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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel B

Instruments: Piano

In addition to teaching repertoire, I also focus on music theory and provide learning material that is specifically tailored to each student's skill level and interests. My approach to teaching emphasizes creativity and self-expression, and I always encourage my students to develop their own unique style and voice as pianists. With my experience and personalized teaching style, I am confident that I can help you reach your full potential as a pianist. Read More

Eric R

Instruments: Piano Trumpet Saxophone Euphonium

Since that point, I have had 20 students of ages ranging from 6-82 and it is has been wonderful to learn more about teaching and how each student really is a customized project in the making. Finding out what makes each student motivated is a joy that is unparalleled. If you are a student/parent wanting to be understood by your difficulties with the piano, I am the teacher who will understand. Read More

Timur D

Instruments: Piano Guitar Ukulele Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I am an experienced and patient instructor who loves to work with students of all ages and backgrounds and share my knowledge of music. I studied guitar in music schools in Russia and later at Tel Aviv Music Academy after out family move to Israel. I relocated to USA in 2003 and have been teaching in Orange County and Los Angeles area and perform all over Southern California. I was classically trained and specialize in classical, Spanish guitar and finger picking in general. Read More

Michael P

Instruments: Piano Guitar

Welcome to my world of melodies and harmonies! I'm Michael P., a passionate and gifted piano teacher, dedicated to nurturing musical talents and spreading the joy of playing the piano, and understanding music theory. With over 30 years of experience and a deep love for music, I have had the privilege of guiding numerous students on their musical journeys, helping them unlock their potential and create beautiful music. Many of my students have become music majors in college, and professional musicians. Read More

Linda L

Instruments: Piano Violin

I am a highly conscientious motivated instructor who wants the success of my students and I do not give up easily on anyone who is willing to practice and put forth effort. I began piano lessons at age 4, was in competitions as a child and also worked with the Sherwood School of Music in Chicago. I graduated from Cal State University with a BA in piano and music history. I love all kinds of piano music and can teach many types but my training is classical. Read More

Yaocheng Y

Instruments: Piano Flute

I believe one can grow as a musician at any age, expertise, and understanding. I do use printed method books for my students to guide them along the process (Hal Leonard, Rubank, Taffanael and Gaubert Bernstein to name a few) for the child, methods and scales will be assigned to teach proper technique and positioning. For the adult, depending on their interests, different types of reading music material will be introduced. Read More

Sumitra N

Instruments: Piano Voice Music

My approach to teaching is to meet the students where they are. I often ask them to write a list of their 'top ten favourite songs' and also encourage them to listen to music. I want to know what moves them and inspires them, so I can adapt my instruction to their needs. I encourage consistency in practising above quantity (hours spent), as a little bit every day goes a long way. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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