Saxophone Lessons in Hartland, CT

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums French Horn Piccolo Oboe Bassoon English Horn

The student decides how fast he/she will progress by practicing very hard, or by working at a more moderate pace. Once again, I always participate in the learning process, as this method of teaching will enhance the private lesson, and a mutual enjoyment and respect will develop! The student must convey to me what he/she desires to focus on, and there will be a "win/win" situation which is always preferred. Read More

Instruments: Guitar Saxophone Bass Guitar Ukulele Music Electric Guitar Djembe Classical Guitar Acoustic Guitar

Technique as well as theory are equally important. It is also important to have fun while learning. I like to use the Hal Leonard lesson books combined with excersises that I have created. I can also teach songs requested by students and explain and demonstrate how theory and technique apply to the tune. Improvising and playing along with other musicians in songs or jams is highly recomended. Understanding what each student wants to get out of the lesson is important. Read More

Instruments: Saxophone

I am an actively performing concert and chamber musician as well as a passionate instructor. In 2014, I began taking orchestral auditions to be a solo concert saxophonist and got the opportunity to perform under former Philadelphia Orchestra assistant conductor, Maestro Luis Biava. Since then I have been a part of several world premieres of contemporary chamber and concert music and have had the opportunity to perform in venues such as the Kimmel Center for the Performing Arts, Trinity Center for Urban Life in Philadelphia, PA; the DiMenna Center for Classical Music in New York City, and Schermerhorn Symphony Center in Nashville, TN. Read More

Instruments: Piano Saxophone Flute Clarinet Bass Guitar Synthesizer Recorder Piccolo

I am an extremely passionate artist and looking to pass along the love I have for music onto willing students. I graduated from the University of Delaware in 2015 with two degrees, a Bachlor of Music in Music Education and a BM in Music Composition. I am currently attending the Hartt School of Music in Hartford, CT, where I am pursuing a Masters in Music Composition. I am a very active young composer and have had my music performed at many places along the east coast. Read More

Instruments: Piano Guitar Saxophone Bass Guitar Music Keyboard Electric Guitar Djembe Acoustic Guitar

Depending upon what area/instrument of music I'm teaching, I use a number of different materials, including (but not limited to) Tonal Harmony (Kostka, et al.), Essential Dictionary of Music Notation, Accent on Achievement, Hal Leonard's Essential Elements, or Rock House Method (McCarthy). The skill level of the student also dictates what resources I'll use. In addition, I believe that the student should have control over his/her development as a musician, so I encourage my students to create a list of songs they wish to learn how to play. Read More

Instruments: Saxophone

I am a large proponent of fundamentals, and will always encourage students to refine these techniques first. This will include scales, tone production, voicing and overtones, and more! Alongside this will be a combination of student choice pieces and etudes from various books. I like to start with the Melodious and Progressive Studies by David Hite, then progress to Ferling's 48 etudes for more advanced students. Finally, we will also begin adding student choice pieces, as well as some pieces(or transcriptions) from the standard saxophone repertoire! Read More

Instruments: Piano Saxophone

My teaching style is fairly laid-back, allowing each student to progress at their own pace. This allows me the freedom to tailor the instruction to the specific needs of the student and successfully find what creates their individual passion. I also believe that - especially in creative mediums like music and art - every negative critique I point out needs to be accompanied by at least two positive critiques. This positive reinforcement will help push students to progress rather than pushing them down, and all I want is to see the people I teach grow as both budding musicians and people. Read More