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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael M

Instruments: Piano Drums

Piano : All piano students will begin by learning about scales and scale theory. This includes scales learned withing the Classical idiom as well as the Contemporary music idiom which includes all styles of music. Students regardless of their preferred style of music will be encouraged to learn some elementary classical music in order to facilitate and reinforce good technique, reading and interpretation. Drums: All drum students will begin by learning about stick control and proper posture. Read More

Oanh L

Instruments: Piano Keyboard

Nothing is more rewarding than seeing one of my students develop a passion for music. Therefore, it's important that each students progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson, and try to find out what inspires my students. Once I know what makes my student eager to learn more, I can successfully tailor my instruction to their wants and needs. Read More

Wesley P

Instruments: Piano Saxophone Flute Clarinet

Hello! My name is Wes, and I am a multi-woodwind instrumentalist based out of Long Beach, CA. I attended California State University, Long Beach for my master's degree, and The Ohio State University for my bachelor's. Though I am mostly seen playing a saxophone, I am classically trained on clarinet, flute and even oboe! I play a wide variety of styles of music, from jazz to pop, and perform and record with big bands, small jazz groups, pit orchestras, and much more! Read More

Sharon L

Instruments: Piano Guitar Bass Guitar Double Bass Music Electric Guitar Classical Guitar Acoustic Guitar

Hello, My name is Sharon L., and I am a musician and board certified music therapist with a diverse background. I love teaching any subject, but music is my favorite. My method is also diverse, as I focus on the method that works best for each individual student and each of their unique goals. I try to focus on helping my students develop a technique that will help them develop their facility, as well as ergonomically safe. Read More

Gary L

Instruments: Piano Voice

I have learned from some of the best teachers in and around Los Angeles, having studied for 4+ years in the early 1990s. I love to hear good vocals. It is heaven. Ilove the pure, clean and raw sound. I will help you get there and stay there. Read More

Taylor M

Instruments: Piano Drums

I am a drummer, composer, and educator born and raised in the Los Angeles area. I have been playing professionally and teaching since I was about 16 years old. Playing the drums and writing music is my life passion. My goal is to pass on my deep love for music by teaching and playing the drums all around the world. Read More

Felipe V

Instruments: Piano Guitar Bass Guitar Electric Guitar

My teaching style is fun and relaxed but still making sure that you are learning something new in every class, I was a beginner at some point and it brings me joy seeing how the students discover the guitar for the first time because it reminds me of myself when I was just learning. I help set realistic goals to keep the student motivated and guide the student to reach small achievements every week so they can see how fast they can progress with private classes. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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