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Featured Violin Teachers Near Boston, MA

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Here are just a few of the many teachers offering Violin lessons in Boston . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Molly F

Instruments: Piano Voice Violin Trumpet Trombone

I began teaching when I was a freshman in High School and I continued with a full-time load of students throughout all four years because of how much I loved it! Eventually adding some beginner adult students into my rotation of kids as well! I taught a few college level students throughout my college years whenever I could and took on summer students during my breaks! Now that I am done with college I am very excited to begin teaching students of all ages again and sharing my love and appreciation of music with them. Read More

Cecilia S

Instruments: Piano Guitar Voice Violin Viola Ukulele Music Keyboard Acoustic Guitar

For beginner piano students, I have found the Faber Piano Adventures books to be quite successful. For other lessons, I try to tailor them to each student and find materials that fit with their unique music goals. I have drawn from a variety of music resources, as well as my own knowledge, to help students learn through their own unique way of thinking. I believe it is important to build off of the skills that students already have, and to find ways to support them as they grow in other areas. Read More

Jacob F

Instruments: Violin

I started playing the violin when i was 5 years old, I went to Hamilton Country Day School in Attleboro MA as a child where violin was part of the curriculum. I was lucky enough to be the Concert master in the Rhode Island Philharmonic Youth Orchestra in the Prep Strings section when i was 10 years old. I don't have prior experience teaching students, but i have almost 20 years of experience playing, and look forward to sharing what knowledge, and passion for music i have with students of all ages. Read More

Jacob L

Instruments: Violin Cello Viola

Many times students have videoed me playing pieces i teach so they have an example to watch/follow. I use Josephine Trott double stoo books 1 2. I use Yaakov Geringas's "Shifting~Thirty Studies For Young Violinists " .there are a couple scale books i use with my students. I have quite a collection of fiddle tunes, klezmeh tunes, Gypsy music and more i like to mix in with the classical music. I have all my students perform in my student concerts or at least in some of them each year. Read More

Juan R

Instruments: Guitar Voice Violin Viola Ukulele Mandolin Acoustic Guitar

During 2010, heavy rains had left thousands of poor people homeless. Faced with this situation, I wondered how I could personally support to that part of the affected population. I thought about teaching math to children or teaching music. I decided on the second and when I told another group of coworkers, they voluntarily bought the Cuatros (Venezuelan Guitar) so that every child in the refuge had their new toy: a Venezuelan musical instrument. Read More

Narine D

Instruments: Violin Viola

I performed in numerous chamber, orchestral and solo concerts, including the Lowell Philharmonic Orchestra and the Cambridge Symphony Orchestra. I have extensive teaching and pedagogical experience includes teaching violin, viola, and chamber music ensembles for more than sixteen years to students of different ages and levels. As a teacher, I am caring, patient, and dedicated instructor. My students are always participating in different orchestras, district auditions. Many of my students were playing in Boston youth Symphony Orchestra. Read More

Teacher In Spotlight

Myra M

Instruments: Violin Electric Violin Fiddle

What advice do you have about practicing effectively?
Do what is suggested on the weekly lesson and practice plan. If you cannot cover everything on the list, do what you can, but do it well. Try practicing at the end of the piece first, moving back to the beginning. Find your trouble spots and play with them many different ways. Play scales and scale patterns every day. Consistency is crucial. Fear sneaks in when days are missed. If you are not with your instrument, listen to good examples of your pieces, watch others play, learn to practice with your sheet music alone!

How do I know if my child is ready to start lessons?
If the child is insistent about starting, over time, visit someone's lesson. Meet with the teacher and if possible, attend an introductory lesson. Ages 6-8 are great ages to start, but make sure that the child has the time during the week to devote to practice. Are there other musicians in the family? If the parents or siblings also practice, the child in question may be ready to take on the challenge too. Also, having the parent involved in the lessons and supportive at home will encourage readiness.

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on my instrument is the fluctuation of dialogue in my head from insecurity to accomplishment. There are days when I feel I know little about the wood and strings I hold, and others when I go straight to the sound, from what I hear in my head to the sounds coming from the violin, viola or cello. Each day is a new beginning. For me, the reality of six decades of playing sometimes clashes with the how far I have yet to go. There is no rule book for internal expectations.

If you weren't a musician what do you think you'd be doing instead?
I started out as an artist. From an early age, I said that I would be one. I did actually win full scholarship to Massachusetts College of Art (1967), but left after only 2 years. If not music, I would have gone on to create large oil paintings, perhaps illustrations for books or would have become an art teacher or a poor starving artist. There are many correlations between the arts and the elements of balance, color, emotion, the inertia of beginnings, and the pride of accomplishment, all of them being wellsprings of music creation.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
At a point in my life I was miserable at my job, feeling that the money did not justify the time spent doing something that was unfulfilling. I began to visualize being happy and fulfilled, warmed by doing something that would connect me to people. After a few weeks I began to add music to my vision. I was playing fiddle at a contra dance one evening when a few PASOW teachers approached me. The Performing Arts School of Worcester was looking for a folk musician to help bring folk music to their established classical program. Things changed dramatically and happily for me then!

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