Trumpet Lessons in Manhasset, NY

Instruments: Trumpet

I have two main philosophies I base my teaching method on, regardless of age, skill level, or genre. 1) Fundamentals are extremely important, and 2) Music is an aural experience. To expand on my first point; a tree is only as strong as its roots. If a player has a strong understanding of the building blocks of music, the sky is the limit. I begin every lesson going over these fundamentals in some way. Read More

Instruments: Trumpet

My teaching experience dates back to my junior year of high school. I first began providing private lessons to local children that attended the local middle school that I had also attended myself. Consistency is the most important thing that I have stressed to all of my students. Consistency in practicing is vital to training your lips, fingers, and lungs to match what you have in your mind. I have also found that younger students enjoy playing pop and jazz more than they enjoy classical pieces. Read More

Instruments: Trumpet Trombone Euphonium French Horn Tuba

Hello! I love teaching and value each and every student I have as an individual, and cater my lessons to match your interests. I'm originally from Georgia, and moved to New York to pursue my career as a jazz trombonist, and since have performed all over the world including Europe and the Caribbean. I also love folk and rock music, and have played banjo for 2 years, and also write music for my own group where I combine trombone playing and the banjo with other jazz musicians! Read More

Instruments: Guitar Trumpet Trombone Ukulele Euphonium Tuba

Simply put, I love music. I listen to music and make music and teach music in different styles, on different instruments, in different ways. I've recorded and performed on trombone, trumpet, bass, guitar, ukulele, tuba, and more. I've played with symphony orchestras in Carnegie Hall and with rock bands in Brooklyn basements. I've shared the stage withjazz greats Maynard Ferguson, Jimmie Lunceford, Conrad Herwig, "Blue" Lou Marini, and Jeff Coffin (Flecktones), androckers Dee Snider (Twisted Sister), Scott Weiland (Stone Temple Pilots), and Mike Portnoy (Dream Theater). Read More

Instruments: Trumpet

This non-fear-based approach to learning and career preparation caters to one my premier goals of teaching within academiato prepare a student for the real world, but with a humility that transcends the illusions of material or financial success. Finding ways to be of service to others is ultimately my goal as a human being, as a performer of music, and also as an educator. In the context of musical academia, that approach translates toward helping a person reach their goals as a musician through their chosen medium. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More

Instruments: Piano Guitar Trumpet Keyboard Acoustic Guitar

I typically create my own lesson plans and try to cater them to the student. Most recently I've been working with trying to find a balance of teaching music theory and practical piano. When teaching theory, I often refer to Kotska's and Payne's "Tonal Harmony" for the order of the curriculum, and when it comes to exercises I will either write them out on the spot to demonstrate something to the student (I also feel it is important to SHOW the student how to MAKE music, ie. proper note notation, and symbol shape), or prepare them in advance if the content is more complex. Read More