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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Filipa B

Instruments: Piano Flute Music Keyboard

Aim for 5 to 6 days of practice EVERY week. Consistency is key, even if it is only for 15 minutes! Whatever you do, make sure you practice right after your lesson AND the day following - retention will be 90%! When practicing, aim 3 times in a row flawlessly. For longer and more challenging pieces, be sure you are practicing in small sections. A fun way to do this is through the Penny Game or cards and counters ask me how! Read More

Adrian G

Instruments: Piano Keyboard

I started teaching at 11. People heard me play, and they wanted their children to learn. I found that I loved teaching and when I went to college I took the pedagogy course. I found it totally inadequate. It did not teach you how to deal with your student or their parents. I want my students to learn and although most will have music as a hobby I want everyone to play the best they possibly can. Read More

Bill B

Instruments: Piano Drums

The way I teach is about showing the student "the dance" of drums. The exercises and rudiments they practice are the movements in a dance. For example, with Punk drums the movements need to be mastered and played fast so the student will have to practice to get the movements up to speed instead of focusing on the beat. With Pop drums the movements need to be comfortable but precise as the student learns the importance of a metronome and how to relate to it by thinking of it as a member of the band. Read More

Steve O

Instruments: Piano Guitar Bass Guitar Ukulele Keyboard Electric Guitar Acoustic Guitar

I am a highly skilled and creative musician who is specialized in guitar, teaching and composition. I work with all ages and skill levels ranging from beginner to professional. I will customize student’s lessons to fit their goals and learning styles. I work at the student’s pace while encouraging them to practice and explore the instrument on their own time. I currently play in an R&B band, a rock band and a jazz band performing shows around greater Los Angeles. Read More

Kimberly N

Instruments: Piano

Whether it was just a few notes or a very skillful melody. I would listen to them with interest myself. When I become a piano teacher, I had the compassion and patience to teach my students. Listening and correcting techniques from the starting position to the correct use of their fingers then gradually becoming proficient. I would like to let my students ask more questions while I provide them with knowledge that will benefit them or choose the songs they want to learn. Read More

Willy R

Instruments: Piano Bass Guitar

I have given lessons over the years at middle schools and privately and enjoy seeing a student put in the work and hear them play what the songs/ riffs they wanted too. I have the capacity to record yourself and accompany you on keyboards or drums and can build on that. I have a team to bring your ideas and creativity to life and for everyone to see and hear or it can all be just for you. Read More

Merve T

Instruments: Piano Violin Music

It is an invaluable feeling to see my students grow a passion for music, to watch their progress, and to contribute to their learning. I encourage this with realistic goals by supporting each one of my students to progress at their own pace. I aim to help my students increase their desire to progress, by appreciating their success, and by trying to find out what inspires them, I can tailor my teaching to their wants and needs. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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