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Featured Guitar Teachers Near New Orleans, LA

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Here are just a few of the many teachers offering Guitar lessons in New Orleans . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Sam O

Instruments: Guitar Voice Electric Guitar Acoustic Guitar

For beginning children students I typically start with Hal Leonard or a similar reputable music book.  Once the students has a grasp of the fundamentals we will begin to introduce solo repertoire appropriate to their age and skill level.  For adult students, I find out what the student is interested in and create a lesson plan that is fun and challenging no matter their skill level. I studied the Suzuki method as a youngster so I understand the importance of ear training and sight reading. Read More

Seth B

Instruments: Guitar Saxophone Drums Bass Guitar Mandolin Acoustic Guitar

Because every student has different levels of experiences, aptitudes, and learning styles, my teaching methods vary based on each student. Generally, I work with the student to come up with a set of goals to work towards achieving. I teach the fundamentals of the instrument through learning songs that are of interest to the student. I generally use notation (sheet music) and will use instrument workbooks if it seems appropriate, while focusing mainly on developing the ear through listening. Read More

Bruno E

Instruments: Guitar Voice Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I believe that all of us are musical, even if some have more innate talent than others. Curiosity, patience and dedication, addition to good references, are key aspects that translate into growth and achievement of goals for all of us. In class, I try to work within the dreams and motivations of each student, approaching repertoires that translate the students' interests in the best possible way. I always try to work on the theoretical/formal part in conjunction with the development, above all, of the ear and ear training. Read More

Meredith M

Instruments: Piano Guitar Voice

I create my own custom plans for each student. Different students have different needs and I format my lessons with that in mind. Keeping the student engaged while learning is the most important thing to me for lessons. My teaching pace is also based on the student and what he or she is capable of and comfortable with. I also make sure to help my students learn what they want to learn because some students may want to focus on performance while others might want to focus on music theory. Read More

Daniel S

Instruments: Guitar

I've been teaching guitar and general music lessons since high school, where I would assist the music teacher in guitar and theory classes because of my advanced skill level. During my undergraduate studies in college, I put myself through school teaching private lessons in my home and at various music stores, churches, and performing arts schools, teaching around 200 students in 5 years. When I went back to school to get my masters degree, I was awarded an assistantship and taught music theory, music appreciation, jazz ensembles, and jazz improvisiation at the university, in addition to keeping a robust private guitar studio on the side. Read More

Reid M

Instruments: Piano Guitar Voice Drums Bass Guitar

After I graduated from Roosevelt University I had more time outside of academics to start a teaching practice. In 2011, I worked at Lynn Marcel School of Fine Arts in Hillside, IL. As a drum instructor I helped design a corruculum plan and taught younger students ages 8-14. In 2013 and 2014, I worked at School of Rock in Oark Park, IL teaching drum set, voice, and piano for students of all age groups. Read More

Teacher In Spotlight

Graham G

Instruments: Guitar Bass Guitar Ukulele Mandolin Lute Music Electric Guitar Classical Guitar Acoustic Guitar

Did you have a teacher that inspired you to go into music? How did they inspire you?
My first Classical Guitar teacher, Mr.Patrick Kerber (A classical guitar professor at Southeastern Louisiana University), was a gigantic inspiration for me. He studied personally under the legendary classical guitarist Pepe Romero. It was through him that I truly discovered the Classical Guitar. He began teaching me Mr.Romero's technique and musical phrasing that has lasted me until now, and will forever be the arch-stone of my playing. I went on and decided that I needed to study with Mr.Romero directly and joined the Celedonio Romero Institute, where every summer for 5 years I studied personally with Pepe Romero, among other members of his quartet, "Los Romeros" musicians that have won countless Grammies, been recipients of honorary doctorates from prestigious universities, were knighted by the Spanish nobility, and etc. Along studying personally with them, I also had the opportunities to perform in masterclasses held by them, and play along side them in orchestral performances as well as ensemble performances. Together we played pieces like "Concierto de Aranjuez" by Joaquin Rodrigo, "Fantasia para un Gentilhombre" by Rodrigo, "El Baile de Luis Alonso" by Geronimo Giminez, and much more.

How do I know if my child is ready to start lessons?
If your child desires to begin playing! The sooner a student begins taking lessons from a teacher the better. It's better to learn under instruction so that the student does not develop bad habits. Specifically tension-- tension can lead to many injuries with excessive playing. I'm here to make playing the instrument as easy as possible.

What advice do you have about practicing effectively?
Practice painstakingly slow with the use of a metronome. Focus on keeping your hands as light and tense-free as possible. If you detect tension in any aspect of your technique; drop your hands down at your side -- totally limp-- until they feel heavy. Then, slowly and methodically raise your hands to the instrument and focus on how light your hands should feel now. Apply pressure very slowly to the strings plucking consistently. Once you get a good crisp sound stop applying pressure. This is the best way to learn that playing any string instrument does not require the use of force.

When will I start to see results?
This depends on the level of the student. Advanced and intermediate players will begin seeing the difference very, very quickly with practice. They will notice clearer and more articulate musical phrasing, lighter and easier technique, and a significant boost to their tone. They should quickly make progress in learning more advanced repertoire. Beginners will start with learning about the instrument in its entirety. How to hold the instrument, music theory, how to play slowly and methodically. Once this is done, we will begin learning simple etudes and studies that not only hone their newfound skills, but will get some beautiful repertoire under their fingers that will last them for however long they stick with music.

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Recent Articles from the Musika Blog

Classical Music in Cartoons: Disney’s Fantasia

...the subject matter was too profound for American households? Could an audience enjoy a feature-length cartoon set to a classical score if they didn’t already know the music? Stokowski and Disney agreed that a well-known, successful host was in order.   Music Critic Deems Taylor Would Introduce Cartoon Fans to Classical Music Deems Taylor found success as a composer in the first half of the 20th century–his first professional composition gig was a commission by the Metropolitan Opera–but his lasting fame arose from his work as a commentator and critic.   He labored as Music Critic for the New York World throughout the 1920s,... Read More

The Songwriting Process: Finding Your Voice

...defining what it will ultimately sound like. Think of it this way: If a song is a house, the chord structure is the basement underneath everything else like melody, rhythm, and production. The chord progressions found in songs in popular music range from simple songs with two or three chords down to songs with complex chord progressions that feature more than a dozen different types of chords.     Melody   When most people think of a song, they first recall the melody. If a song is a house, the melody is the part of the house we instantly recognize: the shape and structure, ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...out the melody to the first sixteen bars of “Groovin’ High”. Now, check out the Roman Numerals with their associated scale degrees. You can see that measures 3-4, 7-8, and 11-12 have the same numbers below the melody. The melody is the same, but it is in three different keys. If you were to think of them all in terms of the Eb scale, the same melody would have different numbers below it in each key. You would be making things way more complicated than they have to be. ii-V-I Lines in 12 Keys With the information provided ... Read More

The Haydn Trumpet Concerto

...worth the effort, though!).   The Haydn Trumpet Concerto is perhaps the most well-known and influential piece for trumpet since its composition, and virtually every major trumpet player has performed the work. Here are some recordings of modern virtuosos who have developed their own unique approach to the timeless work: Wynton Marsalis Alison Balsom Tine Helseth Maurice Andre Hakan Hardenberger   In Conclusion Few composers have offered music as visceral and exuberant as Haydn’s, and his influence touched the work of masters like Mozart and Beethoven. Mozart had the following to say about Haydn: “He alone has the secret of ... Read More

Can You Learn Perfect Pitch?

...you’ll be able to identify the particular sound of each interval to the point that it makes it easier for you to identify which notes are being played in a song you’ve never heard before. So Just How Important is this Perfect Pitch? At the end of the day, not very. If you were born with it, it’s a very useful skill, but the majority of professional musicians don’t have perfect pitch. Learning to use tools such as relative pitch will improve anyone’s overall musicianship skills though, and practicing sight singing and doing ear training exercises are beneficial for all music students. ... Read More
Classical Music in Cartoons: Disney’s Fantasia
The Songwriting Process: Finding Your Voice
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
The Haydn Trumpet Concerto
Can You Learn Perfect Pitch?

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