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Featured Trombone Teachers Near Los Angeles, CA

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Here are just a few of the many teachers offering Trombone lessons in Los Angeles . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Mariel A

Instruments: Trombone

Every student is different, so I do my best to nurture musical growth and development at a pace that is feasible for each student as an individual. No two lesson plans are identical. Based on how confident the student feels with the prospect of moving onto the next level in their studies, I begin to assign goals for the next lesson. The size of those goals will vary depending on the skill level of the student, as well as how confident the student feels. Read More

Joakim T

Instruments: Trombone

My experience as a teacher spans from advanced college students working on technique and improvisation, all the way to helping beginners play their first notes on the trombone. Before relocating to LA, I was on faculty at the University of Texas Arlington and taught jazz trombone lessons, ensembles, and brass pedagogy. At the University of North Texas, I spent several years directing big band ensembles, while also privately teaching arranging and composition. Read More

Matthew S

Instruments: Piano Guitar Trombone Drums Synthesizer Ukulele Orchestral Percussion Latin Percussion Music Keyboard Acoustic Guitar

After I first received my Bachelor's Degree from CSU Fullerton, I opted to showcase my original music through distinct outlets. One of the resulting projects, themattsmithneujazztrio, has recorded three full-length records; my other project, JUICEBOX, has recorded two. I gained a masters of music in jazz drum set from California Institute of the Arts, where I was honored to record my own composition for the CalArts, 30th Annual Jazz CD at Capitol Records. Read More

Jay J

Instruments: Trumpet Trombone Euphonium Tuba

For beginning students who are not musically literate, I emphasize a program that focuses on the aquisition of skills to read music proficiently followed by a basic program that helps students get the basics of their instrument down. For intermediate musicians, I focus more on taking their basic skills and expanding on them to help them discover new abilities and progress further in their musical development. This will include playing basic to intermediate solos, etudes to develp musicianship, scales (done fun!), sight-reading, and duets. Read More

Katherine R

Instruments: Trombone

I work primarily with young students, we start with Book 1 of Accent on Achievement. Trombone fundamentals take a lot of time given that students must build actual muscle strength in addition to learning to read music and understanding the instrument. After a student has hit a sufficient range, we move onto the Rochut etude books. Read More

Maximino T

Instruments: Piano Guitar Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Recorder Fiddle French Horn Piccolo Oboe

My approach to learning an instruments is to have the students learn to play by ear first before they can start learning to read music. I find that most students are able to progress quickly because it frees them to focus on the playing the instruments rather than reading notes. I consider reading music like different subject that they learn later. Learning music is like learning to speak. First we learn to talk and then we learn to read and write. Read More

Teacher In Spotlight

Feliciano D

Instruments: Trumpet Trombone Euphonium Tuba

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I can't remember a defining moment where I felt like something really kicked in. My junior and senior year in high school I started regularly practicing my trumpet and tuba. I also got my first tuba teacher who opened a lot of aspects of music to me. Because of how much I started to improve during those years, I started taking myself and my playing more seriously. When deciding what I wanted to do in college, I felt like music was my strongest point. I felt it was the right way to go since I had put so much into my playing.

Does music run in your family? Tell us a little about your musical family members.
Music has a small history in my family. My brother plays the clarinet, my mom used to play the flute and saxophone, and my dad used to play the saxophone and trumpet. My parents no longer play anymore, however my brother and I still participate in my high school's 4th of July Parade which is open to any musician. My brother and I used to play in high school together in the same concert band and marching band. However I am the only one in my family that actually pursues music professionally however.

What does a normal practice session look like for you?
This routine is what I do for tuba since it's what I play on the most. I play Remingtons in my middle all the way down to my extreme low register. I play flexibility exercises like lipslurs. I take a small break because I do the hardest exercises at the beginning. I then do all of my major scales with two octaves. I then do all my minor scales in all forms with two octaves. Right now I'm working on learning my modes too. Specifically I focus on learning one of the dorian modes every three days. Then I play an etude from Bordogni Complete Solfeggi and then I play that etude an octave lower. Then I practice whatever solo piece I'm working on at the time. Right now I'm relearning the Sonata for Bass Tuba and Piano on CC tuba.

What do you think is the hardest thing to master on your instrument?
I personally think the hardest thing to learn on trumpet is resonant tone. I cannot begin to express how many trumpeters, students and peers, have a hard time getting the best tone. On tuba the most difficult thing is agility, flexibility, and clarity. Because the instrument is pitch so low, these three things are difficult to achieve. Since I have been practicing regularly for the past four years, I have made significant progress, however I still have a long way to go. This brings up the last point which applies to all kinds of musicians. Something that is difficult to learn is patience.

What musical accomplishments are you most proud of?
I am most proud of my maestro award from Heritage Festivals. I received this award in 2012 as a recognition of my achievements in that festival as a soloist. I am one of ten who received this award out of over one thousand other students. That same festival I received an Outstanding Soloist from the California Alliance for Jazz. Later that year I received the Louis Armstrong Award, a nationally recognized jazz award. I also have received multiple merit based scholarships three years in a row from the Cal Poly Pomona Music Department.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have three students who have gone on to lead and teach in their high schools. These students have been recognized by their peers as well as their director. All three have gone on to become section leaders for their marching bands, concert bands, and symphonic bands. One has gone off to college where he has been playing in the concert band there. Another has been pushing for support of his music program at his high school. The other has made so much improvement I have heard from band parents how much he has stepped up his game.

Why did you choose your primary instrument?
I chose trumpet in Elementary school because I wanted to follow my brother's footsteps as a musician. My dad had an old trumpet so I picked it up and went to class. As the years went on I realized I was quite good at playing music. I tried out other instruments like baritone and french horn. Halfway through high school, the marching band needed tubas, so I switched over and received lessons from a teacher over the summer. I fell in love with tuba when I found out how beautiful and impressive the tuba could be.

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