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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Amy C

Instruments: Piano

I am a piano instructor with a love teaching music and inspiring creativity. I teach songwriting and encourage my students to become musicians and creators of music. I am a singer-songwriter, music producer in an EDM duo. I incorporate songwriting and music theory in my teaching methods. Over the years, I have taken many private music classes through community colleges and online courses and have had internships at music studios. Read More

Alicia C

Instruments: Piano Guitar Saxophone Flute Clarinet Music Keyboard

My work extends beyond the stage, as I've had the privilege of recording and composing for acclaimed series like HBO's "Hacks" and Netflix's "Insiders." Collaborating with industry veterans such as Rob Lewis, known for his work with artists like Christina Aguilera, Fifth Harmony, and the Backstreet Boys, has been an inspiring part of my journey. Additionally, I've had the incredible opportunity to perform as a soloist with the Madrid Philharmonic Orchestra, presenting my composition "Espirales" and my piece "Murmullos," both of which received awards and were showcased at the prestigious Real Academia de Bellas Artes de San Fernando in Madrid, thanks to the support of the Fundacin Sax Ensemble. Read More

Gary L

Instruments: Piano Voice

I have learned from some of the best teachers in and around Los Angeles, having studied for 4+ years in the early 1990s. I love to hear good vocals. It is heaven. Ilove the pure, clean and raw sound. I will help you get there and stay there. Read More

Lori B

Instruments: Piano

Suzuki Piano:  also called the mother-tongue method.  The method is modeled after the way the way children learn their native language, with an emphasis on exposure to the music being learned via listening to a recording.  Note reading is not neglected, though earliest pieces are learned "by ear."  The Suzuki philosophy is "Every Child Can" (learn to play). Read More

Esther Y

Instruments: Piano

Nothing is more rewarding to see students highly motivated playing piano on their own after receiving the first lesson. All of my students are excited after taking piano lessons every week. My goal for teaching is students are able to practice all the songs they have learned during the lesson time, master them before next lesson begins. During the lesson time, I encourage them to fully understand what they have learned so that they can practice on their own. Read More

Stephen G

Instruments: Piano Guitar Drums Bass Guitar Double Bass Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe

My go-to books for Drummers, beginners and advanced are 1. Advanced technique for the modern drummer by Jim Chapin and 2. Stick Control by George Lawrence Stone. No matter what you listen to, the material in these books can be applied to any style. Another tip is to learn what influenced your favorite players. I Guarantee every one of your favorite drummers has studied this book. It contains beginner techniques through the most prominent advanced skills. Read More

Feef M

Instruments: Piano Guitar Voice Bass Guitar Banjo Electric Guitar Acoustic Guitar

I create my own lesson plans. But I create after having related to my client. How you learn determines the plan. My preference is to teach to the song. I like my clients to pick four to five songs to learn. We need goals, and there is nothing better than being able to play a song you love,and sing it too! I teach beginning guitar and piano as well as bass. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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