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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jordan S

Instruments: Piano Guitar Drums Bass Guitar Acoustic Guitar

I have been teaching music since I was 16 years old and I want to share the same experiences I had as a student. Many teachers won't admit it, but a student's musical future depends almost entirely on who is teaching them. If a teacher is fun to get along with and understands how the student communicates then this can ensure longevity in a student's playing career (even if the student only plays for fun). Read More

Matthew S

Instruments: Piano Guitar Trombone Drums Synthesizer Ukulele Orchestral Percussion Latin Percussion Music Keyboard Acoustic Guitar

At our first lesson, we will dive into what YOU want to learn. It's my job as a teacher to facilitate a creative and challenging learning environment, but it's up to you, the student, to make the time we spend together something you would like to work on. I'm confident that we can both find common ground to stand on and find some great music to explore. Beginners will always use some sort of method book, learn to read music and rhythms. Read More

Lauren C

Instruments: Piano Voice

I've been teaching voice full time for five years. Many students come to my studio in West Hollywood, or I am available to meet at Pierre's Fine Pianos in Santa Monica. Other options include me coming to you. Please see my travel map. :) I host bi annual recitals for my students to perform in, and encourage participation in outside performance and audition opportunities whether at school or a local open mic. Read More

Daniel H

Instruments: Piano

As a piano teacher, I believe that every student is unique and has their own set of goals and aspirations. That's why I take a personalized approach to teaching, tailoring my lessons to meet each student's specific needs and wants. Whether you're a beginner or an advanced player, I will work with you to create a customized curriculum that's designed to help you achieve your musical goals. I also find unique repertoire, finger exercises, and study material for my students based on their skills and knowledge. Read More

Steve B

Instruments: Piano Voice Cello

Have fun. Love what you do. If it stops being fun push a little further ahead and see what happens. All it takes is a little ember to start a fire and I am ready to help my students find that fire within themselves. Its not always going to be easy and they will fall and stumble and when that does happen (and it will) I will be there to show them how to pick themselves up. Read More

Sean J

Instruments: Piano Guitar Bass Guitar Ukulele Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I am a classical guitar teacher who is looking to educate and inspire potential new students. I am classically trained and I have learned from some of the best musicians in the area (Dr. Zane Forshee of Peabody University and Matthew Dunlap of Peabody University). While I do have a strong classical guitar backround, I also have a deep love for other styles such as rock, pop, blues, etc and would love to teach any of these styles. Read More

Isaac T

Instruments: Piano Guitar Violin Cello Accordion

I love teaching! I want you to be my student. I have studied at Cal State Northridge and I currently have 30 students. I teach cello, violin, guitar, accordion and piano. I am a session musician and orchestra musician. I have played in bands and pop groups and recorded with many many artists. Including: Nostalghia, Saint Motel, Chelsea Wolfe, Tes Elations, Pastilla and many more. I can teach any genre of music. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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