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Featured Piano Teachers Near Federal Way, WA

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Here are just a few of the many teachers offering Piano lessons in Federal Way . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kelsey I

Instruments: Piano Guitar Voice Trumpet Drums Bass Guitar Mallet Percussion Orchestral Percussion Latin Percussion

No matter where the student starts from, I always spend a significant amount of time in the first lesson discussing with them what they want to gain, what they are interested in, and how much time and effort they want to put into this endevor. It is important to me to understand the student so that I can cater to their needs and desires, and hopefully encourage them to continue playing music. Read More

Phyllis M

Instruments: Piano Keyboard

I used to push students to practice or progress because i thought that was my duty to make them play well. But as the time goes by n i become more experienced with different kinds of students n their needs, i try to go with each student with their own character n need by asking what their goal is in piano learning. If someone wants to become a professional artist, then i become a real professional n serious, give my best to teach the student to my fullest with everything i have. Read More

Conor A

Instruments: Piano Drums Orchestral Percussion Latin Percussion Music

I teach the Faber and Faber method on piano, incorporated with a by ear curriculum that I've developed which also teaching music theory, I also keep a number of books i.e. Beatles Fake Book, Introduction to Bach, Well-Tempered Klavier, Hanon, Berklee Method in Rock and Jazz. I also encourage the student to play what they desire to play, be it a pop song or a classical masterpiece. In drum set I work on technique, playing with flow, rhythm training, and coordination, often supplementing the lesson with recordings and learning from the sound of recorded drummers. Read More

Conan M

Instruments: Piano Saxophone Clarinet

I have been teaching music privately since 2005, as well as acting asmusical coach for Solo and Ensemble contests. Read More

Joseph L

Instruments: Piano Guitar Bass Guitar Ukulele Mandolin

I'm nothing if not energetic and relatable. My lessons are a safe space to be yourself, and to come more and more out of your shell. Music is a fantastic form of therapy, personal growth, and self-expression, and I do everything I can to foster these. Together, we'll set realistic goals and I will hold you to them, encouraging you constantly, and gladly calling you out on your fear or laziness. Read More

Thomas W

Instruments: Piano Guitar Drums Bass Guitar Mallet Percussion Orchestral Percussion Latin Percussion

The first half of each of my lessons willaddress the basics of music theory(i.e. rudiments, scales, etc.) and technique. The second half of each lesson is about having fun! We will digdeeper into the musicmy student isinterested in,consideringthe songs from a musician's point of view. In dissecting the song we will learn about phrasing, feel, meter, melody, chord analysis, commonalitiesamong styles and the history behind the music. Read More

Teacher In Spotlight

Dawn S

Instruments: Piano Voice Keyboard

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
When I was eight, my second-grade class went to a Milwaukee Symphony youth concert. I thought the conductor - Kenneth Schirmerhorn - was a magician. The orchestra played a piano concerto by Bartok, and I went home and told my mother I wanted to be a professional musician.

What is your favorite style/genre of music to play and why?
My favorite is classical, which is actually a very broad category, as there are so many styles of classical. I love playing Bach (Baroque) and Romantic (Brahms).

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I always played piano but I never had lessons till I was 18 and went to college! My mother showed me where Middle C was on the keyboard and on the staff, and from there I taught myself, winning awards as a high school student and accompanying school choirs and playing in the jazz band. I began trumpet lessons at age 10, but in college, I decided to switch to voice, as I mentioned above. I have started to learn guitar - I have been able to play a few chords for many years, but I would like to do more. I also have played the organ for church services for over twenty years but am not a concert organist.

Does music run in your family? Tell us a little about your musical family members.
Yes, my parents both play the piano and organ and love to sing. My father also played trumpet in his youth and my mother played French Horn and euphonium. My brothers play the organ and string and electric bass, and my two sons play violin and guitar. My husband is a good choral singer.

If you weren't a musician what do you think you'd be doing instead?
I might be a holistic medical doctor. I actually became certified as a medical assistant while I was also an undergraduate music student. I decided not to go to medical school because I knew I would not be able to dedicate enough time to music if I did that. Now, I am no longer interested in medical school, but I think I would also have liked to be a park ranger. I also enjoy writing - creative and non-fiction.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I chose performance degrees (Bachelor of Music, Master of Music, Doctor of Musical Arts, Graduate Artist Diploma) because I was chiefly interested in diving deeply into performance.

What is your dream piece to perform and why?
For voice, I would love to perform the role of Solveig in Grieg's Peer Gynt. On piano, there are so many things I love - the Bach concertos are a favorite, as well as the Mendelssohn G minor concerto.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use James Lykes books for adults and Microcosmos and sometimes Fabian for adults and children.

What does a normal practice session look like for you?
On piano, I begin with improvising, then play through a section, then narrow down to concentrate on details. I have to remind myself to take breaks. I find that frequent shorter sessions (30 minutes to an hour) are much more effective than marathon sessions. In voice, I restrict the length of a practice session to 45 minutes. I begin with stretching, exercises to help me find my vocal balance, and then focus on a specific section of a piece and concentrate on different aspects of that section - ease, evenness, text, acting, etc.

What do you think is the hardest thing to master on your instrument?
In voice, the biggest challenge is reducing tension and finding resonance without forcing. The voice is so sensitive to daily activities and stress that it is important to live a balanced, healthy lifestyle and exercise, stretch, and relax in order to keep the voice functioning well. In piano, the most difficult thing for me is making the piano "sing," creating a legato line in which every pitch is exactly the right dynamic level.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Several of my college music students have gone on to graduate school in music and have won special awards and fellowships. One of them sings with the Detroit Opera chorus. Another has become a professional ethnomusicologist, studying the music of Japan. Another is a graduate student in music theory. And one is a professional composer and bass player who works as a music copiest. Many of my students have gone on to other professions but still sing in choirs and musicals.

What musical accomplishments are you most proud of?
Performing in the Inge Pitler competition in Germany both on piano and voice was a wonderful experience. I have played and sung many recitals that were great experiences. But my biggest accomplishment is my opera, Verlorene Heimat (Lost Homeland), which has been performed by professional opera companies. It tells the true story of refugees during World War II. I wrote the libretto (the "book") and the music.

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