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Featured Piano Teachers Near Berkeley, CA

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Here are just a few of the many teachers offering Piano lessons in Berkeley . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Yu-Tung (Tammy) L

Instruments: Piano Oboe

From 2015 until recently, I had experience teaching in music schools in NYC and the Bay Area in California. As of 2019 Fall, I quit my teaching jobs at music schools in order to develop my own teaching styles and create various performance opportunities for my students with restrictions, Currently, I teach in a Kawaii piano store, an after school piano program, student's home, and in a private studio, and teach around 45 students per week! Read More

Jacob T

Instruments: Piano Voice

For beginning students, my aim is always to nourish the love of music that brought the student into the studio. I am comfortable exploring any musical style or ambition with my students, and relish in learning alongside my pupils. For the young and old alike, I emphasize music literacy through piano basics - I believe that a basic understanding of the keyboard is essential for any meaningful musical education. With my voice students, I focus on synthesizing mind, body and spirit to unlock the true potential within every voice. Read More

Liam R

Instruments: Piano Guitar Saxophone Flute Clarinet

The most rewarding thing for me in teaching is learning how to create with my student. Finding the best tools for growth with the student and accessing them is the crucial component to how I teach. Gaining trust, confidence, and joy in lessons produces the highest and most sustainable growth and development of the technique, sound, and musicality of the growing musician. Read More

David C

Instruments: Piano

I like to set clear but realistic goals for students, so each student can learn at their own pace. I'm a big believer in positive reinforcement. I think the best motivation comes from within, and I aim to fuel this by finding out what inspires the student most and helping them reach their own goals. Read More

Derek S

Instruments: Piano Ukulele Keyboard Acoustic Guitar

For my young piano students, I use the structure of the Faber series to slowly introduce concepts. For my guitar students I have had great success with the Mel Bay series, which combines initial chord playing and some music reading fundamentals. For ukulele, I utilize the Hal Leonard service. With all of my students, I always want to have the students choose songs they like and that they can set as realistic goals. Read More

Erin L

Instruments: Piano Guitar Flute Drums Ukulele Recorder Piccolo Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Acoustic Guitar

I learn by doing and I believe that my students should play what inspires them! If it's classical, let's study Bach and Mozart together - if it's Latin, let's study Dave Valentin and Johnny Pacheco. I have always had a broad taste in music and I think it's wonderful when students bring me songs that inspire them. Let's work the chords out together and study the greats! I believe that the engaged student will be the successful student. Read More

Teacher In Spotlight

Zach E

Instruments: Saxophone Flute Clarinet Bassoon

What do you think is the hardest thing to master on your instrument?
This is a cop-out answer, but mastering anything is difficult and requires effort. There is no one individual thing on any instrument that stands out as the hardest to accomplish. Many difficulties for bassoon can be traced to reed quality issues, or inconsistencies in fundamental techniques such as half-hole, or thumb key usage. I don't believe in singling out one "hardest" part of an instrument, because so much of it is based on case-by-case situations.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For bassoonists, I use the Weissenborn Method for Bassoon. It's the most comprehensive etude book, and it covers everything a student will need to know from beginning well into college. This is also supplemented with my own methods. For other instruments, beginners often bring their method books from band, which I heavily supplement with my own materials. As the students progress, saxophones will move into the Ferling studies, and Clarinets to the Rose studies. If using a method book, I choose ones that present a cross section of music typical to be performed and techniques that can be advanced. The point of an etude book is to build a vocabulary for the student.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have prepared countless students for state Solo and Ensemble competition, youth orchestras, and even college auditions. My private students generally score Superior or Excellent, as well as the ensembles that I coach. I have had students participate in the Cleveland Orchestra Youth Orchestra, the Contemporary Youth Orchestra, the Akron Symphony Youth Orchestra, and many district honor bands hosted at different universities. The students I have helped with college auditions were accepted across the board, and are enjoying their musical careers at schools like Kent State University, Cleveland State University, and Miami University.

What musical accomplishments are you most proud of?
I've thankfully been put into many musical situations I can feel proud of, but a standout to me is winning the CCM Chamber Music Competition, Woodwinds Division with a close group of my friends. I began playing in the group filling in for a good friend who developed a hand injury, and we ended up clicking and gelling very well. Our preparation for the competition was very rigorous, and the music we played was extremely difficult, but the end result was putting on a spectacular performance. What was special about this performance compared to others was being able to accomplish it with the friends I had made, and feeling like we all put a distinct and individual touch on the piece. Even if we hadn't won, the music we played was at such a level that it felt like an achievement to get to the end!

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