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Here are just a few of the many teachers offering Piano lessons in Loveland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
I typically start beginning students with the Alfred music book series. Once they've made sufficient progress, we move into a specific genre or two that they are most interested in. We learn about the style, and why it sounds the way it does. After we have a solid repitoire, students will be ready to perform! Read More
Instruments: Piano Keyboard
I became passionate about teaching during my master's degree studies at New England Conservatory. I followed that passion through a doctoral degree in Music and Human Learning at UT Austin, and since have taught at universities, summer camps, and after-school programs. At the Stanford Jazz Workshop, I have been the Faculty Director and the Co-Director of the Mentor Fellowship Program, and I am the co-founder of CU Denver's LYNX Music Industry Camp. Read More
Instruments: Piano Drums
As a licensed teacher with experience teaching pretty much every age (1st grade-adult) and skill level of students, across a wide variety of subjects (English lit.-music theory), I have developed a music program that gets students learning fast -- and enjoying it! As much as I love making music -- being part of a group performing songs live is a huge thrill! -- that's not my profession... My profession is teaching. Read More
Instruments: Piano Keyboard
I love helping students develop a passion for music! For this reason, I find it important that each student progresses at their own pace. I will help by setting goals for the student that are challenging, yet attainable. Acknowledging accomplishments helps keep students motivated so I am also mindful of this. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More
Instruments: Piano Voice
I make sure to first introduce my students musical fundamentals, then progress to repertoire that is appropriate for the students' age and skill level. I scaffold learning concepts and sequence them so that students can confidently progress from one level to another. Music theory is woven into my teaching methods, strengthening students' understanding of their instrument. For piano, I like to teach from the Faber Piano Adventures books. For voice, I implement vocal exercises that can be easily replicated and practiced. Read More
Instruments: Piano Drums Orchestral Percussion Conga Latin Percussion
Education is a central part of my life and will continue to be for my whole career. When I'm not teaching music, I teach English to kids living in China over the Internet! I have been teaching music for several years in individual, group and clinic settings. I recently graduated from the University of Iowa where I was lucky enough to study many different kinds of music. I became interested in Caribbean music and steelpan and through the University and had the great experience of competing in Panorama in Trinidad Tobago. Read More
Instruments: Piano Trombone Clarinet Drums Bass Guitar Euphonium Tuba Piccolo Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard
Since I have had many different teachers in many different areas of my musical life, my philosophy is to be flexible and open as an instructor. I have learned many different methods and techniques, and depending on the type of lesson I'm teaching, I use whatever methods are relevant. Whether I'm teaching rock music, orchestral music, or even marching band techniques, my goal is to give students the skills and tools they need to have fun and be successful. Read More
Instruments: Guitar Bass Guitar Ukulele Mandolin Lute Music Electric Guitar Classical Guitar Acoustic Guitar
What does a normal practice session look like for you?
Normally I practice anywhere from 4-6 hours per day, depending on the day. Prior to practicing I do a few stretches to help relax my entire body. Then I look over the music before even touching my instrument and count the rhythms of each voice aloud. Then I sing the voices in my head or aloud. After that I take a note of how I expect the phrasing of the passage to be and identify areas where the technique might be difficult. Then I begin working out fingerings for each measure and practice it very slowly to train my muscle memory for the passage. Then I turn on the metronome and begin working with it to ensure that I am playing everything rhythmically accurate. Once all that is done for the entire piece I begin working sections of the piece slowly and with the metronome until it's committed to memory. Then I play the piece slowly without the metronome and speed it up to rhythm. After each "performance" I look back to the music and figure out where I stumbled, or what I want to be clearer, or anything of that like.
What do you think is the hardest thing to master on your instrument?
There is a myriad of techniques that are very difficult to master, things like tremolo, cross string trills, artificial harmonics, tambora, tremolo rasgueado, and etc. But the largest hurdle I see most guitarists struggle with is the "Barre" a technique in which the performer holds many strings down with the index finger. I've seen many fail to learn it, and I've seen many play it incorrectly. Personally it took me a long time to get used to the technique, but I have a surefire way of teaching it so that the student will master it in no time!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I recommend two of them: Scott Tennant's "Pumping Nylon" and Pepe Romero's "La Guitarra". These are not necessary at all to begin lessons at any level. I can supply free resources that are great for learning. Mauro Giuliani's Right Hand Studies, and etudes by Matteo Carcassi and Fernando Sor.
What musical accomplishments are you most proud of?
Aside from my many performances with Pepe Romero, my big accomplishments personally are having performed many of my arrangements of famous piano pieces for guitar. I've arranged something like 300 pages of music for guitar ensembles, solo guitar, guitar and piano, guitar and violin and etc.
Have any of your students won awards or been selected for special honors? How have they succeeded?
To be completely honest, I have not had many students. The one student I did have for a few months moved on to play in several church bands and continues to play and love the guitar to this day.
Why did you choose your primary instrument?
Before I made the switch to classical guitar, I played a lot of acoustic guitar -- mostly folk. Then I heard a music video by a guitarist named Michael Lucarelli on youtube, and decided that I needed to learn how to play that kind of guitar. I searched all over Louisiana looking for a teacher that could help me in learning this gorgeous music, but very few had any inkling of how to play. That's when I discovered Mr.Patrick Kerber, who is a true master of the instrument and he helped me immensely.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Loveland to students of all ages and abilities.
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