or her own pace. I encourage this by setting realistic goals at each lesson. By acknowledging their accomplishments this helps build a desire to progress and makes students eager to learn more. By helping them learn how to use the hand, wrist, arm and upper torso, they learn tone control and musical phrasing. Read More

David C

Instruments: Piano

I like to set clear but realistic goals for students, so each student can learn at their own pace. I'm a big believer in positive reinforcement. I think the best motivation comes from within, and I aim to fuel this by finding out what inspires the student most and helping them reach their own goals. Read More

Dana S

Instruments: Piano Voice Keyboard

For every piano student they will learn theory/ ear training, technique (scales, finger exercises etc..)reading (Sight reading and reading music), and then fun part. Fun part is different for each student and depends on what kind of music they like and also what skills they want to strengthen. It could be learning to sing and play a song at the same time. Or how to jam with others. Or writing their own song. Read More

Lauren P

Instruments: Piano Voice

For Voice: I always start with basic exercises. Breathing, Scales, Etc. After a few lessons, when the student is solidified in basic techniques, I will begin to introduce basic Art Song repertoire and work with the student to branch them out into their desired field of study, whether that be Opera, Pop, Musical Theater, Rock, etc. I always feel a strong base in Classical Technique is important to start with though. Read More

Teacher In Spotlight

David S

Instruments: Cello

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was something I knew I was going to be ever since I started playing the instrument. Even at such a young age, there was no doubt that this was the only thing I could be.

What is your favorite style/genre of music to play and why?
Romantic period of classical music. It still features the structure and tonality of previous genres, but creative enough to readily break these rules. It's in my opinion the best balance of structure and expressiveness.

If you weren't a musician what do you think you'd be doing instead?
A chef, for sure. I took up cooking as a way to pay my way through music school, and it was useful to me having a useful second skill.

What musical accomplishments are you most proud of?
I've finished writing my first full cello sonata. It is currently circulating in competitions around the world, and has already received positive feedback, and a semi finalist award.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Absolutely not. I'm particularly against the Suzuki method. "Methods" put students in a box, and by it's very nature it is a one dimensional way of exposing a student to the tools they need for the instrument. This is why a good teacher is so valuable. A great teacher can observe the students style, strengths, and weaknesses, and give personally tailored objectives to improve weaknesses and emphasize strengths.

What is your dream piece to perform and why?
I always found it a deep shame that Brahms never wrote a fully fledged cello concerto. My goal one day is to write such a piece as Brahms may have done, and perform it live with a symphony. I think I could die a happy man if that were to come to pass.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelors of Fine Arts in cello performance and music theory. I originally wanted to be strictly performance (after I narrowed down the ten or twelve majors that I wanted to pursue in college), but I became so fascinated with music theory and had a passion for composition, so I decided to do both for my undergraduate.

What do you think is the hardest thing to master on your instrument?
The bow. No competition. Anyone can learn distances on a fingerboard. It takes a true master to have your bow arm be able to produce any sound you could want and possibly imagine.

Why did you choose your primary instrument?
I started playing cello because my middle school orchestra had no cellos. A lovely local cellist volunteered to give me lessons to teach me the basics, and I fell in love immediately.

When will I start to see results?
This is probably a frustrating answer to, but it really depends. You get out of the instrument what you put into it. A serious commitment will produce higher quality results faster, and the inverse is true

How do I know if my child is ready to start lessons?
First of all, and I cannot stress this enough, they need to show an interest. Too may colleagues I have met have went through music school hating it because they were forced into it by their parents. Introduce them to the instrument and the music first, and if they are interested, then proceed with lessons. I dont think age matters nearly as much as this.

What advice do you have about practicing effectively?
Effective practice requires first and foremost honesty. It requires the ability to identify a mistake, and the ability to say to oneself "no, this could be better." Without these fundamentals, practice is essentially worthless.

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