310-935-4532
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25 Years
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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar
Hi! My name is Serg. I'm a professional bandleader and music coach with a decade + of experience. I offer comprehensive training in voice, guitar, piano, bass, and ukulele for ages five and up. For teen and adult clients, the sessions include optional career guidance, songwriting, and sound mixing/technology consults for no extra charge. I am a friendly, caring teacher who finds joy in seeing my clients succeed. I will always go the extra step to make you feel comfortable, inspired to improve, and confident in your abilities. Read More
Instruments: Piano Voice Ukulele
Since I'm focusing on voice lessons, I work with all students on being aware of their breathing. Having the right breathing patterns (since there are many varieties) is what can give you the edge and really bring out the best voice inside of you. Honestly, I mostly will give students recent pop songs that are good for the voice unless one is a stickler for classical songs, in which I sometimes use the 24 Italian Art Songs and Arias. Read More
Instruments: Piano Guitar
I've been a passionate musician all my life. Ever since my Nana bought me a mini electric piano when I was 3 ears old, it's been a staple of my life ever since. I studied guitar and piano all through out grade school and high school and continued my music education into college. I studied production, jazz, and theory at JJC of Illinois before transferring to DePaul University. I moved to L.A to perform and have been here for the past year teaching music at the West Coast Music Academy of Santa Clarita. Read More
Instruments: Piano
I began piano study at the age of 5 and began teaching privately at a young age. I have taught piano and been staff accompanist at Chatham College in Pittsburgh, Pa. and Fairmont State University in Fairmont, W.Va. I am a member of: Music Teachers Association of California, Music Teachers' National Association, National Guild of Piano Teachers, American Guild of Organists, AFM, Local 47. She is a founding teacher for the Carnegie Hall Royal Conservatory: The Achievement Program. I adjudicate for MTAC, MTNA, NGPT, SYMF and other California festivals and competitions. I present lecture/recitals on women composers and their music at a variety of conferences throughout the United States and had the privilege of premiering the First Piano Sonata by Nancy Van de Vate at the 2001 Amalfi Music Festival in Italy. Read More
Instruments: Piano Voice
All my musical life I have had to teach my private piano lessons with all ages , In Novosibirsk State State Conservatory I was Voice teacher (1990 -1998),Mexico 1998-2006 I have had teaching voice and piano in School of Music in Music Assotiation. 2006-2007- Eugene Community College(Oregong) Chorus Director and voice teacher. In Los Angeles I have my private voice and piano lessons withh all ages at my home or at student's home. Read More
Instruments: Piano Voice Cello
Creative lesson planing, student motivation and individualized approach are the most notable characteristics of my teaching style. I always try to find out what inspire my students and what they love and enjoy about music. I think the most important for the teacher is to develop a passion for music in his students. Read More
Instruments: Piano Drums Orchestral Percussion Conga
During college, a woman and her son saw a Jazz combo show I played drum set in and after the set, She asked me if I would teach her son. I agreed. I taught her son for a year. Sadly, they moved away but the word spread and the next year I had two more students. It contuied that way as I progressed in college my teaching improved. When I moved to California in 1997, I had seven students to teach on the weekends. Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Lakewood to students of all ages and abilities.
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