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Featured Guitar Teachers Near Arlington, TX

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Here are just a few of the many teachers offering Guitar lessons in Arlington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Chris B

Instruments: Piano Guitar Trumpet Trombone Bass Guitar Music Keyboard Electric Guitar Acoustic Guitar

I started teaching guitar lessons in 1999 (20 years this year!) Since those days I've gotten two degrees and taught at colleges, and private institutions, as well as high school and middle schools. I've found that combining textbook music instruction along with learning to play some of the music the student is listening to keeps them growing and engaged. Most importantly it makes learning music fun! I love jazz and I encourage efforts of composition and improvisation to help the student take ownership of the notes they're learning. Read More

Alex Y

Instruments: Guitar Bass Guitar

My teaching style stems from my philosophy that music is a language. So my approach is focused on using the skills and knowledge while "speaking", or playing, with other musicians. That is why my approach is focused on jamming. After the student can understand how to make the instrument sound, I immediately give them the oppertunity to put their skills into practice. I will take time from each lesson to just jam with the student and allow them to explore the instrument. Read More

Art S

Instruments: Guitar Bass Guitar Ukulele Mandolin Music Electric Guitar Classical Guitar Acoustic Guitar

Also for beginners i may include some reading exercises from Hal Leonard book 1. For Adults or people that have been playing a few years the lessons become much more specialized and tailored to the individuals interests and musical needs. I typically find things the student has never focused on { playing a blues shuffle, ear training} and work on those things. We always close with a goal for the following week. Read More

Nate A

Instruments: Guitar Trombone Drums Orchestral Percussion Djembe

I try to keep things lighthearted and fun, but also demand a lot from my students and hope for regular practice to push them to new heights. Music is fun, but with hard work the lessons will pay off with the reward of improved music ability. I always incorporate music that the student is interested in and challenge them to be able to play their favorite songs. I tailor my lessons to fit the needs of the student, and cater to all different types of students. Read More

Ben H

Instruments: Piano Guitar Voice Drums Bass Guitar Banjo Ukulele Mandolin Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

My teaching style is just like most I think. I don't rush with the students. Always trying to go slow and make sure the students understands everything. I've gotten pretty good at figuring out when the students get what I'm trying to teach. If I feel like I'm going to fast I'll stop think about what I'm doing and slow down. It's easy to talk to fast and rush as a teacher because I've taught so many students. Read More

Dennis F

Instruments: Guitar Cello Bass Guitar Double Bass

No matter which instrument I give lessons on, my overall goal and desire is that the student first, has FUN, second, sees themselves progressing on their instrument, and thirdly, get to experience the joy, satisfaction and confidence one gains in playing the songs they enjoy themselves. To see smiles appear on faces of students, and hear how excited they were the first time they played a popular song they know and love well in front of some else. Read More

Kasey K

Instruments: Piano Guitar Violin Viola Bass Guitar Harmonica Mandolin Electric Violin Fiddle Double Bass

As an instructor of music, I ask for the very best of my students. And in turn, I will give them my very best to ensure that they become fluent in they instrument of choice. My style is simple, fun, and effective. My style takes on a real world approch to mastering your instrument. Read More

Teacher In Spotlight

Zach E

Instruments: Saxophone Flute Clarinet Bassoon

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have three music degrees. My first degree is a Bachelor's in Music Education. I entered this field because my initial goal was to become a band director exactly like my high school director. I've since developed my own more individual goals rather than just becoming someone else, but the love and necessity of teaching has always been present in my musical experience. I continued afterwards to get a Masters Degree and an Artist Diploma in Music Performance, because I really love spending time on my instrument. Becoming a strong performer requires so much more than hours in the practice room, and pursuing this path has led me to really understanding my own musical fulfillment that I aim too share with each of my students.

What is your dream piece to perform and why?
I actually have performed my dream piece, but I would love to do it again! The piece is Ciranda des Sete Notas by Heitor Villa-Lobos, and it is a short solo piece for bassoon and string orchestra. It's extremely exciting, and flashy, and touching, and ends in the most beautifully profound and intimate way, especially compared to how large and grandiose similar pieces end. It's such a fun and engaging piece that shows off so much of the instrument and so much of the player, and really means so much to me musically.

What does a normal practice session look like for you?
My practice sessions are actually split up into multiple sessions per day. I always begin with fundamentals, which I have a routine that is constantly adapting based on what my performance needs are. The constants are a focus on finger facility, tone production and maintenance, and articulation. This often translates to scales, long tones, and some home-brewed articulation exercises. After fundamentals, I have my "daily excerpt" maintenance session. For professional, auditioning musicians, there is an expectation of pieces we should be able to play on every audition. This section of my day is based on keeping the technique for those excerpts in shape. I'll isolate sections at a reduced tempo, ranging from 80-95% and focus on fluency for each piece. The third section of my practice is the "right now" session. This includes preparing music for anything I have upcoming urgently: auditions, performances, lessons. It is similar to the daily excerpt practice but much more focused on smaller segments, again practicing slowly to build comfort. The last section of my day is for me, I play music that I love playing to remind myself that even in the midst of preparing and working, this is a fun and beautiful thing to do. I am forgiving of mistakes, and only play music that makes me happy.

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Recent Articles from the Musika Blog

Jazz Scales: The Pentatonic Scale

...also be applied to more standard jazz tunes. Over a major7 chord, you can play a major pentatonic scale based on the fifth of the chord (G A B D E over a Cmaj7 chord). Over a minor(major7) chord, you can play a major(b6) pentatonic scale based on the fifth of the chord (E F# G# B C over an Amin(maj7) chord).   There’s a cool way to use the pentatonic scale in an ascending half-step progression over a ii-V-I progression. You start by using a major pentatonic scale based on the seventh of the ii7 chord. Then, go up a half-step for the... Read More

Piano Music Theory

...intervals themselves, the relationships found in these scales are permanent. The notes found in major and minor scales form the keys we hear in music.   Memorizing two simple patterns will let you build major and minor scales not only on every note on the keyboard but on every note in music. Again, we’re using the key of C as an example to make things easy, but you should use the patterns you learn here with other keys for practice. The pattern here is represented by whole-steps (major 2nds) and half-steps (minor 2nds). Starting from C, follow the sequence of whole and ... Read More

Great Percussionists (Who Happen to be Women)

...fascinating collection of layered improvisations (accompanied by her own field recordings that give the collection its name), compositions, and even a song cover. Boxall tours internationally as a concert musician, session drummer, and clinician. https://janeboxallmarimba.bandcamp.com/     Nancy Zeltsman   Another renowned marimba soloist, Nancy Zeltsman has been professor of marimba at both Boston Conservatory and the Berklee Academy of Music (which merged in 2016) and a regular guest professor at the Conservatorium van Amsterdam, in addition to being the founder of the Zeltsman Marimba Festival, an annual two-week festival of lessons, masterclasses, lectures, and concerts. With her critically acclaimed duo Marimolin (with violinist Sharan Leventhal), she made ... Read More

Guitar Maintenance: Keeping Your Guitar in Top Shape

...The guitar sounded amazing, and for good reason. Up until I was in my mid-twenties it was the most expensive thing I’d owned. I quickly got to work writing songs and performing at venues with my new beloved instrument. My Taylor acoustic accompanied me to hundreds of shows across the country like a trusty best friend. One unbearably-hot summer day on a downtown Denver rooftop bar, my band played a big show that was sponsored by the local alternative station. As we set up our equipment for sound check, I opened my guitar case to a sight of complete and utter horror: ... Read More

The Haydn Trumpet Concerto

...that name. Haydn apparently inherited his enormous musical talent from parents who knew nothing about music; his father made wheels (referred to as a “wheelwright”), and his mother worked as a cook for wealthy families in the area.   The young Haydn began musical studies with a cousin when he was six years old, and his apparent aptitude for instruments, singing, and all things musical drew the attention of the musical director at St. Stephen’s Cathedral, the foremost cathedral in Austria. Thus, at the age of 8, Haydn left for Vienna, where he sang in the cathedral choir and participated ... Read More
Jazz Scales: The Pentatonic Scale
Piano Music Theory
Great Percussionists (Who Happen to be Women)
Guitar Maintenance: Keeping Your Guitar in Top Shape
The Haydn Trumpet Concerto

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