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Featured Piano Teachers Near Fontana, CA

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Here are just a few of the many teachers offering Piano lessons in Fontana . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jean-Luc P

Instruments: Piano Voice

I am a singer-songwriter from Los Angeles. I have a Bachelors of Music in Commercial Vocal Performance from the California State University of Los Angeles. I have studied voice since I was just 15 years old and have taught voice, piano, and composition to my students over the past three years. I can teach a wide variety of vocal stylings including, but not limited to: Pop, Jazz, Contemporary, Musical Theater, Standards, French Repertoire, and Rock. Read More

keen C

Instruments: Piano

My work experience: first evangelieal lutheran church choir accompanist and music group class, also as a private teacher for beginning to advanced piano performance. I like to reserch and collect all kinds of materials suitable for different types of students. I am also very experienced and interested in organizing and arranging students to participate in competitions and recital. and I have many simplified versions of curriculum to build and maintain students' interest in music. Read More

Alan L

Instruments: Piano Guitar Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Acoustic Guitar

It is my hope throughout this whole process that students will learn how to develop their own playing style and musicianship that will allow them to tackle any musical gig or endeavor that may come their way. I will also during this time prepare students for the rigors of live performances they might have and guide them into choosing pieces of equipment that will cater to their sounds and tastes as well as their budget needs. Read More

Juliet K

Instruments: Piano Voice Keyboard

Each student is different and as such, each student's approach to learning music is different. While still addressing your personal goals, I work to help you achieve those goals and interests, but also utilize my own experiences in teaching to foster deeper growth. I focus on exploration, keeping the study interesting, all while understanding that each student can be at any level, and learn at any speed. I believe that both talent and potential must be met with effort for growth to be achieved, and that all students need some form of discipline and encouragement and make sure to serve both at every lesson. Read More

Maria W

Instruments: Piano Voice Flute Keyboard

I like to work with my students to figure out what their passion is within the wide scope of music, and work from there. My lessons include: technique and warm-up exercises, performance preparation, personalized arranging, and an emphasis on individualized lesson plans based on level, interests, and goals. Depending on the instrument, level, and genre, some teaching materials I like to use are: Faber series, Fingerpower series, Music for Little Mozarts, Czerny etudes, A Tune a Day, Forty Little Pieces, Steps to the Real Book (Jim Levy), Jazz Piano Handbook (Michele Weir), Heart It and Sing It! (Judy Niemack), classical and popular music repertoire, and my own original exercises. Read More

Danielle C

Instruments: Piano

I am a passionate and energetic musician and teacher. Music is one of my favorite things in the world. It brings me great joy to pass my knowledge on to others. I graduated from Cal State Long beach with a Bachelor of Arts degree in Music. I currently write my own music and record as well. I have a strong background in classical music, but the music I write is more Rock and Blues influenced. Read More

Michael M

Instruments: Piano Drums

I am a people person. During my time as a Finance professional I worked with many different types of people and it was my job to help them learn and understand and how certain " market " forces work as it pertains to their life and their goals. I look at teaching music in the same way. Everyone has their own idea of what they want to do with music and where they want to go. Read More

Teacher In Spotlight

Patrick H

Instruments: Clarinet

Why did you choose your primary instrument?
Actually I originally wanted to play the Saxophone, but my lungs were underdeveloped at the time, so my band teacher gave me a Clarinet mouth piece which I could make an easier sound on. From there, they encouraged me to try out the Clarinet and after a couple tries, I really liked it and decided to play it. When I was learning how to put cork grease on, I did not know what a cork was, so I put cork grease on the entire mouth piece to which my teacher told me I would have mint breath for the rest of the day!

What musical accomplishments are you most proud of?
I am most proud of getting a superior rating in my high school's solo and ensemble competition, performing Stravinsky's three pieces when I was a senior (the adjudicator gave me a 1+). Later I performed my recital for my bachelor's degree and my graduate recital for my master's degree. From there, I am most proud of playing with the Lakeside Symphony orchestra and the Blossom Festival Band. Performing in the professional setting is what I honestly like most of all. It inspires me to continue learning my craft as a musician.

What do you think is the hardest thing to master on your instrument?
The hardest concept to learn on the Clarinet is how to use your air effectively. What I mean by that is, how does one produce tone? It is a combination of his/her air, fingers on the tone holes, and mouth on the mouthpiece. but the tone holes do not make the sound nor does putting one's mouth against the mouth piece. This is a fundamental concept but students generally think placing one's fingers on the clarinet will make a sound. Using one's air to shape a phrase can ultimately make the music come alive. Playing something stagnant is not creative.

What does a normal practice session look like for you?
It depends on what I am practicing. If I am looking over a new piece for a recital. I will first read through the piece, then create a road map of what to practice first. Practicing slowly is what a lot of people say. I believe that, but it is how you are practicing slowly that is important. One should have a process of how to practice slowly. I take a passage of music, and break it down to the bare fundamentals (range, notes, accidentals, etc.). I try to find where my fingers might slip up and practice that part slowly. It is important to have a process to one's practicing so that one does not practice too fast or create bad habits.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have my Bachelor's and Master's degree in Music performance, specifically Clarinet. I originally pursued a duel degree in Music education, and music performance, but later in my dual degree, I realized I wanted to conduct and perform and everything else in music education was not for me. From there, I performed more frequently and it made me less nervous. Performing in an orchestra, band or as a soloist is one of my passions. This is why I want to teach, to pass my knowledge of the Clarinet to my students and give them the same passion I have.

What is your favorite style/genre of music to play and why?
My favorite style is Classical music but I also enjoy playing klezmer and jazz music. Classical music is what I was originally trained on and it is soothing to the ear. I also like analyzing classical music so that may be another reason I like performing Classical music. I like klezmer because of the pitch bends and the type of harmonies produced. Along with Klezmer, I like Jazz music because of the swing and Big band era. I also like Jazz because one can break rules in music theory and smear notes together.

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Recent Articles from the Musika Blog

Opera Voice Types

...opera!   The Singers   Imagine walking home after community or high school choir rehearsal and someone exclaiming to you, “Wow! What a beautiful coloratura voice!” You would probably be confused.   Most of us don’t go beyond the typical bass, tenor, alto, and soprano choral designations, but in opera, there are terms that describe fullness of voice as well as the range. Here is your guide to opera voice types, from the light and athletic “coloratura” soprano voice to the thunderous “basso profundo.”     Female Opera Voice Types   The Soprano Just in case the opera voice types weren’t challenging... Read More

Opera Voice Types

...and warmer vocal quality suited to lyrical roles, while dramatic profundo basses will sing in a more “thunderous” manner. An example of a lyric basso profundo role would be Rocco from Beethoven’s Fidelio. Duke Bluebeard from Bartok’s Bluebeard’s Castle and Mephistopheles from Gounod’s Faust would demonstrate true dramatic tendencies, and Wagner also wrote significant Basso Profundo roles into his Ring Cycle.   Are you interested in finding out what your true voice type is? Sign up for a risk free trial lesson with one of the professional teachers in our network. If you would like to learn about the history and structure ... Read More

Suzuki Performance: An Approach to Playing for an Audience

...next two notes, the next takes the next two, and so on until they get to the end of the piece. Is this solo playing? Yes. But it is solo practice in the comfortable setting of keeping on your toes and keeping the game going. Are the parents watching, like an audience? Sure. But why worry about it? Having Mom and Dad positively supporting you is always welcome. When the child is involved in music making, he is developing a terrific level of concentration and confidence in his skills.   Suzuki Group Concerts Now, lessons and group class are great ‘starter’ places to begin ... Read More

Intro to Jazz Bass Technique

...jazz without music! However, the secret is that all scales are made of intervals [the distance between two notes]! So any minor scale or chord must have a minor 3rd! As long as you know the pattern/shape for that interval (and even though knowing the note name is important, you don’t have to know it to play it) you can play the right note for that scale or chord. A flat 7th or b7th is ALWAYS a whole step below the root or parallel to the root across two strings on the same fret or position – this is what is meant ... Read More

Setup of the Five Piece Drum Set

... When starting out, most drummers (and parents) don’t know what is included in the setup of the five piece drum set. The most common configuration for a drum kit used in rock and pop music is the five-piece drum set, the number five referring to the number of drums in the kit (snare drum, bass drum, two high toms, and a floor tom). Along with the five drums, there are usually two cymbals and a hi-hat stand. There are many different set-ups for drum kits, but the standard is the five-piece. In addition to the five piece drum kit, most drummers require other drum and percussion accessories. The drum that is most used is the snare drum. It is the most prominent and ... Read More
Opera Voice Types
Opera Voice Types
Suzuki Performance: An Approach to Playing for an Audience
Intro to Jazz Bass Technique
Setup of the Five Piece Drum Set

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