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Featured Piano Teachers Near Lakeville, MN

4183   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Lakeville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James R

Instruments: Piano Voice Trumpet Trombone Euphonium French Horn Tuba

My philosophy in teaching is that a good understanding of the foundation of music and the instrument will lead to self sufficiency in learning. I aim to teach my students not just to be dependant on myself as the instructor, but to be able to problem solve and learn on their own if they run into a question and an instructor is unavailable. I regularly practice sight reading with my students and keep them critically thinking about their music and what makes it up. Read More

Kimberly H

Instruments: Piano Guitar Voice Violin Cello

Piano: I prefer Faber Piano Adventures, but I can be flexible if the student is in the middle of another series already. I have also taught the young beginner series by Faber. Strings: I use a traditional approach, but I am not tied to any particular method book. I can supplement whatever is being taught in school or the lessons can stand on their own. I have taught anywhere from Kindergarten to adult ages. Read More

Jacob A

Instruments: Piano

I'm a laid-back but passionate music instructor who really enjoys teaching students of all ages and all ability levels. I have been teaching regularly for 5 years and have learned immensely from the experiences myself, which I use to better teach students now. I have earned degrees from the Cleveland Institute of Music and the University of Illinois, and have performed as a soloist and collaborative pianist throughout the Midwest and East Coast. Read More

Gabe S

Instruments: Piano Voice

Voice students can expect training rooted in the classical style, focusing on healthy and powerful voice production. For all genres of singing, the classical style forms a healthy and sustainable base to explore from. My pedagogy is focused on an open and sustained torso, a free jaw, tongue, and neck, and light and focused breath pressure. Additionally, students will be taught optimal position for vowel formation and resonance and proper alignment of the body. Read More

Armen S

Instruments: Piano

My piano teaching goals for students are -- l. Enjoyment. 2. To become a good reader of music notation. 3. Learn music theory, history. 4. Gain knowledge of all styles of music - Classical, Contemporary, Popular, Jazz, etc. 5. Be able to perform in year end recital Read More

Evan E

Instruments: Piano Guitar Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe

My teaching style is very focused on the student's desire to learn what they want. Very early into taking on a new student, I try to find what/who inspires them. Doing so allows me to tailor my teaching to each individual student. I also like to have 3 main "small improvement" objectives for each lesson. There's improvement on what we did during our last lesson, improvement during the lesson with something new I will introduce, and improvement for our next lesson with something I will give to the students to work on themselves after our lesson. Read More

Teacher In Spotlight

Nina D

Instruments: Piano Guitar Voice Violin Viola Fiddle

What do you think is the hardest thing to master on your instrument?
I think the hardest thing to master on my instrument is improvisation. Recently I have been practicing improvisation both in the Bluegrass and Jazz genres on the violin, and it takes a lot of practice and creativity to be able to think quickly and put your ideas into action.

What does a normal practice session look like for you?
When I practice, I liked to begin by warming up. Whether it's practicing violin, guitar, piano, or voice, I like to do some body stretches because it's important to get your whole body aligned and ready to focus. Then, I do some scales or simple exercises. During the bulk of the session, I like to focus on parts of my pieces that are difficult. I break them down and play them more slowly, and often put the melodies to different rhythms to help get the songs in my fingers. Using a metronome to keep the time and slowly increase the speed can be very helpful as well. I like to really delve into my practice, giving myself at least an hour to focus.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For beginners, I use the Essential Elements for Strings books. I choose this method because it gives a very logical and strong foundation on position techniques and note reading. Then, once the student has begun to explore this side of written music theory, I like to introduce ear training techniques. I was partially trained in Suzuki violin, a method where you largely learn by ear. As an instrumentalist who is very comfortable both reading music and learning by ear, I know how crucial it is to have both skills. This makes you a much more versatile musician in that you are both listening carefully to the music you play and playing it precisely.

Why did you choose your primary instrument?
When I was 5, I knew that I wanted to play the violin. My father and older sister both played, and I was extremely inspired by that. I loved the sweet sound of the instrument, and the fact that you could play "fiddle" music on it too.

What musical accomplishments are you most proud of?
In high school, after a rigorous series of auditions, I was extremely proud to be selected as a first violinist for the NAfME All Eastern Orchestra (an orchestra consisting of players all over the East Coast). At age 20, I wrote, produced, and released my first recording project called Trust a Dream. The process of conducting a band and bringing my vision to life is the musical moment I am the most excited and proud of in my life thus far. In 2018, I was also selected both in the Spring and the Fall as a Finalist in the International John Lennon Songwriting Competition. It was extremely fulfilling to be recognized internationally for my work as a songwriter.

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