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Featured Piano Teachers Near Teaneck, NJ

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Here are just a few of the many teachers offering Piano lessons in Teaneck . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Tennie S

Instruments: Piano Voice Keyboard

Music is a great art form to express emotion and passion for something we cannot say in words. In church, I teach the choir to express their feelings of joyfulness when praising God. Outside church, I've taught privately in piano and voice for twelve years, five with Musika. I always encourge my students to practice with patience daily for 15-20 minutes in order to successfully progress. Most importantly, they must have fun, smile and play/sing with excitement. Read More

Matthew M

Instruments: Piano Voice

The key to progress is a solid foundation. For all students I will focus on core techniques and practice habits - from there we will dive into repertoire. Through our discovery of what music elicits a passionate response we will tailor our work towards building a foundation that best fits each student. Materials will vary widely based on the students needs. I employ techniques such as the Jaques Dalcroze Method and the Alexander Technique - both of which are rooted in the physical aspects of playing music. Read More

Linda C

Instruments: Piano Voice Music

For my piano students, I like to use a mixture of books from the Alfred, Bastien, and John W. Schaum collections. I eventually assign more advanced solo repertoire as the student progresses. For my vocal students, I pick music based on their interests and vocal qualities. I have taught my students musical theater, opera, art song, gospel, pop, and many other styles throughout the years. I also like to make sure my students have a solid understanding in music theory and often give out worksheets that help them practice how to sight read, recognize different key signatures, and more. Read More

Glenna C

Instruments: Piano Violin Music

I am a violin and piano instructor with a love for teaching and encouraging a love of music. I received my Bachelors in Violin Performance from Boston University as well as a Masters and Artists Diploma from New York University. I have taught at various organizations including but not limited to NYU and the Noel Pointer Foundation. I take an individualistic approach to teaching with a balance between technique work and musicality. Read More

Robert P

Instruments: Piano Guitar Violin Flute Clarinet Bass Guitar Harmonica Banjo Ukulele Mandolin

I have over 30 years of experience teaching both private and group lessons. I have taught several special needs students, and  have successfully incorporated many of these students into mainstream settings. My students range in age for 6-80, and I am capable of teaching all styles and levels.  My focus is on individualized lesson plans that address the particular students needs and interests. My hobbies include learning various instruments, and arranging and recording various folk styles from around the world. , Read More

Sara J

Instruments: Piano Guitar Voice Drums Keyboard Electric Guitar Acoustic Guitar

I realized the power of music at a very young age, when I first started singing in a musical theater workshop. I was incredibly shy up until I got to sing as someone else. The music transported me from my rather hectic childhood to a place beyond trouble, and only to freedom and expression. I was lucky enough to continue on this magical track when I was 10 with piano lessons, and then when i was just 13, one the most lively and angst-filled ages, with private guitar lessons. Read More

Teacher In Spotlight

Alexis S

Instruments: Piano Voice

Did you have a teacher that inspired you to go into music? How did they inspire you?
Have you ever seen the movie Mr. Holland’s Opus? If you haven’t, go find it immediately. That movie is about an educator who touched more lives than he ever could have imagined over the course of 30 years. I am extremely lucky because I have many Mr. Holland’s Opus teachers in my life. My favorite voice teacher ever is Richard Poppino. He was my voice teacher, opera director, and department head at OSU. He was the first teacher that made me believe I had a future performing. We still remain great friends and I consider him a wonderful mentor. He is one of many who have propelled me into my career.

What advice do you have about practicing effectively?
I am a firm believer that there is a difference between working hard and working smart. To practice effectively, you have to be able to identify what needs to most work. After pin pointing that, you put in the most work there. Often this is “the hardest” phrase of the piece and it just needs a little extra love. Singing a song over and over again does not equal effective practicing. Skipping out on practicing, while tempting, is also not effective. My best advice is to have a set practice time and stick to it.

How do I know if my child is ready to start lessons?
The best way to tell if your child is ready is if they want to. If they are interested in singing. If they gravitate towards music. In my own technique, I adjust to what my students need and therefore I will never be overwhelming them with anything they aren’t ready for. In my own background, I started out with different music lessons in my childhood and didn’t start taking proper voice lessons until my voice was quite developed. While I got a lot of what I needed from the multiple choirs I was a part of, the main thing I missed out on was repertoire! And having someone one on one to help tailor what I should be singing. The short answer is that I am a professional singer, no matter, but I did hit roadblocks in my youth that held me behind the competition.

When will I start to see results?
This is not a one size fits all question or answer. Referring back to the question about effective practicing, results can only be found once you’ve put in the effort. However, I’ve had students be instantly surprised immediately if I’ve helped access something they’ve never experienced before. This could be a very simple adjustment or it could be hitting a note they had no idea they had in them. This is very much dependent on the rapport between teacher and student and the effort and preparation each have brought to the table.

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