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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Christopher M

Instruments: Piano Trombone Synthesizer Keyboard

I began teaching back when I was in high school. I distinctly remember helping the younger trombonists at the grade schools and helping lower classmen as I got older. By the time I was a senior in high school I had several private students and I have been teaching routinely various students ever since. I intend to use my own experience and connections within the musical realm as a guidance tool to my students. Read More

Eric R

Instruments: Piano Trumpet Saxophone Euphonium

I first began the art of teaching when I was in college teaching Chemistry. I know it may sound like it is not related, but teaching one subject helps you teach another! I led group Chemistry classes and continue to this day teaching chemistry to the high school and college level. However, after a full year of intense piano studies practicing 3-4 hours daily and studying under my 3 teachers, I felt finally ready to take on students in April of 2016. Read More

Linda L

Instruments: Piano Violin

My teaching experience started in high school when my private teacher started teaching me how to teach. I then accepted students on a continual basis, usually working two jobs. I realized at a later point in my life that I would like to make teaching my profession and started getting more serious about how I would proceed with teaching music. I have had students for over 25 years and without a doubt, parental involvement and practice are the two main factors for success of young students, along with a good teacher. Read More

Sean T

Instruments: Piano

No matter what skill level the student is at, I want to always make sure that the student is always engaged and interested in the repertoire! I find that more important than anything else, as I want to build that passion within each and every student to be able to not only play piano, but to love and cherish its history. I want to develop a personal connection with each student I teach, and cooperate with whatever needs they may have. Read More

Serg E

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I am a firm believer that the right teacher will save you years of time and money. My style is geared towards helping you establish a practice routine and a relationship with music that fulfills you during your entire music journey. For young students, I focus on building a healthy relationship with practice and learning that crosses over into all areas of study. I believe learning is great privilege and should be exciting! Read More

Ljiljana L

Instruments: Piano Flute

As a professional flautist, performing and recording artist and teacher, Ljiljana is currently the principal flautist of the Los Angeles Valley Symphony Orchestra, Celestial Opera in Pasadena, "Casa Italiana" Opera Company, works as a flute teacher, freelance performer, and is a member of several chamber groups in Los Angeles. She also teaches music & movement classes in many preschools in Los Angeles area as well as beginners/intermediate piano.           Read More

Adrian G

Instruments: Piano Keyboard

I have been playing the piano since the age of 8. I always loved learning new music and I try to pass that love on to my students. I work with them to practice efficiently and to bring out the best in them. I love working with adults as well as children and about half of my class are adults. I try to have a good sense of humor with all my students. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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