310-935-4532
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25 Years
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310-935-4532
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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Drums Bass Guitar Acoustic Guitar
I am a passionate teacher who relies on POSITIVITY. Small progressions should never go unnoticed and should be praised, even if its just a quick hi-five. Even if the positivity is inflated, I find it does wonders for the student's psyche moving forward. I am also a high school basketball coach and instilling confidence in these young kids is what every teacher should focus on, regardless of what subject is being taught. Read More
Instruments: Piano Voice
I am educated in vocal pedagogy and teach the Richard Miller method of vocal health. I teach all ages and have experience teaching children of any age. I do encorage my voice and piano students Only if they express interest. What does happen often is that as a student absorbs the approach, it affects their life to some extent they naturally start slowing down and appreciating details in their lives too; they relax and become more aware of whats around them because their minds have been trained somewhat through practicing music that way. Read More
Instruments: Piano Voice
I take a very kinesthetic approach to teaching. I believe that no matter the level or style, evey singer benefits from understanding the way their vocal anatomy functions, and how to utilize it in a healthy way. Vocal longevity is a very high priority in my studio, as is having a good time. I am a firm believer that a teacher who does not help a student fall in love with their art has not done their job. Read More
Instruments: Piano Guitar Voice Bass Guitar Ukulele Recorder Double Bass Keyboard Electric Guitar Acoustic Guitar
It's a rewarding feeling to be a part of their growth and witness their progress firsthand. Seeing their confidence blossom as they navigate the complexities of an instrument or explore the intricacies of music theory is truly inspiring. One of the reasons I've grown to love teaching is the opportunity it provides to connect with students on a personal level. Each student comes with their own unique musical journey and aspirations. Read More
Instruments: Piano Guitar Voice Drums Synthesizer Mallet Percussion Orchestral Percussion Latin Percussion
Teaching style could easily be summaried and paraphrased with my above stated pedagogy! Teaching style changes from student to teacher. I enjoy trying to decipher what the student enjoys hearing, wants to learn, prior knowledge, and desires are. These help in my search to find the perfect style at which the student understands and enjoys the task at hand. Read More
Instruments: Piano Guitar Saxophone Flute Bass Guitar Music Keyboard
My name is Jens B. I am an award winning saxophone player, multi-i nstrumentalist, teacher, composer and producer from Denmark now living in Los Angeles. I offer saxophone lessons for jazz, pop,and rock for beginners, intermediary and advanced. I work seamlessly in all styles and genres and have a lifetime of experience in the professional music industry. I work as a musician, composer, producer and teacher and my work has been featured on more than 100 different records and films. Read More
Instruments: Piano Guitar Drums Bass Guitar
My teaching is all about balancing the fundamentals of music with the love of music. We read music, notate music, listen to music, share music, and most importantly practice and play music! Its important to remember that the widest variety of methods utilized in learning yields the most well rounded musician possible! Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Lakewood to students of all ages and abilities.
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