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Featured Piano Teachers Near Lakewood, CA

4328   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kimberly N

Instruments: Piano

Whether it was just a few notes or a very skillful melody. I would listen to them with interest myself. When I become a piano teacher, I had the compassion and patience to teach my students. Listening and correcting techniques from the starting position to the correct use of their fingers then gradually becoming proficient. I would like to let my students ask more questions while I provide them with knowledge that will benefit them or choose the songs they want to learn. Read More

Dave S

Instruments: Piano Voice Acoustic Guitar

Of course, acknowledging accomplishments helps students feel they're progressing, but finding what truly inspires them will help them want to practice and get better. For me, I found scales and theory boring as a kid, so I wished my teachers would teach me how to play my favorite songs and write my own with a little theory mixed in instead of only learning the theory and scales. I aim to encourage my students to want to be the best they can be and to help them feel accomplished by following their dreams and inspirations. Read More

Adrian G

Instruments: Piano Keyboard

I started teaching at 11. People heard me play, and they wanted their children to learn. I found that I loved teaching and when I went to college I took the pedagogy course. I found it totally inadequate. It did not teach you how to deal with your student or their parents. I want my students to learn and although most will have music as a hobby I want everyone to play the best they possibly can. Read More

Stephen G

Instruments: Piano Guitar Drums Bass Guitar Double Bass Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe

My teaching experience goes back to middle school. I didn't get paid for it but I would teach the drummers their part the ensembles and performances in the orchestra and jazz band. That way the teacher could focus on instructing the other students the different instruments. I started booking regular paid gigs after college. I would perform shows and people would ask for lessons after the gig, networking is a big part of the professional side of playing music I encourage listening to all styles of music. Read More

Alpha S

Instruments: Piano Voice

I teach music to students who want to learn music. I can teach different styles of music, includingclassical and popular. Sight reading and ear training are very important elements that I also teach. However, if students only wish to learn one type of music, I willhonor their preference. My training includes a BA degree in Music, and a MA degree in Administration. Read More

Richard W

Instruments: Piano Drums Music Keyboard

I began as a private lesson teacher as a young college student. Over the years, I have been a percussion teacher for multiple schools from the elementary to the high school level. I have taught a class of beginner drummers to be a cohesive drumline in less than a school year. I have had many one-on-one students as well, ranging from age 3 to adults as well. My versatile experience helps guide all of my students to reach their goals as a musician and beyond! Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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