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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Dominic M

Instruments: Piano Guitar

Since an early age I have had mentors and teachers show me by example how important music education is to preserving culture. I have been teaching for five years, first teaching middle school students at music summer camps in New Orleans like the New Jazz School. After graduating from Loyola University I opened a guitar studio, teaching all ages and talent levels. I also taught guitar and piano lessons to students (5-50) at the New Orleans Music Academy. Read More

Jordan S

Instruments: Piano Guitar Drums Bass Guitar Acoustic Guitar

I have been teaching music since I was 16 years old and I want to share the same experiences I had as a student. Many teachers won't admit it, but a student's musical future depends almost entirely on who is teaching them. If a teacher is fun to get along with and understands how the student communicates then this can ensure longevity in a student's playing career (even if the student only plays for fun). Read More

Robert A

Instruments: Piano Guitar Drums Bass Guitar Orchestral Percussion Conga Latin Percussion Electric Guitar Acoustic Guitar

Additionally, some other books that I use with my drum set students are Syncopation by Ted Reed, The Art of Bop by John Riley, The Essence of Afro-Cuban Percussion, and The Essence of Brazillian Percussion by Ed Uribe. For more advanced students, I work on trancriptions of their favorite drummers, chart reading by playing with recordings or live musicians, improvisation over musical forms, and developing indivdual exercises for each student. Read More

Kimberly M

Instruments: Piano Voice Keyboard

I will always push my students at the pace in which I believe they can handle. This means that this will change according to learning styles and motivation or lack of motivation shown to me. I will always give you all the tools I was employed to have as a student so that you will become the very best musician possible. I will always be available for questions and ideas that you would like to run across me. Read More

Orgena R

Instruments: Piano Voice

My style is first and foremost FUN! I believe singing should be enjoyable and free from stress and tension. Students learn in a loving, holistic and supportive environment to bring out their best sound. They grow to love their voice and others do too! Read More

Dave S

Instruments: Piano Voice Acoustic Guitar

Of course, acknowledging accomplishments helps students feel they're progressing, but finding what truly inspires them will help them want to practice and get better. For me, I found scales and theory boring as a kid, so I wished my teachers would teach me how to play my favorite songs and write my own with a little theory mixed in instead of only learning the theory and scales. I aim to encourage my students to want to be the best they can be and to help them feel accomplished by following their dreams and inspirations. Read More

Fernando P

Instruments: Piano Saxophone Flute Clarinet

I have 7 years teaching both in a private studio setting and in group/ensemble setting.  I teach piano, saxophone, flute, and clarinet, to all levels and ages.  I have experience teaching and playing in marching bands, orchestras, salsa bands, jazz bands, and wind ensembles, to contemporary Christian/worship bands.  I have played in several musicals.  I front my own contemporary Christian Band, and we just released our first album in April, 2013. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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