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Featured Guitar Teachers Near New Orleans, LA

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Here are just a few of the many teachers offering Guitar lessons in New Orleans . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel H

Instruments: Piano Guitar Voice Saxophone Harmonica Music Keyboard Electric Guitar Acoustic Guitar

I am an enthusiastic and knowledgeable instructor who loves sharing my love of music with students. In 2011 I graduated from Haverford College as a Music Minor and History Major. I write songs constantly and have performed hundreds of times as both a solo artist and with bands that I have formed. I have performed in Maine, Massachusetts, New York, Maryland, Pennsylvania, New Jersey, California, North Carolina, Texas and Louisiana. I work every day to become a better singer, songwright, and instrumentalist, and I appreciate working with those who share a similar drive to excel. Read More

Soren A

Instruments: Guitar

Music has been my life passion, since I was 10 years old. At 15 I enter the Juan N Copras Consevatory to persue classical guitar performance. In 2010 I was invited to perform in Barichara Music Festival wich has been one of the most rewarding experiences in my carrer so far, because I was exposed to great performers and I enjoyed playing for big audiences. I was then invited to perform and study in Annapolis for 3 months by the founder of the Baricahra Music Festical, Jairo Delgado. Read More

Daniel S

Instruments: Guitar

I customize my lessons to each student as best as possible. For certain skill levels/styles I may recommend books or other materials, but for the most part I teach from scratch, making detailed lesson plans and notes for each individual student. I like to focus on technique, music theory fundamentals, and learning repertoire in each lesson. Read More

Aaron R

Instruments: Piano Guitar Violin Viola Drums Bass Guitar Mandolin Double Bass Music Electric Guitar Acoustic Guitar

I understand that as a teacher, my job is to not just teach the instrument or a song, but to inspire a deep, passionate love for music. The teachers that had the biggest impact on me and that I enjoyed the most were the ones who cared the most about my relationship to the music I was playing. Because of this, I make sure the student is always engaged in what they are playing and are enjoying it. Read More

Reid M

Instruments: Piano Guitar Voice Drums Bass Guitar

After I graduated from Roosevelt University I had more time outside of academics to start a teaching practice. In 2011, I worked at Lynn Marcel School of Fine Arts in Hillside, IL. As a drum instructor I helped design a corruculum plan and taught younger students ages 8-14. In 2013 and 2014, I worked at School of Rock in Oark Park, IL teaching drum set, voice, and piano for students of all age groups. Read More

Julian H

Instruments: Piano Guitar Voice Bass Guitar Harmonica Banjo Ukulele Mandolin Lute Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For me, it's about building or finding moments. Finding out what is going to motivate you to learn that song, practice that chord, and try to instill the desire to show it off for next time. Once I find out where the student is at, wether they are learning their first chords or songs, or they have been trying for a while or just getting back to their old habit of picking up the instrument, the goal is to set the mark where one will wait eagerly for the next lesson, to show off their new found skill. Read More

Teacher In Spotlight

Graham G

Instruments: Guitar Bass Guitar Ukulele Mandolin Lute Music Electric Guitar Classical Guitar Acoustic Guitar

Did you have a teacher that inspired you to go into music? How did they inspire you?
My first Classical Guitar teacher, Mr.Patrick Kerber (A classical guitar professor at Southeastern Louisiana University), was a gigantic inspiration for me. He studied personally under the legendary classical guitarist Pepe Romero. It was through him that I truly discovered the Classical Guitar. He began teaching me Mr.Romero's technique and musical phrasing that has lasted me until now, and will forever be the arch-stone of my playing. I went on and decided that I needed to study with Mr.Romero directly and joined the Celedonio Romero Institute, where every summer for 5 years I studied personally with Pepe Romero, among other members of his quartet, "Los Romeros" musicians that have won countless Grammies, been recipients of honorary doctorates from prestigious universities, were knighted by the Spanish nobility, and etc. Along studying personally with them, I also had the opportunities to perform in masterclasses held by them, and play along side them in orchestral performances as well as ensemble performances. Together we played pieces like "Concierto de Aranjuez" by Joaquin Rodrigo, "Fantasia para un Gentilhombre" by Rodrigo, "El Baile de Luis Alonso" by Geronimo Giminez, and much more.

How do I know if my child is ready to start lessons?
If your child desires to begin playing! The sooner a student begins taking lessons from a teacher the better. It's better to learn under instruction so that the student does not develop bad habits. Specifically tension-- tension can lead to many injuries with excessive playing. I'm here to make playing the instrument as easy as possible.

What advice do you have about practicing effectively?
Practice painstakingly slow with the use of a metronome. Focus on keeping your hands as light and tense-free as possible. If you detect tension in any aspect of your technique; drop your hands down at your side -- totally limp-- until they feel heavy. Then, slowly and methodically raise your hands to the instrument and focus on how light your hands should feel now. Apply pressure very slowly to the strings plucking consistently. Once you get a good crisp sound stop applying pressure. This is the best way to learn that playing any string instrument does not require the use of force.

When will I start to see results?
This depends on the level of the student. Advanced and intermediate players will begin seeing the difference very, very quickly with practice. They will notice clearer and more articulate musical phrasing, lighter and easier technique, and a significant boost to their tone. They should quickly make progress in learning more advanced repertoire. Beginners will start with learning about the instrument in its entirety. How to hold the instrument, music theory, how to play slowly and methodically. Once this is done, we will begin learning simple etudes and studies that not only hone their newfound skills, but will get some beautiful repertoire under their fingers that will last them for however long they stick with music.

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Recent Articles from the Musika Blog

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...the subject matter was too profound for American households? Could an audience enjoy a feature-length cartoon set to a classical score if they didn’t already know the music? Stokowski and Disney agreed that a well-known, successful host was in order.   Music Critic Deems Taylor Would Introduce Cartoon Fans to Classical Music Deems Taylor found success as a composer in the first half of the 20th century–his first professional composition gig was a commission by the Metropolitan Opera–but his lasting fame arose from his work as a commentator and critic.   He labored as Music Critic for the New York World throughout the 1920s,... Read More

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...you’ll be able to identify the particular sound of each interval to the point that it makes it easier for you to identify which notes are being played in a song you’ve never heard before. So Just How Important is this Perfect Pitch? At the end of the day, not very. If you were born with it, it’s a very useful skill, but the majority of professional musicians don’t have perfect pitch. Learning to use tools such as relative pitch will improve anyone’s overall musicianship skills though, and practicing sight singing and doing ear training exercises are beneficial for all music students. ... Read More
Classical Music in Cartoons: Disney’s Fantasia
The Songwriting Process: Finding Your Voice
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
The Haydn Trumpet Concerto
Can You Learn Perfect Pitch?

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