516-342-3591
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25 Years
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516-342-3591
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Here are just a few of the many teachers offering Piano lessons in Oyster Bay . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Synthesizer Keyboard
Above all, I want to see my students develop the kind of love for music that can foster and sustain a life of appreciation and self expression. I enjoy seeing my students grow into their artistic selves and pursue their own musical interests with their newly aquired skills. Following my students musical tastes is a great way to motivate and encourage them while instilling the technical training they need to be great musicians. Read More
Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music
For Beginner students I have them start with the recorder. The instrument allows for a smooth segue to the flute being that the student can see their fingers and the recorder does not require the same air speed and lung capacity that the flute does so the student can pace themselves. For intermediate or advanced students I will go through orchestral excerpts, etudes, or technical studies with them. I follow the same model with my adult students, if they are just starting out I will recommend beginning on recorder to solidify fingerings however the mental and physical capacity of an adult versus a young child are very different. Read More
Instruments: Piano Saxophone Flute Clarinet
I like to focus on giving the student a strong foundation and helping to foster creativity and a lifelong love for music. This means a lot of focus on technique and understanding musical principles as well as exploring different types of music and pushing creative boundaries! Read More
Instruments: Piano
For children I use the "Teaching Little Fingers to Play" series by John Thompson. I do this because because the top of each page has a diagram of how the notes on the staves as well as the diacritical marks are played on the piano. When this series is done done I try to find music that is rich in nuance and subtlety if the the student likes classical music such as the "Favorite Classical Melodies" or the "Performance Primer level" series by James Bastien or American classic music ranging all the way from Stephen Foster to St. Read More
Instruments: Piano Voice Keyboard
YOUR IMPROVEMENTS AND PASSION FOR MUSIC WOULD BE MY REWARDS! Setting realistic goals in the first place and helping the students achieve their goals would fuel the desire to progress, and bring more energy to challenge oneself. I would find out the inspirations together with the students and help the students to bring out the undiscovered parts of themselves as a musician! I am so excited in building up a life style of learning music to enhance students' musicianships and more interests in music arts and beauty! Read More
Instruments: Piano Voice
I began studying music at age 10. By twelve years old I began serious study and practice on the piano. By 15 I was playing weekly church services on both organ and piano. I attended both Rutgers College and Berklee School of Music in Boston, where I continued my studies in piano, jazz composition and arranging, voice and performance. After graduation I began a career as a professional pianist, choir director, and teacher. I have worked countless venue for the past 30 years. Read More
Instruments: Piano Saxophone Flute
I use a few different method books, and while they are very useful for attaining the building blocks of technique and knowledge young and beginning musicians need but I like to go beyond what reading books has to offer. My goal is to show my students everything there is - reading, theory, and technique are all important but so is creation, improvisation, learning through sound and finding what inspires them. Read More
Instruments: Piano Trumpet Saxophone Flute Clarinet Music Keyboard
Why did you choose your primary instrument?
I started out on clarinet. The way that they are made and the way that they are never seem to amaze me. Though I play piano a lot now, I really think that there is a lot to be learned from playing wind instruments. I think that there is carry over from instrument to instrument. I think that even applies to brass and woodwind instruments in the respect that they all horns of some kind. There is a relationship between any two instruments regardless of what they are. I think that finding those relationships and making them work is really where it is at.
What musical accomplishments are you most proud of?
I would list my accomplishments according to what I have learned rather than by any awards or accolades that I have received. The first thing that I am very happy to have done is to play woodwinds well enough to teach and perform at a high level.
The next most significant accomplishment is the development of my own jazz theory course that is designed to simplify techniques and to get students to improvise quickly and effectively by focusing on motifs first and larger phrases second. These thing have made me a more effective teacher.
Have any of your students won awards or been selected for special honors? How have they succeeded?
I have had several students audition for and get into good college music programs.
I have had several students audition for good high school groups and get into them as well.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like Klose, Rose and Baermann studies for clarinet and Klose and Lazurus for duets. For flute I like Anderson studies and duets by Quantz, Mozart and Beethoven. For saxophone I like studies by Larry Teal as well as Marcel Mule and Sigurd Rascher. For piano students I like my students to play Haydn's first sonata in C major and then eventually Mozart's piano sonata #7 also in C major.
All students have the opportunity to take my extensive course of study in jazz improvisation if they choose to. All students are encouraged to select music for themselves and to practice those pieces every day.
What do you think is the hardest thing to master on your instrument?
On wind instruments the hardest things to master are holding the instrument properly and developing a good embouchure. The three most important things on a wind instrument are tone production, articulation, phrasing and musicality. After that reading music is something that all musicians should strive to improve. The faster someone can identify and play musical passages the better. Whether someone is playing classical or jazz they need to completely understand the passages that they are playing from numerous angles.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Oyster Bay to students of all ages and abilities.
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