303-569-4586
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24 Years
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303-569-4586
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Here are just a few of the many teachers offering Music lessons in Littleton . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Clarinet
The level of the student matters greatly to my approach. For younger students, I'll usually use their band music or band methods to supplement class work, as well as offering my own exercises to strengthen fundamentals. Older students often use the Rose, Uhl and Lester etude books. I use Avrahm Glaper's Scales and Arpeggios for my technical exercise or use exercises that I've come up with myself. Read More
Instruments: Piano Guitar Voice Flute Bass Guitar Organ Synthesizer Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar
I began teaching music at the age of 15, primarily guitar and piano lessons for beginners ages 7-14 in my hometown of Parker, CO. At 16 I began teaching my students basic music theory and intermediate instrumental instruction. I moved to Boston in 2012 to pursue an undergraduate degree in Songwriting from Berklee College of Music in Boston, still actively teaching throughout my curriculum. I have now taught over 200 students ages 4 to 64 a wide variety of music-related subjects, including: piano, guitar, bass, voice, music theory, D.A.W. and notation software, and contemporary songwriting. Read More
Instruments: Voice Clarinet
I'm passionate and have always had a great love for music. I have been singing since I was a young child and have been playing the Clarinet since 3rd grade. Music has always been a big part of my life and sharing and teaching others is just the icing on top of the cake so to speak. I love sharing my passion for music with others and helping them to also see the beauty in music and develop a passion and love for music as well. Read More
Instruments: Piano
After starting piano performance at age 12 and music composition at age 14, I shortly graduated from Vanderbilt University in 2012 with a Music Composition/Theory degree and have composed nearly 4 hours of Symphonies, Concertos, Soundtracks, Jazz Combos, Woodwind Ensembles, Choral works, World musics, and other forms of Postmodernism. Since Post-Graduation, I've been taking composition lessons with the Colorado Symphony Orchestra composer William Hill, and is composing his Third Symphony. Read More
Instruments: Piano Voice
I also continued leadership roles in college, including section leader, choral officer, assistant conductor, and director of two choral ensembles. My professors also noticed my aptitude for pedagogy and have guided me throughout these positions with a very student-centered mind. I am just out of college, so I am young but I'm full of fresh ideas, experience, and a continued passion for learning and performing that I can share with my students. Read More
Instruments: Guitar Bass Guitar Music Electric Guitar Acoustic Guitar
I am a guitar player specializing in rock, funk and jazz fusion. Born and raised in Atlanta, I moved to Boston to attend Berklee College of Music. I spent several years touring the country with my band Mister F, who played well over 100 shows per year. I have been invited to play with blues/soul icon Robert Randolph, smooth jazz artist Earl Klugh, bands such as Twiddle, Aqueous and Mungion, as well as members of bands including Dopapod and Kung Fu. Read More
Instruments: Accordion
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
It was known in the neighborhood that I could play well, so I was hired to play a couple of (very poor) weddings when I was about 14. Then by word of mouth and recommendation of my final teacher I played lots of weddings, barmitzvahs etc.
What do you think is the hardest thing to master on your instrument?
Most everyone would say that playing the bass on the left hand where you can't see the butttons and then playing right hand keyboard is the hardest. It isn't. The left hand is the easiest to learn and you get used to the chord changes on the left hand almost automatically. The most difficult thing to master is playing contrapuntally with chords on the right hand. Malaguena is a killer, both right and left hands have a high degree of difficulty. Playing both hands together on that and other classical songs is really hard. However, when playing pop tunes, using the advanced chord method is also difficult to master. I don't believe I would have been able to learn the advanced chords without playing classical first.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Yes, the Palmer method and get a couple fake books from Amazon! The fake books have 1200 songs each and they run the gamut : broadway, rock, classical, pop. They're about $25 a piece and you can create your own song book by removing the songs you like and making your own fakebook.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I learned to play quickly when I started, most likely because my sister and father were playing and I heard music all the time. Like most kids, I found practice to be boring and difficult. I learned backwards, I played mostly by ear and would practice parts of classical songs until I got them right and then put them all together. I did not understand chord structure although I could play Mozart. When I began studying with Chelso Ferrari, he opened up a new world to me. It wasn't that he played better than my other teachers, which he did. But he showed me how certain chord enhancements changed the sound of almost any song! My playing got better after one lesson (I was already very advanced on the bass left hand) He showed me that I intrinsically knew what I couldn't understand technically. Then I learned what I was doing by rote and I had to really re-learn what I knew already. Then I could take any song I knew and enhance it.
What advice do you have about practicing effectively?
Start every practice session with both hand exercises: C major bass with the right hand exercise going up the keys from C to octave C. Then a concentrated exercise on the bass only. Finally, more complex right hand exercises without the bass. Repetition is really important, even if the student doesn't understand how the exercises help them at first, when they start playing songs it will click in. This is why I recommend the Palmer books for beginners and some intermediates. Palmer begins with an exercise that enhances the song that follows the exercise. Polkas are generally the most easily learned and appreciated by the student who is bored with exercises. Practice should be in two parts: one twenty minutes on exercises and one thirty five minutes on songs.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Littleton to students of all ages and abilities.
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