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Featured Piano Teachers Near Kendall, FL

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Here are just a few of the many teachers offering Piano lessons in Kendall . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Emilio S

Instruments: Piano Voice Music Keyboard

I think that what defines me as a teacher is the enthusiasm and faith that I have in my students, sometimes, more than what they have in themselves! This is especially true when you have professional adults in all fields of human knowledge that, due to various personal circumstances, have sacrificed the possibility of playing an instrument and / or singing. It is really beautiful when you see the excitement that is given to them, especially when they have given their children that opportunity! Read More

Catalina Z

Instruments: Piano Keyboard

I typically start each student off on a series of lesson books to help structure their learning in an academic way. However, I highly encourage bringing in classical pieces and students picking pieces of their own and bringing them to me to go over and learn. I’ve found that this keeps the students highly motivated and passionate about their lessons and practice. For beginners, the books are highly recommended, but for more advanced students who have finished the books, we begin classical technique exercises meant to help with the increasing level of difficulty of their songs. Read More

Lauren F

Instruments: Piano Voice

I am a very passionate musician, with a love for passing on the gift of music. I graduated from Shepherd University in 2012 with a BA in Voice Performance. I then went on to complete an MM and GPD in Opera from The Longy School of Music of Bard College. During my degree programs, I was able to study and sing around the world with many leading performers and teachers. I have been teaching for over ten years, and it brings me so much joy to be able to help my students find their musical voice. Read More

Gene T

Instruments: Piano Voice

Helping Singers realize their "Dream" is my passion. I gained international recognition as a vocal performer of note, having performed on the stages of Acapulco, Tokyo, Bangkok, Singapore, Aruba, Curacao and Buenos Aires, to name a few, as well as major U. S. cities. To date, I have two albums to my credit, "Time Wounds All Heels" and "The 23rd Psalm", the latter containing the highly acclaimed title song that while being performed at the 1984 National Baptist Convention musical in Los Angeles, received a standing ovation by some 6,000 listeners. Read More

Michael O

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Depending on the instrument I’m teaching and the skill level of the student I’m usually going to start of with a 10 to 15 minute session of evaluation and assessment of needs acquired skills and students desires .we can then begin with exercising proper warm up posture and position .and run through warm up scales and learn rutiments or attack the desired skill requirements straight ahead depending on the students development.Music is an art and a discipline.it is a relationship one has with there instrument.my songs and instruments become like family ,well charrished!!!! Read More

Jose R

Instruments: Piano Violin Viola Ukulele Electric Violin Music Keyboard Classical Guitar

For beginner students of violin I always start with the suzuki method and alternate it with the "The new directions" method, while after 3 or 4 weeks I start with some repertoire according to how the student evolves. In the case of piano I start with John Thompson's methodology "Teaching little fingers to play", alternated with exercises of the book Junior Hanon for piano, I try to evaluate the student qualitatively before quantitatively at least once a month. Read More

Yasmin K

Instruments: Piano Violin Viola Electric Violin Fiddle Music Keyboard Classical Guitar

With young beginner string students, I typically will start with Hal Leonard's Essential Elements. After a few weeks of that, the student will have grasped the fundamentals. and then I will introduce the Suzuki method, supplementing with the O'Connor Method. For piano I generally will start with the Suzuki method and supplement with any songs the student is interested in learning. For Adults I try to find out what style of music the student is interested in, and how much experience they have and structure my lessons accordingly to keep the student engaged and ensure they are having fun! Read More

Teacher In Spotlight

Jack M

Instruments: Piano Voice Synthesizer Keyboard

How do I know if my child is ready to start lessons?
Typically, when a child is ready, they will let you know. In as many ways as they can think of. And sometimes as loudly as possible... That being said, there are occasionally those talented students that are hidden beneath a shy and mild-mannered exterior that may not exude the zeal of others. In these cases, parents should look for three key factors: 1. Physical size/development of the child: I have struggled watching too many children become frustrated with music too early because their hands are too small to reach a note, or they cannot see the music from their bench, or their mouthpiece should be called a face piece. Kids grow fast their first 10 years, so even holding off a few months for a growth spurt can make the difference between frustration and tears and a lifelong love of music. 2. Genuine, unprompted interest: if you often find your child seated at the piano staring into its guts trying to figure out how it all works, or singing from morning to night, or tapping rhythmically, even if it’s on the back of your seat in the car and potentially less than relaxing for you, these are all signs the student has a real interest in music. 3. A level of maturity that allows them to practice some every day, even if they don’t “feel like it.” We all have days when we feel like we’d rather sleep, or watch television, or read in a hammock than carry on our obligations, but knowing we must take care of business before pleasure is another sign that the student is on the right track for music lessons.

What advice do you have about practicing effectively?
Practice more than once per day, but not for a long amount of time — 10 to 15 minutes 3-4 times a day. It is important that you focus for this short amount of time, as the old adage ‘practice makes percect’ Is only true when it’s ‘PERFECT practice’. This will be 30-60 minutes of practicing that will not leave you exhausted, will help your brain learn your new skill faster, and is much easier to fit into tight schedules. This, combined with a healthy lifestyle and most importantly — rest and sleep — will kickstart your abilities faster than you had imagined.

If you weren't a musician what do you think you'd be doing instead?
What do you mean if I weren’t a musician? Is that an option? In actuality, I quite enjoyed math and science even into my early college years, excelling in chemistry and physics, and taking a real love of calculus and higher maths. If I had not chosen music, it would have been engineering in some capacity, I imagine, if not that, then perhaps an actor. Or professional yo-yo artist. Or a dive instructor. Or a boat captain on a luxury yacht. Or an audiobook producer. Or maybe an astronaut. Or an archaeologist. Or an astronaut-archaeologist!

What do you think is the hardest thing to master on your instrument?
The hardest thing to master in singing is so simple, and we all do it every day, but many of us incorrectly from years of bad habits and societal dampening that causes us to do even the most basic thing necessary for our survival incorrectly.... breathing. Mastering breath control is something that is a life long endeavor anytime after infancy — you’ll notice children have no problems being heard when they want, even with their small instruments and lung capacities. The only reason we as adults cannot squeal like children anymore is our own inhibitions we place on ourself through “manners” and “inside voices” and even “chewing with your mouth shut”. These societal norms are actually damaging to the basal functions of our breath support and control. Learning to set aside these inhibitions and breathe like a kid again will benefit anyone the most, even if they only make small inroads into the recovery of the skill.

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