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Featured Voice Teachers Near Hayward, CA

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Here are just a few of the many teachers offering Voice lessons in Hayward . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Fiona C

Instruments: Piano Voice

For beginning students, I use the Piano Adventure Series by Nancy Faber and Randall Faber. I also use the A Thousand Stories for a Little Pianist by Katrin Arefy. My special methods in teaching young students include stories, easy duets, and singing familiar folk songs. For intermediate level students, I use different method books according to the student's interests. However, I encourage them to play Classical music, which is very useful in developing good techniques in piano playing. Read More

Rupali S

Instruments: Piano Voice

My method is to incorporate proper technique and fingering, and though reading music is important, i also put emphasis on hearing what your playing and also understanding it theoretically. This way students will be well-rounded and be able to understand what they are playing from an audio and theoretical stance, rather than just being told what to play by the notes on the sheet music. What this does is it allows the student to become independent so that they don't have to rely on music and a teacher to be able to play or pick-up songs they desire to play. Read More

Robert G

Instruments: Guitar Voice Ukulele Acoustic Guitar

Having been a performer for many years, I realized at one point that my experience and skills could be of use to people who themselves were interested in developing their own passion for music... And so, shortly after my graduate studies, I began teaching ...There is nothing as exciting or rewarding as focusing one's personal passion and using that energy to awaken in another person their own passion for the interest which you share... Read More

Michael S

Instruments: Voice

For so many years I struggled yet, persevered like any other singer. I was raised on a core set of beliefs that singing is all about breath and tone along with a dozen or so buzzwords that led me to more questions than answers about my own voice. It was not until much later in life that I realized that the most important component of all is authenticity. I truly believe that real and honest creativity comes from a place of authenticity. Read More

James D

Instruments: Piano Voice

I had my first paying gig at 7 years old and have never looked back! Always striving to keep my repertoire relevant, I developed a great ear that allows me to learn many songs quickly. I always emphasize that in my teaching so that a student is not only playing, but actively listening too. My teaching method is very open and is tailored for each individual student. With some I do any combination of technique, theory, composition, and improvisation. Read More

Jacob T

Instruments: Piano Voice

I couldn't imagine my life without teaching. To nurture a love for music in another, especially a child, is a gift I would not give up. I strive to find the correct balance of technique and performance, practice and play, focus and fun for each of my students. Every one of them comes to me with different skills, ambitions, and needs; building honest, open relationships with student, parent, and teacher is essential to meeting those needs. Read More

Akiko S

Instruments: Voice

I love teaching, learning, and singing, but sometimes doing the things we love can still affect our nerves! I start first from a grounding and emotional center where we learn to access our own joy and take up our own space. From that point forward, we sing our hearts out! We will learn that vocal techniques that start out feeling tricky can become easier by incorporating mindfulness and full-body movement, and we master some techniques that are most relevant to your style of singing. Read More

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Recent Articles from the Musika Blog

Opera Voice Types

...types are known for the ability to express a more dramatic range of emotions and climaxes without straining the voice. Listen to an aria by the character Don Jose from Carmen to get the idea.   Dramatic tenors have a striking vocal presence–they can sing strong and intense (and often heroic) lines over an orchestra without risk of vocal injury. The range is slightly lower than that of a lyric tenor, and many dramatic tenors prefer not to sing the much-feared High C in performances. Florestan from Beethoven’s Fidelio is a classic dramatic tenor role.   Heldentenors, often referred to as “heroic... Read More

The Saxophone in Pop Music: 1950s to Today

... Pop music of the 1980s has many associations: new wave, glam metal, hip hop, synth pop, etc. The 1980s were also the golden age for using the saxophone in pop music as a solo instrument. Many bands used the saxophone to add solos to their tracks. Having a saxophone solo was almost kind of a fad in the 1980s. Many one-hit wonders featured a saxophone solo. Effects such as reverb were added to saxophone solos post-production. In addition, popular bands and artists such as Kool and the Gang and Michael Jackson featured horn sections. With both synthesizers as well as ... Read More

Across the Universe Chords for Guitar

...a challenging intro, the rest of the Across The Universe chords are relatively easy to play on guitar. The song opens up to a verse with a very simple strumming pattern. The verse chords are D-Bm-F#m-Em7-A-A7 for the first half, and then D-Bm-F#m-Em7-Gm for the second half. The second verse is two rounds of D-Bm-F#m-Em7-A-A7, and does not end on Gm. The third verse, which some people think of as a bridge, is D-Bm-F#m-Em7-Gm and then D-Bm-F#m-Em7-A-A7. Choruses and Ending   The gorgeous choruses of this song are even easier to play than the verses. The chorus chords are D-A7sus4-A7-G played twice. The song ends with a sprawling D chord played over the “Jai Guru Deva” vocals.   For more detailed instructions on how to play the Across The Universe chords, check out my instructional video.     ... Read More

History of the Flute: Antiquity to the Middle Ages

...sizes in their compositions. Martin Agricola’s Musica instrumentalis deudsch is one of the earliest examples, published in 1529.   The transverse flutes made during this period are really the precursors to the modern flutes of today. The makers of these flutes slowly adapted the finger holes to be more evenly spaced, and though they did not yet have keys, Marin Marsenne drew up a sketch of what these keys might look like and explained their importance to expanding the chromatic abilities of the flute.   History of the Flute Continues Who knows what inspired the creation of the flute? Maybe someone heard ... Read More

Flute Embouchure: Developing Your Best Sound

...down by half notes until you’ve reached as low as you can play. Then return to the note you started on and work your way upward instead, stopping on each new note for as long as needed to find a clear, focused tone.   Working on Intervals When the formation of your embouchure starts to become second nature while moving up and down the scale, you’ll want to start increasing the interval, or distance between the notes, as you practice. Focus on making the transition from one note to another as smooth as possible. Though your embouchure will change slightly, especially ... Read More
Opera Voice Types
The Saxophone in Pop Music: 1950s to Today
Across the Universe Chords for Guitar
History of the Flute: Antiquity to the Middle Ages
Flute Embouchure: Developing Your Best Sound

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