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Featured Music Teachers Near Fremont, CA

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Here are just a few of the many teachers offering Music lessons in Fremont . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Charles P

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

My experience mostly stems from what I have learned through playing music for as long as I have been. I was able to learn all the steps to continue motivating my passion for guitar such as practicing frequently and consistently, gaining a large repertoire, and training my own ear to know where I am at all times when playing. I also gained much experience working at Guitar Center Lessons for a year. Read More

Nicholas A

Instruments: Guitar Electric Guitar Acoustic Guitar

The most rewarding thing I experience is when I see a student get super excited after they have just learned something new and challenging. My approach to learning guitar is like a mini game in which you know when you have passed a certain level. It is clear what's next, and you can't move on until you have beaten the boss of each level, and my students love this! I look at guitar a lot differently than most people, and I also teach it differently. Read More

Andrea G

Instruments: Oboe English Horn

For beginning oboists I typically start with the Gekeler Method for Oboe. Once a student has moved passed the basics the fun begins with Ferling Etudes, the Barret Oboe Method, and the Vade Mecum! There is a wide variety of solos, sonatas, and concertos available for study between these method books intended solely for oboists. They also include duets that are fun to play together, and repertoir for the English horn as well. Read More

Pete E

Instruments: Piano Drums Organ Synthesizer

Progress is made at the student's own pace. I try to set goals that are both far-reaching and realistic. Anything is possible if you don't give up too easily! I've used a variety of different lesson books in the past. It's important to note that the Bastien piano books, as well as the Clark, Faber, and Alfred methods all play to different strengths. Since different students respond better to different methods, I try to incorporate some variety which focuses on several concepts: developing ear-training (i.e. picking up melodies and chords from ear) as well as sight-reading, technique, and choosing interesting repertoire. Read More

Chris K

Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar

I always say that rhythm is more important than the notes. Play the right rhythm and the notes will come instead of playing every right note while sacrificing rhythm. I encourage students to make their mistakes loud, proud, and in rhythm so everyone has a better idea of what needs to be worked on most. I also emphasize isolating parts to practice and working backwards. Example: play the last two bars of the song until comfortable with it, now play the last 4 bars, last 6, last 8...etc., whole song. Read More

Christopher A

Instruments: Guitar Trumpet Trombone Euphonium Tuba Classical Guitar Acoustic Guitar

I am an experienced trombonist and teacher with degrees from the New England Conservatory and California State University at East Bay (MA in Music anticipated Fall 2020). I have been teaching since the 1990s, and performing all over the world since the early 2000s. My primary instrument is on trombone, but have had students on tuba, euphonium, and beginning trumpet as well. My performance experience is primarily in the jazz, pop, and rock genres, but am conservatory-trained and well-equipped to prepare young students to enter the classical world as well. Read More

Richard Max H

Instruments: Piano Clarinet

My greastest reward is seeing each student develop a greater love of music as they progress and come to be able to express their personal feelings through music. It is important that each student progress at his or her own pace. I encourage this by setting realistic goals at each lesson. By acknowledging their accomplishments this helps build a desire to progress and makes students eager to learn more. By helping them learn how to use the hand, wrist, arm and upper torso, they learn tone control and musical phrasing. Read More

Teacher In Spotlight

Zack R

Instruments: Voice Trumpet French Horn

What advice do you have about practicing effectively?
Set a routine and stick to it! With that though, avoid getting into ruts. Don't practice the same thing over and over again just because it is easy or you sound good on it. While repetition is good and necessary, make sure you stretch yourself and attempt something new when you can. Sight reading is a great way to accomplish this. It's also a fantastic way to develop all of your skills and musicality. Finally make sure every practice session includes something you hate doing i.e. a difficult exercise, scales, whatever, and something you love doing, i.e a favorite song or etude. Finding these balances will make your practice sessions fly by and be extremely effective.

How do I know if my child is ready to start lessons?
If they show interest, they are ready. Generally if they can count to 10 and know their ABCs and can focus on a task for 20+ minutes, they can take lessons. I recommend not starting them off with brass or singing lessons until they are at least 10 years old. Most kids simply don't have the lung development until that age to really be successful. If they are interested in playing a wind instrument or singing, it is usually best to start them off with piano and then work those other things in. I have developed breathing exercises for younger students that go well with playing piano to get them into good habits so when they reach a good age, they are set up for success.

When will I start to see results?
This is a very difficult to answer and very loaded question. Every student is different. While it is my job to give a student the tools for success, the practice time at home between lessons is where the real progress is made. My true job is to teach a student HOW to practice, so that when they practice, they are successful. The student must take it upon themselves to take what they have earned in lessons and practice at home. If a students has difficulties practicing at home, then we can work on finding a way to make them want to practice. Practicing is the absolute only way to get better at music. Coming into lessons unprepared will never work out for the student.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I have had many teachers who have inspired me to be a musician. From a very young age, my parents saw and nurtured my musical desires. My father sang in community and church groups and my mother was always singing. My first grade school music teacher got me involved in the school choir and band. My biggest influence as I grew up and decided to go into music as a profession was definitely

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