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Featured Piano Teachers Near Coral Springs, FL

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Here are just a few of the many teachers offering Piano lessons in Coral Springs . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kuan Ting C

Instruments: Piano Voice Trumpet Ukulele Recorder French Horn Music Keyboard

I started to teach group music class and private lesson when I was in undergraduate. I always try to bring everything I learned from performance, music education, observing other music teacher and my own experience to every music lesson I gave. Practicing consistently is the most important way to make the lesson experience more pleasant and worthwhile. Other than introducing the music to my students, I also encourage them to perform, because sharing music is also part of the learning process. Read More

Supaphong K

Instruments: Piano Guitar Voice Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Artist to artist teaching style. Teach prescribed music syllabus, including musical concepts and performance, composition and sight reading and listening skills, in context of style and genre. Conduct assessment in both written form and performance, including aural examination. Instruct in the use of a range of instruments, encompassing string, woodwind, brass, percussion, keyboard and electronic instruments. Demonstrate commitment to the principles and practices of OHS and equal opportunity. Music Teacher with 7+ years of hands-on experience in music lessons impartation. Read More

Hayato S

Instruments: Piano Cello

From over the year spending time with music, that is to group ensemble, performance, and speech presentation; very confident to act to this activity. Read More

Richard Y

Instruments: Piano Violin Cello Viola Double Bass Music

I have been teaching music for the past 25 years. First in the Public Schools in Tennessee and Florida and at the college level. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Bob T

Instruments: Piano Guitar Organ Synthesizer Music Keyboard Electric Guitar

I have 50 years of experience playing and teaching piano. I also teach guitar. I've supported myself working with bands and playing solo piano along the east coast. I attended Berklee College of Music in Boston MA and studied arranging and composition. I left Berklee to compose and write jingles for radio and TV and studied with John Mehegan in Westport CT, John joined others in bringing jazz into academia, it was an honor to study with him. Read More

Mateja K

Instruments: Piano Voice Violin

I have been teaching for two years, and I truly enjoy it.  I was fortunate enough to coach middle school violinists last summer, and I was able to help them individually, as well as help them perform together.  Teaching, for me, is a way of shaping the next generation of musicians or music enthusiasts.  I can teach students of any ability level, and it is always a joy to work with and get to know a new student. Read More

Teacher In Spotlight

Moshe B

Instruments: Piano Guitar Voice Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Did you have a teacher that inspired you to go into music? How did they inspire you?
My father taught me first the little that he knows from childhood, the value and name of the notes and he sang a lot at home, always instilling in me the love for music, art ,culture and knowledge in general. He also used to take me to concerts and to meet musicians and artists. Later I have had many teachers that inspired me and each one has something great to learn from. In Cuba Leo Brouwer was king, both as composer and teacher. Along the way, books and principles by Hindemith, Knud Jeppessen, Charles Villiers Stanford. R.O. Morris, Schoenberg, Edward Bairstow and Nadia Boulanger, Mario Castelnuovo Tedesco, Chick Corea and Rudolph Ganz have inspired me.

Why did you choose your primary instrument?
I chose classical guitar as my primary instrument because it was part of my culture, Spanish. Because it was part of the generation of folk and world music yet can be played as an instrument for classical music. It cuts both ways and last because it is portable. It can be taken on a journey and easy to carry and use. It is a harmonic instrument that can be useful for accompaniment of song but it is also a solo instrument capable of beautiful expression and subtlety. It is really a magical instrument.

What musical accomplishments are you most proud of?
1-My graduation as a guitarist where I played among other pieces the guitar concerto by Joaquin Rodrigo "Fantasia for a Gentil Hombre" 1989. 2-The teaching of voices in choirs ,including large and complex baroque music in Jamaica with some of the singers having to learn from zero how to hold a melody in tune. The transcription of the instruments from a symphonic setting and recording of the transcription to produce the sound tracks was involved. 1997-2002 3-The coaching of the band "The Revelation" again with some of its members having difficulty reading and performing and the transcription and arrangement of music for the lead singer and the orchestra. The final result was good between 2009 -2013 4-The performance of Mario Castelnouvo Tedesco's quintet for guitar and strings with the Shulman string quartet in Buffalo in 2015

Have any of your students won awards or been selected for special honors? How have they succeeded?
Not yet to my knowledge.

What do you think is the hardest thing to master on your instrument?
Relaxation and good position

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Alfred for Music theory. Beyer for elementary piano ABRSM for aural training and musicianship in practice. ABRSM for Jazz series. Piano Improvisation by Frank Caruso for Jazz and Blues. Harmony at the keyboard I and II by R.O.Morris for harmony ear training and composition. Counterpoint by Knud Jeppessen for Renaissance counterpoint. Preparatory Excersices on Score Reading by R.O. Morris Harmony in Theory and Practice by Anna Butterworth for written harmony. A Modern Classical Approach to Classical Guitar by Charles Duncan. Jazz for Classical Cats by Andrew York. Exercises for Piano by Rudolph Ganz. Technical Requirements for Guitar by Charles Ramirez.

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