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Featured Piano Teachers Near Danville, CA

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Here are just a few of the many teachers offering Piano lessons in Danville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Austin C

Instruments: Piano Guitar Violin

I like to teach at the student's pace or what their parents have in mind. When I learned piano, my parents wanted me to learn at a high pace, and forced me to rush everything. As a result, I was able to play a lot of pieces, but the quality of the songs were not the best. I ended up slowing down and spent time to actually work on the tiny details of each song. Read More

Jacob T

Instruments: Piano Voice

I couldn't imagine my life without teaching. To nurture a love for music in another, especially a child, is a gift I would not give up. I strive to find the correct balance of technique and performance, practice and play, focus and fun for each of my students. Every one of them comes to me with different skills, ambitions, and needs; building honest, open relationships with student, parent, and teacher is essential to meeting those needs. Read More

David H

Instruments: Piano

As a musician, I believe that performers must convey not only the logic, but the artistic and emotional warmth inherent in the music. As a teacher, I emphasize that one utilizes technique for the purpose of communication, and I know that this is a truth at all levels, whether in a Class Piano situation or with very advanced talents. I feel it is also vital for students (again, at all levels) to gain experience with literature from a variety of musical periods, so as to develop a diversity of taste and interpretive style. Read More

Virginia T

Instruments: Piano

As a performer, I was one of the winners of the 2009 SJSU French Music Competition, and one of the finalists of the 2013 BGSU Art Song Competition. In 2012-13, I served as the accompanist of the BGSU Men's Chorus, in which I've had the opportunity to participate in the performnace tour twice through 6 states along the East Coast. I also serve as a church pianist since Feburary 2014. Besides my performing endeavors, I have over 10 years of teaching experience (see My Experience). Read More

Jorge S

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar

My name is Jorge S. I am a 24 year old artist/composer that recently moved to the Bay Area to nurture my passions in painting and making music. I grew up in Texas where I began my classical music education in the 4th grade. I began taking the violin more seriously as I grew older and eventually studied with two particular members of the San Antonio Symphony, Andrew Small and Emily Freudigman, the former of which was Itzhak Perlman's student for many years. Read More

Monica D

Instruments: Piano Voice Violin Cello Viola Ukulele Recorder Music Acoustic Guitar

My teaching experience comes from my experiences and lessons from my previous private teachers. During my 10 years of lessons I learned that importance of a regularly maintained practice schedule leads to the most effective practice sessions. I try to encourage students of all ages to seek out music that they find enjoyable and I do what i can to shape my lessons to make learning the music exciting. I try to anticipate a students need. Read More

Teacher In Spotlight

Jacob S

Instruments: Saxophone Clarinet Oboe

What does a normal practice session look like for you?
A normal practice session consist of a light warm up maybe 5 to 10 minutes. Working on some scales. Reviewing last weeks lessons. Then we start breaking down the problem areas and working them out measure by measure. I like to watch my students while the play very closely to pick up any technique issues. I like to ask them did they have any problem with the lesson, there may be something they didn't quite understand. I like to finish all lessons with playing a duet and then reviewing what's going to be on next weeks lesson.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I don't have a music a degree in any music field. There are many great professional players who have no degree whatsoever. I'd like to think my degree comes from 20 years as military musician and another 18 years of playing 5 and 6 nights a week in restaurants, private parties, corporate events, and weddings. I have studied with many wonderful instructors whose knowledge is part of everything I do when it comes to performing. If I had to choose a degree I thing it would be composition, I love arranging music for small ensembles.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Choosing method books is a very subjective thing kind of like choosing headphones or loud speakers. Everyone swears theirs is the best. There some standards though. For brass, Arbans book. Woodwinds there are too many to mention. I guess for beginners Essential Elements is a good start because all of the different instrument books work together like a musical suite. Very smart idea. For saxophone I like Klose daily exercises and the universal sax method book. For clarinet Klose method. Its like the clarinet bible. The exercise in there go through every alternate fingering you could thing of for clarinet. Very practical For oboe Vade Mecum for Oboe and Barrett for Oboe. I like the Barrett because it has tons of duets in the back of the book for a treble clef instrument and a bass clef instrument so you can do oboe bassoon duets.

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on any instrument is technique. That means different things to different instruments. If you play the Horn in F you might have a problem mastering the overtone series. On trumpet it may be the range. On trombone the different positions. On tuba just having enough air to make the instrument sound full. Most woodwinds it comes down to runs. Having fluid scales is a must especially for upper winds like flute and clarinet. Oboe's main thing to master is the tone because most oboe solos are slow and all about the tone of the instrument. With saxophone it's style, if you're an alto player everyone wants that Sanborn sound, if you're playing tenor gotta sound like Brecker.

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