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Featured Music Teachers Near Edgewater, NJ

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Here are just a few of the many teachers offering Music lessons in Edgewater . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Evy O

Instruments: Voice

I am a professional Broadway performer and concert vocalist and have extensive knowledge of singing and vocal styles. I have performed all over the USA and internationally in leading roles. I have a Master's Degree from New York University in Vocal Performance and a Bachelor's Degree in Theatre/Music. I like to create a fun easygoing environment where the student feels comfortable expressing themselves and progresses at their own rate. Read More

Oded H

Instruments: Cello

I taught in Hod-Hasharon Conservatory of Music for two years and had a private studio, teaching kids, adolescents, and adults from all ages in private and group settings. My goal as a teacher is to pass my love for music to my students. I believe that the only way a student can improve is through an enjoyable and rewarding practicing experience, while receiving the right mentorship and maintaining a strong and positive teacher-student relationship. Read More

Darius L

Instruments: Electric Guitar Acoustic Guitar

For beginners, I usually introduce them the 12 main notes of music, the physical parts of the guitar, basic chords, and why these chords are named in such a specific way. As students progress, I will introduce more chords and plucking/strumming techniques. I also allow students to choose whatever songs they wish to learn. I will listen to it and decide whether students' guitar knowledge/skills are up to par for it. Read More

Eun N

Instruments: Piano Trumpet

I have been teaching since childhood. I am available as a tutor in trumpet, beginning piano, music theory, and general music. Musical studies began early started for me on piano at age 6. At age 10, I started trumpet in the school band and after interested in the more traditional classical and church music. My teaching experience dates back to my college days, I have been consistently teaching students for 20 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument and enjoy the music and motivate them to practice and continue to learn. Read More

Morris Jack G

Instruments: Piano Guitar Saxophone Clarinet Drums Ukulele Mandolin Recorder Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

I have been an band and orchestra director for several decades and was director of  the brooklyn college big band for 4 years as a grad student.I am quite familiar with concert band,  jazz orchestra & symphonic as well as pop music repertoire .  I have a background of 8 years in percussion ensembles as well as having studied afro cuban, caribbean and indian music. I currently teach guitar, piano, saxaphone, clarinet, drum and percussion classes to children from 5-17 years olden have also taught a few children with autism and ADHD.  I can teach general music appreciation, history, theory, ear training,  and courses re: american music. I can conduct jazz band, symphonic, orchestra, rock band, pit orchestra or percussion ensemble classes as wells perform in musicals as pit drummer.  I  have had 40 years experience performing and directing orchestras in many music genres from broadway pit orchestra, big band jazz, pop,rock, latin, symphonic, military, percussion ensemble and more.  I love music and have performed in all kinds of music events from pop, symphony, opera, rock, big bands, broadway shows and national tours. Read More

Marcello C

Instruments: Piano Drums Latin Percussion

Every student is a universe in itself and every universe is unique and precious. I believe one of the most important things in teaching is understanding. Deeply understanding the student and be flexible to constantly find different and more effective ways to deliver, depending on each individual, is the strength of my method. Every student is a different world and every world is unique and precious. Ultimately, I believe lighting up the students inner fire of curiosity and passion, is one of the greatest lesson that can be taught. Read More

Andrew K

Instruments: Drums

I am a passionate teacher who loves working with students and sharing my love for music and the drums. In 2015 I graduated from Berklee College of Music in Drum-set performance and in 2017 I graduated from NYU with a masters in performance. Being able to be a working musician in New York has been a dream come true, and I have been able to play alongside some of my heroes. I am eager to help you reach your goals on the instrument. Read More

Teacher In Spotlight

Marlon M

Instruments: Double Bass

Why did you choose your primary instrument?
When I was very young, my parents played recordings of musicians in different musical settings, and I was hearing the double bass without knowing what the instrument was called. I heard an orchestral performance and the booming pizzicato and warm arco textures resonated with me. Then I heard a bassist plucking in a big-band jazz setting, and the intense drive and pulse felt so danceable to me. I couldn't help but find out what the instrument was that I was hearing. I found out via a UK Eye Witness encyclopedia that that instrument was the double bass. I was so determined to touch one in person. When my father surprised me with a rental bass to pluck, I was ecstatic and that sensation stayed with me all this time. The bass is essential because it functions as the time-keeper and harmonic foundation of a group.

When will I start to see results?
You will begin to see results when the student becomes driven to reach his/her goal established. The student has to take responsibility for the sound he/she is going for, and to work it out in practice. Results happen when the student takes time out to practice diligently and frequently. When a student relates musical activity to other areas of their lives, they begin to develop a relationship with music/their instrument, and this motivates them to discover more about what they can do on their instrument.

What advice do you have about practicing effectively?
-I find it's the material that I don't know how to play, that requires the most practicing. Don't spend too much time practicing the things you already know how to play. It's the speed bump, or the train-wreck sections, that need to be dissected. -Breaking bad habits and reinforcing new positive habits is essential in the practice session. -A 15min practice session where you get desired results or learn something new, is far better than an hour practice session in which nothing is learned and bad habits are repeated. -Try the idea/technique you are working on, in various musical settings, and your brain begins to engrain the new information.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two Music Degrees in Performance. I found that focusing on the playing technicalities would make me a more practical musician in a business where playing can get musicians into many doors. Aside from teaching, it's performing that makes my living, and gives me joy playing. Maintaining a good, consistent sound requires that one has to apply his/herself to their instrument often and consistently. Being a performance major equipped me with practice tools and repertoire to keep me motivated to 'stay in shape.'

What do you think is the hardest thing to master on your instrument?
I believe intonation and clarity are the two biggest challenges a double bassist will always face. I've heard professionals and musical heroes of mine, tell me the same thing. It's a struggle for all bassists. One thing I've noticed being an orchestral bassist playing with other stringed instruments, is how bumpy and tonally inconsistent a bass player's notes could sound in a musical phrase, compared to those of a violinist or cellist. There are certain notes in certain positions that have a distinct vibration. Therefore finding an even sound all over the bass requires specific actions for each particular note.

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