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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ralph N

Instruments: Piano Violin

I love working with students and sharing my love of music. I have taught in Schools of Music and given private lessons for many years. Through my study and experience, I have attained professional level performance and compositional skills. I teach classical and popular music for both piano and violin.  Through study and practice, my students acquire a deeper appreciation of music, personal enrichment and the enhancement of their musical skills. Read More

Sharon L

Instruments: Piano Guitar Bass Guitar Double Bass Music Electric Guitar Classical Guitar Acoustic Guitar

I have many years of experience in teaching music, as well as in the field of music therapy. In fact, I have found that learning music is actually a great technique in the field of music therapy. I My most recent job was at a state hospital where I taught guitar, bass and piano. Before that I taught in homes and online. I have taught to all ages and a variety of cultures. Read More

Timur D

Instruments: Piano Guitar Ukulele Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I am an experienced and patient instructor who loves to work with students of all ages and backgrounds and share my knowledge of music. I studied guitar in music schools in Russia and later at Tel Aviv Music Academy after out family move to Israel. I relocated to USA in 2003 and have been teaching in Orange County and Los Angeles area and perform all over Southern California. I was classically trained and specialize in classical, Spanish guitar and finger picking in general. Read More

Aaron K

Instruments: Piano Saxophone Clarinet

I like to teach students in a way that encourages them to think for themselves and learn how to correct their own mistakes. I think it is important for students to develop a solid practice routine, which they can use for years to come. I like inspiring students by going beyond learning their instrument to helping them understand the history of their instrument and the music they are learning and the role/importance of music to them. Read More

Shaharoh C

Instruments: Piano Voice

I strive to create a safe space for my students where they can dive into their material and feel empowered through learning and practicing. Some weeks a piano student might complete the material rapidly and some weeks, they may want to go slower, taking their time, therefore they excel at their own comfort level and don't feel as though there is a race. With voice, I prefer to let the student pick songs that they enjoy singing and speak to their own heart. Read More

Isaac T

Instruments: Piano Guitar Violin Cello Accordion

I love teaching! I want you to be my student. I have studied at Cal State Northridge and I currently have 30 students. I teach cello, violin, guitar, accordion and piano. I am a session musician and orchestra musician. I have played in bands and pop groups and recorded with many many artists. Including: Nostalghia, Saint Motel, Chelsea Wolfe, Tes Elations, Pastilla and many more. I can teach any genre of music. Read More

Mage L

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Music Electric Guitar Classical Guitar Acoustic Guitar

I like seeing progress and appreciation in music, and to me that is student success. I enjoy helping students meet their individual goals, and I encourage them to work their hardest to achieve their best. I use humor to keep things engaging. I learn from my students what works most effectively for them as individuals. One of the things my students really enjoy are those certificates at the end of the method books. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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