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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James S

Instruments: Piano Violin Viola Trumpet Recorder Fiddle

I have been featured during that time as an on stage soloist and leader of backstage banda groups. I am also associate concertmaster of the California Philharmonic. Now that I am retired from the public schools and soon from the opera orchestra I have more time to teach privately and am looking forward to using my expertise and a performer and teacher to take students to any level they would like to go. Read More

Matthew C

Instruments: Piano Guitar Drums Bass Guitar

I have been teaching music for 10 years. In that time I have taught in 3 major cities, or 2 continents both privately and through respected insitutions such as the Hollywood Academy of Music and Brooklyn Guitar School.During my most recent time in New York (over 2 years), I maintained a roster of 15-20 private weekly students, throughout the 5 boroughs.Working with different students from different backgrounds in multiple cities has greatly informed my teaching and stoked my passion for passing on my musical knowledge. Read More

Kaushik M

Instruments: Piano Guitar Drums Bass Guitar Music Keyboard Electric Guitar Acoustic Guitar

I believe in getting the student interested in the concepts and styles themselves, i like to introduce them to different ways of playing and my main method is to show them how it can be exciting to play/learn. For eg, for someone who loves games, I would show them how to play chords and melody ( on a piano ) at the same time by using the Minecraft theme song as an example, or any game that they might know and enjoy so it gets them interested to want to play and learn, through that i will show them dfferent techniques and concepts, this way they are already enjoying what they are learning and at no point will not want to practice it on their own. Read More

Fernando P

Instruments: Piano Saxophone Flute Clarinet

I have 7 years teaching both in a private studio setting and in group/ensemble setting.  I teach piano, saxophone, flute, and clarinet, to all levels and ages.  I have experience teaching and playing in marching bands, orchestras, salsa bands, jazz bands, and wind ensembles, to contemporary Christian/worship bands.  I have played in several musicals.  I front my own contemporary Christian Band, and we just released our first album in April, 2013. Read More

Michael P

Instruments: Piano Guitar

After graduating from the one year course at Musician's Institute I attended CSUN and studied with concert pianists Jacob Gimple, and Charles Fierro, earning my degree in Composition/Piano. While in school friends and family asked me to teach them, and I found I had a special talent to teach. I joined the Music Teacher's Association of California and within a year had more students than I had time for. Read More

Dale E

Instruments: Piano Organ Music Keyboard

I truly enjoy teaching and live to see how well my students progress .my teaching style has to adapt for each student . I cant teach a 5 year old in the same manner as I teach a 79 year old student and I have both. A good teacher also needs to understand the wants and needs of each student thus the teaching method and books may change for each student especially if theres more than one person in the family learning to play . Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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