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Featured Piano Teachers Near Pompano Beach, FL

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Here are just a few of the many teachers offering Piano lessons in Pompano Beach . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Mateja K

Instruments: Piano Voice Violin

I first talk with my students to figure out their goals.  Once a reasonable goal has been agreed upon, I enthusiastically help them jump right into playing their instrument.  By breaking up portions of the lesson with review of simpler pieces, I encourage my students to play fun and simpler things as well, so that they do not beocme frustrated.  I always bring my positive attitude to each lesson, and have the students write down what to work on after each lesson. Read More

Moshe B

Instruments: Piano Guitar Voice Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Both Jazz and Flamenco developed around the same time and have interacted healthily with classical musicians who need to express that improvisational style inside of us. After all the technical detour, we return full circle to what is most natural: Music developed to enjoy, express ,feel and have fun, whether by singing and accompanying, making others happy through dance and joy , composing and improvising or arranging other's music or music as a discipline of knowledge that interacts with almost every other field of human intellect, from mathematics to science to psychology The method may vary but the goals are the same. Read More

Lisa M

Instruments: Piano Guitar Bass Guitar Harp Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I started teaching In New York over 20 years ago while in college and playing in bands. I have enjoyed teaching all types of people with a variety of interests and at all levels. I had the pleasure of teaching young children and creating fun and highly interactive lessons. I have held group lessons and also would teach autistic adults and senior citizens. I'm happy to provide individual custom-tailored lessons to make you the best player you can be. Read More

Erica D

Instruments: Piano Voice Violin Cello Viola Bass Guitar Fiddle Double Bass Music Keyboard Acoustic Guitar

I typically use a combination of methods in the private lesson setting-method books, etude books, books for technique, solo repertoire, and pop/rock/jazz music and or charts for contemporary study. For beginners, I like Essential Elements 2000, Faber Method, Suzuki solo books, and easy pop music books. For more advanced students, I will incorporate advanced methods such as etude books/orchestral excerpts along with repertoire geared more towards polishing for recital or performance. Read More

Jose R

Instruments: Piano Violin Viola Ukulele Electric Violin Music Keyboard Classical Guitar

I have experience for more than 14 years teaching, where I had the great honor of forming a very good generation of musicians that today play with children, youth and high level orchestras in Venezuela and in other parts of the world. I was the founder of the system of Adventist orchestras in my country and I was part of the formation and direction of more than 300 young people during the 2 years that I was in charge of the first school of Adventist music of Venezuela which was created in San Cristobal, state of Tachira Read More

Bob T

Instruments: Piano Guitar Organ Synthesizer Music Keyboard Electric Guitar

I explain that middle C is the reference point, moving to the right you ascend the musical alphabet: CDEFGABC...moving to the left you descend the alphabet: CBAGFEDC...We have fun saying that backward fast. I then explain half steps and whole steps, sharps go up (to the right) one half step and flats go down one-half step. I continue this logic by explaining the formula for a major scale WW1/2 WWW1/2. Read More

Katya K

Instruments: Piano Voice Keyboard

Hi! My name is Katya. I was born and raised in Soviet Union, where I studied piano since I was 5 years old. I got a classical piano education in Soviet Union, graduating with honors from a music school, later graduating from a Music College, and further advancing my education by taking private lessons in Cape Town, South Africa from a well-known London-based pianist Graham Fitch and recently taking private lessons from Raisa Isaac – Carnegie Hall Royal Conservatory Pianist. Read More

Teacher In Spotlight

Jesse A

Instruments: Saxophone Flute Music

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on the saxophone is the tone. Tone is the defining factor between good players and great players. A saxophone teacher once told me that he could tell the level of a player by their first three notes. I didn't believe him until I became a teacher and understood that tone has a huge role to play in a player's skill level. The saxophone allows for so much nuance in the sound. It takes years to develop your technique and there is no shortcut. You can instantly distinguish the amount of time someone has dedicated to their instrument (any instrument really) by their tone.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My music degrees are in Jazz and Jazz Studies. Though I am a big advocate for the study of Jazz, what really drew me to this major was the versatility that it allows. Jazz music has been a basis for so many other genres including pop, rock, RnB, soul, funk, etc. It also has its roots in classical music with Romantic composers like Debussy and Ravel. The level of ability required jazz improvisation far exceeds that of simply interpreting music. Jazz is a performance medium and a method of composition and theory that builds on Classical music. It encourages Musicology and Music History for more informed performance. Ultimately, I felt that I could get a more comprehensive education and more employment opportunities by studying jazz rather than other majors.

Why did you choose your primary instrument?
My primary instrument is saxophone. Before playing sax, I had learned piano, clarinet and trombone, respectively. My mother encouraged me to choose an instrument that she felt was more graceful for playing in a church. Luckily, it had also been a popular instrument with my friends at school so I was more inclined to switch. Having a late start made learning sax difficult though. I could not play a note for at least a week but when I finally did it, I was so excited for my very first step that I just had to continue. The rest is history.

When will I start to see results?
Depending on your skill level, you can see results in as little as one lesson. Beginners usually have a period of rapid growth at first and become disappointed once they've improved and don't see the same results. Realistically, the rate of growth slows as a player increases in skill level. It takes twice the work to get half as far. But don't forget! If you are at the intermediate level, how you sounded at your first lesson! Use your previous experience to encourage your growth and remember that consistent practice routines are essential for consistent growth.

Did you have a teacher that inspired you to go into music? How did they inspire you?
During my time as an undergrad, I felt that one teacher taught me more than I had ever learned before. He taught jazz theory, composition and arranging. Though I already had a decent understanding, this teacher really took my game to the next level. He was meticulous about feedback to students but always encouraging. He provided creative opportunities to have our compositions performed and recorded that fueled my passion for arranging and I still use the skills he taught on a daily basis. I can honestly say that his passion for teaching launched my musical career.

What advice do you have about practicing effectively?
Develop a routine for practice that works for you in short sessions. Focus on one particular aspect of your playing to improve. For example, if one bar of music or one scale gives you the most trouble, work on only that for 10 minutes. Ten minutes of focused practice is better than an hour unfocused. Start by playing it as slow as you need to go without making a mistake. Gradually increase the tempo once you feel confident. If you make a mistake, decrease the tempo again. Avoid playing passages that you are comfortable with as they will waste valuable practice time (i.e. starting from the beginning over and over). Also, use creative approaches to practicing a passage such as playing it backwards, changing the rhythm, changing articulation. Your brain will learn to process the information differently allowing for better absorption of the material.

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