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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Ukulele Keyboard Electric Guitar Acoustic Guitar
For all students from beginners to adults I use Alfred's Piano books as they are very transparent and easy to follow. I also strongly believe that even beginner students as early as 4 can learn scales and chords even though many teachers don't introduce such things until they reach an older age and have more experience. It is very apparent to me that many teachers under estimate how truly brilliant children are and how they can soak up material much more quickly at a younger age. Read More
Instruments: Piano Voice Drums Ukulele
As the musical director for my college A Cappella group, there was an element of vocal teaching for new and existing members. We learned new song arrangements as a group, rather than assigning parts and having singers learn at home. Conversely, they taught me! It was a great collaboration. Most recently, I have taught private and large group lessons for elementary grade students (TK-5th) in the areas of ukulele, drum set, bucket drumming, hand drumming, and rock band. Read More
Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Euphonium Oboe Bassoon
I've been teaching in the greater Los Angeles area for almost 20 years, teaching students from ages 4 - 92 (yes, really! 92!). Levels range from beginning to professional, with advanced students having won scholarships and awards. I encourage all of my students to learn the language of music; to learn about their instrument and the best means of expression using that instrument. For the past 8 years, lessons have been supplemented with an annual holiday recital where students have the opportunity to perform, which is an important part of the learning process! Read More
Instruments: Piano Guitar Voice
From 2001 to the present, I have prepared lessons to privately teach music and languages. I assisted foreign students with diction, reading and writing In 2007, for the Eutonic School of music I also assisted in recitals, and accompanied students on the piano. I taught them warm ups and songs geared towards their student levels. I love every aspect of music from teaching to promotion. In addition, I promoted advertised for music social networking site called Warfest.com via Reverbnation.com, and interpersonally where I set up free profiles for music artists, explaining sites benefits. Read More
Instruments: Piano Keyboard
I love working with both young people and adults. I feel that I get to know my student and try to work within their capabilities. I stress reading . The first year I try to build a strong foundation, teaching rhythm as well as notes and I work with everyone as an individual, learning their strenghths to better teach them, I am still a performer and so I teach my students How to Play. Read More
Instruments: Piano
I like to always start off by having the student play the piece that we've been working on for the past few weeks to check on his/her progress and to address any needs or changes we need to make. I also work with the student on his/her scales and building the foundation needed to play more technically challenging pieces. I find it very important to work on technique as many players nowadays often struggle with more difficult pieces and do not execute certain sections as smoothly due to a lack of attention during his/her early stages in building up the foundation and technique. Read More
Instruments: Piano Trumpet Accordion French Horn Music Keyboard
I find that metaphors using familiar things and processes, like the laws of nature and physics we see everyday, can help students grasp concepts that require marrying physical movements with mental flexibility. Perhaps we're discussing articulations and you're having trouble understanding stylistically how to approach and execute staccato with legato over it. We could turn to methods like the Breathing Gym to practice a physical manifestation of how that articulation should sound. Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Lakewood to students of all ages and abilities.
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