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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Matthew G

Instruments: Piano Drums

My lesson style is patient yet challenging. I believe each student is an individual each with her/his own needs. I don't use a 'cookie-cutter' type of teaching. Read More

Jean-Luc P

Instruments: Piano Voice

I was born to French parents in Southern California and I have been writing music for voice and piano since I was just 12 years old. I am currently in the process of recording my first two studio albums and I play my original music around Los Angeles with my band. I am a devoted teacher and my students appreciate my ability to see the very best in them, working patiently and effectively to bring out their full musical potential. Read More

Carlos M

Instruments: Piano Guitar Violin Saxophone Bass Guitar Organ Acoustic Guitar

My love for music started at the age of 7 when my mom enrolled me in a piano lesson. I continuously played the piano and there was a point that I also studied the organ to be able to play as an organist in our church. When I was in high school, my interest shifted towards guitar because of the surge of battle of the bands and I luckily became part of our high school band as a lead guitarist. Read More

John H

Instruments: Piano Voice

I'm very passionate about being honest and straightforward with my students. I'm very prone to telling my students not just what I do but why I do it, as I believe it's important to develop holistic thinking. I also think it's important to get students curious about as much related to the art form as possible. So, I include extra information about history, theory, other aspects of the canon, etc. Read More

Linda L

Instruments: Piano Violin

My teaching experience started in high school when my private teacher started teaching me how to teach. I then accepted students on a continual basis, usually working two jobs. I realized at a later point in my life that I would like to make teaching my profession and started getting more serious about how I would proceed with teaching music. I have had students for over 25 years and without a doubt, parental involvement and practice are the two main factors for success of young students, along with a good teacher. Read More

Dale E

Instruments: Piano Organ Music Keyboard

I truly enjoy teaching and live to see how well my students progress .my teaching style has to adapt for each student . I cant teach a 5 year old in the same manner as I teach a 79 year old student and I have both. A good teacher also needs to understand the wants and needs of each student thus the teaching method and books may change for each student especially if theres more than one person in the family learning to play . Read More

Willy R

Instruments: Piano Bass Guitar

I have been a bass player for over 15 years and have played in numerous projects and recordings. Main focus has been rock n roll, rock en espaol and singer/songwriter projects. I have my own recording studio in downtown la, I can provide a variety of services to students that includes media and can be a facilitator of services if I myself can fulfill the students needs. I have played music since I was 10 years and have gained a ton of knowledge academic and firsthand experience and has served me well in my experience. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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