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Here are just a few of the many teachers offering Cello lessons in San Jose . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Cello
I believe a student's progress depends on how motivated they feel during practices, so I work with students while putting emphasis on patience and encouragement. As a usual protocol for beginning students, I start with one active scale and an easy Suzuki solo piece (ex. Twinkle Twinkle Little Star), slowly introducing simple etudes when progress is noted. I usually demonstrate a piece before assigning it to the students for homework so that they have a better idea of what the piece should sound like in terms of both tempo and how the notes should be carried. Read More
Instruments: Piano Voice Violin Cello Viola Mandolin Recorder Orchestral Percussion Music
I use various methods, books that will fit the student's needs. For instrumental, I use theory book with written activity that helps the student understand the fundamentals of music. In addition, I use various exercise and performance books that will develop the student's skill and master the instrument. For voice, I teach various vocal exercises and vocal techniques that will develop the student's voice. I have been passionate guiding students across various musical genres, including classical and contemporary, and languages such as English, German, Italian, French, and more. Read More
Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar
I have been teaching since High School, but it wasn't until my first year of college that I started teaching music. After 6+ years of teaching in my home studios in both Austin and San Antonio, I enjoy a variety of students learning violin, viola, cello, piano, guitar, and even certain music software. My greatest lesson in teaching is that no two students are alike; one student may be more traditional and focused and have no problem learning to read music, for example, while another student may have little to no attention span, making it impossible to learn consistently. Read More
Instruments: Piano Cello Keyboard
Octavio has 14 years of experience playing cello and 8 years teaching privately. He has worked with students all ages and backgrounds. Octavio is always on the look for curious individuals who are interested in music learning and cello playing. He has participated in numerous masterclasses with prominent musicians, some include, David Ying, Richard Aaron, Wendy Warner, Phillip Borter, Jrme Hanta, Khari Joyner, and Steven Isserlis. Octavio's passion and versatility as a cellist are evident in his wide-ranging repertoire and commitment to musical excellence Read More
Instruments: Cello
My teaching style is open book. What I find motivates a student is what they wish to learn and music they want to play. The basic foundation is one of the key elements to better musicality but also the study of listening and understanding music drives what we consider the originality of each musician. I believe that as much as physical practice drives the growth of a student, I want to build motivation for the student to pursue greater things with music and allow it to translate to other parts of his/her life as it has for myself. Read More
Instruments: Piano Cello
For the Advanced Beginner to Intermediate students (both adults and children) I use a mix of the higher level of all series listed above and a series of pieces that will challenge my students to explore their musicality, expression, awareness, and technical skills. For Cello Students: My beginner to intermediate cello students are taught using a combination the the following method books: All for Strings, Belwin Course for Strings, The ABC's of Cello, and Strictly Strings. Read More
Instruments: Cello
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I teach beginning students primarily from the Hal Leonard Essential Elements book. This book is full of : great pictures of hand positions, music theory lessons, Duet exercises that we can play together, and exercises that progress evenly. For beginning students I like to act as an overall music teacher as well as a cello or violin specific teacher. By peppering in theory and a bit of history, the student can be more knowledgeable about all aspects of the music they are playing and draw lines that facilitate faster learning and better retention. I also have the students play exercises from the Suzuki book. These act as bigger project pieces for them to learn to play for friends and family as they get more comfortable with the instrument.
Does music run in your family? Tell us a little about your musical family members.
I do not come from a family of musicians. My father tells me often of how he was politely asked to leave the church choir. They were not wrong. He still cant carry a tune. My mother, however, would occasionally sing to us and it was pleasant. She played piano a bit in her teens, but quit quickly because she had very bad stage fright. My decision to play the cello was a surprise to everyone in my family! But it wasn't that strange to me. Although my father couldn't hold a tune. He was always listening to music. From Motown to hip-hop to rock and even a little country, my house was always full of music. So even though my family is not musical, there was always a deep love and connection to music.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a bachelor's degree in cello performance, two master's degrees in cello performance and chamber performance, and two post graduate degrees in cello performance. I chose a path of performance late in my undergraduate career. I was initially an music education and composition student, but as I started to receive my first high level instruction on the cello, I fell in love with how the cello worked. I switched to a performance major because I realized that I wanted to teach how to play the cello in a one on one situation as opposed to a large classroom. As a performance major I have learned a wealth of knowledge about the cello that I could only achieve by working closely with established professionals.
When will I start to see results?
The learning curve on cello is different than in instrument like guitar or piano. in the first day you can learn enough to play a simple song like marry had a little lamb, learn how to hold the bow, and how to shape your hands. From there progress can seem a bit slow, since internalizing all of the elements can be a challenge. However, if you practice and follow instructions, you will notice improvements with every practice session. You learn how to create sound and fix your own technique as you progress. You will enjoy your what you are creating while you learn.
What advice do you have about practicing effectively?
I find that it is important to practice efficiently. 30 minutes of focused goal driven practice is more useful than 3 hours of unfocused distracted practice. I like to approach each session knowing what I want to accomplish by the end. Set your goal, practice slowly, and pay attention to every detail. Does it sound the way you want it to? Why? How do I fix it? those are the questions we should be asking when we practice. Practice is the refining of ideas, working on free throws, running routes. I find it useful to dedicate time to improvising and playing for fun, if that is your goal, but to make the practice time very concentrated and personal.
Why did you choose your primary instrument?
My parents were very active in getting me into extra-curricular activities. I was in tennis lesson, city league basketball, soccer, art classes, acting camps, swimming lessons, golf class, wrestling, etc. I enjoyed the activities, with wildly varying levels of success, but I never wanted to continue with them.
In fourth grade there was a presentation promoting free string classes. They were easy, I got to leave for an hour, and i got a cool new "toy". It was a no brainer. I saw the violin and thought it was too high and flashy. The viola was like a big violin and looked uncomfortably. But the cello seemed so strong, noble and beautiful. I knew I wanted to make those sounds.
It was the first time I made a decision about my own after school activity, and I stuck with it from that day.
23 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in San Jose to students of all ages and abilities.
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