901-290-0866
Musika Quick Stats
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
- Have questions? Check out our
- FAQ
- CONTACT US
-
![call-icon]()
901-290-0866
Lesson Special - Up to 20% OFF! Get Started Now with a Risk-Free Trial!
Here are just a few of the many teachers offering Piano lessons in Collierville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Bass Guitar Organ Synthesizer Ukulele Keyboard Electric Guitar Acoustic Guitar
I like to teach and talk about the songs and styles that were taught to me by my father when I was just getting in to music and guitar. The first thing I remember learning were "Hey Joe" by Hendrix, which is actually simpler than most people would expect. The basic standards of guitar were taught to me when I was first learning, and that's what excites me to teach to the next generation of guitarists. Read More
Instruments: Piano Saxophone Flute Keyboard
For piano students I highly recommend the Alfreds books for beginners. After you have some background we can work with the music of your choice, classical, jazz, pop, RnB etc. Some of my specialties include teaching people how to turn chord charts into music, how to improvise and how to use music theory to improve your understanding of music. For guitar I do not use any books as I find most guitar method books to be very old fashioned and not inviting to the student. Read More
Instruments: Piano
A Memphis native, Stephen L. studied with legendary Jazz pianist Donald Brown at the University of Tennessee at Knoxville before heading to New York City to finish his studies and further hone his skills in some of the most well-known jazz venues in the world. He rounded out his studies with a Bachelors degree in Jazz Performance from City College in New York City and a Masters degree in Education from Freed Hardeman University. Read More
Instruments: Piano Voice Violin Keyboard Acoustic Guitar
I tailor my lessons to each individual student. Students learn at different rates, so, therefore, I want each student to progress at his or her own pace, without comparison to where my other students may be at. I want learning an instrument to be an enjoyable experience, and though the student may have to do and play practices, exercises, and pieces that they may not necessarily enjoy in the moment, it will all be beneficial to him or her in the long run and I will incorporate pieces and selections that interest them as well. Read More
Instruments: Piano Keyboard
I draw from a wide range of supportive materials and repertoire. I develop each students lesson plans based on their aspirations or goals and each plan is tailored to meet them where they're at in their musical journey. I develp instructions and plans that keep their goals in mind while making sure they receive a full education during the lesson. This includes discussion of techniques and habits the lend themselves to healthy and productive growth for a musician. Read More
Instruments: Piano
I am a very responsible teacher and wonderful teacher, since I could dedicate my knowledge to students to really help them make progress. Many methods are originated from my playing experiences and feelings. Therefore, based on the professional knowledge, I always tell students my real feeling to practice and play.It will help them directly get the right way very quickly! I graduated from the University of Michigan a famous music school in United States.for Master Degree in Piano Performance with Full Graduate Fellowship (it is very competitive), and I got the Full Graduate Teaching Assistant from University of Memphis for DMA degree. Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Collierville to students of all ages and abilities.
We'll then reach out to the teachers for you.
Schedule the risk-free trial lesson directly with the teacher.
Continue with that teacher or try someone else.
