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Featured Piano Teachers Near Yorba Linda, CA

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Here are just a few of the many teachers offering Piano lessons in Yorba Linda . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael P

Instruments: Piano Guitar

Welcome to my world of melodies and harmonies! I'm Michael P., a passionate and gifted piano teacher, dedicated to nurturing musical talents and spreading the joy of playing the piano, and understanding music theory. With over 30 years of experience and a deep love for music, I have had the privilege of guiding numerous students on their musical journeys, helping them unlock their potential and create beautiful music. Many of my students have become music majors in college, and professional musicians. Read More

Jae Eun (Jenny) J

Instruments: Piano

I have excellent communication skills and have worked as an assistant to the Program Coordinator at Montecito Summer Music Festival while also participating as a performer. In addition to my musical abilities, I have received many academic honors as well. I am a member of the Agoura High Chapter of the California Scholarship and is also on the Dean’s List at the University of Southern California. I graduated from USC with a BA in Music and emphasis on Piano.  Read More

Valerie S

Instruments: Piano

I'm an upbeat, dedicated teacher with a great deal of firsthand experience to offer. I have been working steadily in the music industry for nearly twenty years, and have BM, MM, and DMA degrees in piano performance. I am Classically trained but also sing and play keyboards in a Japanese pop band! We have had the opportunity to tour all over Japan and the US. I also have experience composing, accompanying, arranging, and recording as a studio musician. Read More

Amanda S

Instruments: Piano Cello

I believe that every student learns differently and at different levels. I also know that you get out of lessons what you put into them so I require that students practice at home in addition to their weekly lessons. I have recitals twice a year and I believe that being able to play in a group setting and having a goal of performing really gives students the motivation to practice. Read More

Alan L

Instruments: Piano Guitar Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Acoustic Guitar

We will start with the 12 bar blues (in order to work on finger dexterity) and work our way up into the pentatonic, major, and minor scales. Students will also learn during this time, various techniques to add more expressiveness or feeling to their playing such as slides, bends, vibrato, hammer ons/offs, double stops, etc. For the later stages of this course, students will learn about other scales of interest (melodic minor, harmonic minor, etc.), scale modalitys (the modal scales), five string arpeggios, tapping arpeggios, and advanced techniques such as tremolo picking, sweep picking, hybrid picking, economy picking, harmonics (natural, artificial, and pinch), and tapping (both one hand and two handed). Read More

Justin R

Instruments: Piano Guitar Violin Viola Bass Guitar Ukulele Mandolin Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Haus Music NJ o Video Game, TV series library composer/orchestrator/sound designer using LPX Sibelius.o Independent ▪ Scored Phlur.com and other commercials and several short films using DP9 Private Business Owner Parente-Rosin Music Studio Westfield, NJ o Provides music lessons to all age groups, schedules lessons and recitals each season o Organizes day-to-day operations of music studio Music Teacher and Instructor RMC Studios - Garwood, NJ o Teaches strings, piano, scoring/electronic music and music theory o Spear-headed chamber program for strings Assistant Musician and Soloist First Baptist Church Westfield, NJ o Prepared and performed music on strings, piano and voice and also set up mics/sound Audio/Video Engineer NV Factory Englewood Cliffs, NJ o Cam Mic setup for in-studio concerts. Read More

Teacher In Spotlight

Aida F

Instruments: Piano Voice Music Keyboard

What does a normal practice session look like for you?
My practice sessions usually last anywhere from 30 minutes to an hour, depending on my schedule and goals that day. I like to start with a warm-up — whether that’s vocal exercises like breathing and scales, or finger exercises on piano — to prepare my body and mind for focused work. Next, I’ll focus on technical skills, such as refining tricky passages, working on pitch control, or improving rhythm and timing. This part is all about precision and building solid foundations. Then I like to spend time on musicality and expression — maybe working through a song, experimenting with phrasing, dynamics, or storytelling. For songwriting, this might mean brainstorming lyrics or melodies, or arranging a track. Finally, I always leave time to play or sing something fun — whether it’s an old favorite or something new I’m excited about. This keeps practice enjoyable and reminds me why I love music. Of course, every practice is a little different depending on what I need at the moment, but balancing technique, creativity, and enjoyment is key for me. I encourage my students to find their own rhythm and routine that feels inspiring and doable.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I try to steer away from old fashion teaching methods and books, as they can feel a bit "mechanical" and not very inspirational. But from time to time I use Alfreds for piano and recommend advanced singers or special-interest-singers to read "The Contemporary Singer, Elements of Vocal Technique" and songwriters to read "writing better lyrics" by Pat Pattinson.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I currently have students that got into LIPA, several students that are in "gifted" programs in high school and older students that work as full time musical theatre performers in Norway ! We spent a lot of time audition prepping, which is truly one of my favorite ways to teach.

What do you think is the hardest thing to master on your instrument?
For me, as a vocalist, one of the hardest things to master is finding complete control while still keeping your voice feeling natural and expressive. It’s a delicate balance between technique and emotion — too much focus on technique can make singing feel mechanical, but too much emotion without control can strain your voice or cause inconsistency. Developing breath support, pitch accuracy, and dynamic control takes time and patience, and every voice is unique, so what works for one person might not work for another. That’s why I emphasize healthy technique combined with encouraging students to find their own authentic sound. In piano and songwriting, mastering the ability to translate emotion into music that connects with others is a challenge I deeply respect. Technical skills can be learned, but making music that truly moves people requires heart, vulnerability, and practice. Ultimately, mastering any instrument is a journey — one that requires persistence, curiosity, and a willingness to grow.

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