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Featured Music Teachers Near Raleigh, NC

4206   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in Raleigh . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Vincent B

Instruments: Guitar

I use a variety of methods to teach. Each lesson is unique and geared towards the need of that individual student. I work with teaching the basics of the techniques and work my way forward towards more difficult techniques at a pace comfortable for the student. Read More

Tyler L

Instruments: Piano Guitar Keyboard Electric Guitar Acoustic Guitar

For beginning students, I begin with basic open chords and scales. Once the student has basic chords down I like to teach them a song of there choosing. I found this to be one of the most rewarding experiences when I began taking lessons. For adults, I like to hear any ideas they may have and give my input and direction. I work hard to keep lessons engaging for adults, I like to think every student can learn something new every lesson! Read More

Mallory P

Instruments: Guitar Violin Fiddle Acoustic Guitar

I use a variety of different methods and I tailor my curriculum to each individual student, offering you a personalized approach that is unique to your personality and learning style. I teach repertoire from the Suzuki Violin School and Barbara Barber's Solos for Young Violinists, I also like to incorporate other styles if the student is interested, such as fiddle and bluegrass, and even pop and Disney songs. I also use etude and scale books to help build and enhance certain techniques, such as Wolfhart Etudes, Barber Barber Scales for Young Violinist, Carl Flesch Scale System, etc., depending on the level and individual needs of the student. Read More

Terence T

Instruments: Piano

My teaching experience is varied and far reaching. I have been teaching since my youth as I worked in various churches and musical productions. I was often tasked to compose and then work with the singer's musicians in the production. From there I worked with organizations while in college assisting underserved individuals learn music as a means of escapism. Additionally, I have worked with music schools to assist prodigious students develop musical maturity. Read More

Logan V

Instruments: Voice Trumpet Saxophone Flute Clarinet

My teaching experience includes serving as a middle school band director, high school band director, middle school choir director, high school choir director, elementary school general music and choir teacher, and elementary school clarinet teacher. The youngest student I've ever taught was six years old, and I'm happy to work with children, adolescents, and adults. During undergrad in college, I also worked the music theory tutoring lab giving theory lessons to college students, so if a high school student is studying music theory, I would be able to assist with that as well. Read More

Matthew S

Instruments: Piano

When working with younger students, my approach is twofold. First, I like to work with Alfred's Basic Series to establish a solid goundwork for reading music and mastering technique. Second, I like to cater the lessons to the student's particular interest, whether preparing solo pieces, practicing theory through ear training and sight reading, or writing compositions. For adults, I like working together to determine the student's goals to keep music-making challenging and engaging. Read More

Teacher In Spotlight

Zack R

Instruments: Voice Trumpet French Horn

What advice do you have about practicing effectively?
Set a routine and stick to it! With that though, avoid getting into ruts. Don't practice the same thing over and over again just because it is easy or you sound good on it. While repetition is good and necessary, make sure you stretch yourself and attempt something new when you can. Sight reading is a great way to accomplish this. It's also a fantastic way to develop all of your skills and musicality. Finally make sure every practice session includes something you hate doing i.e. a difficult exercise, scales, whatever, and something you love doing, i.e a favorite song or etude. Finding these balances will make your practice sessions fly by and be extremely effective.

How do I know if my child is ready to start lessons?
If they show interest, they are ready. Generally if they can count to 10 and know their ABCs and can focus on a task for 20+ minutes, they can take lessons. I recommend not starting them off with brass or singing lessons until they are at least 10 years old. Most kids simply don't have the lung development until that age to really be successful. If they are interested in playing a wind instrument or singing, it is usually best to start them off with piano and then work those other things in. I have developed breathing exercises for younger students that go well with playing piano to get them into good habits so when they reach a good age, they are set up for success.

When will I start to see results?
This is a very difficult to answer and very loaded question. Every student is different. While it is my job to give a student the tools for success, the practice time at home between lessons is where the real progress is made. My true job is to teach a student HOW to practice, so that when they practice, they are successful. The student must take it upon themselves to take what they have earned in lessons and practice at home. If a students has difficulties practicing at home, then we can work on finding a way to make them want to practice. Practicing is the absolute only way to get better at music. Coming into lessons unprepared will never work out for the student.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I have had many teachers who have inspired me to be a musician. From a very young age, my parents saw and nurtured my musical desires. My father sang in community and church groups and my mother was always singing. My first grade school music teacher got me involved in the school choir and band. My biggest influence as I grew up and decided to go into music as a profession was definitely

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