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24 Years
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Here are just a few of the many teachers offering Saxophone lessons in Indianapolis . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Saxophone
With younger beginning saxophone students I start them with Hal Leonard's Essential Elements book 1. This Provides a great foundation for students to start on and benefits in the long run. For mid range skill level students we start with (depending upon skill) the Rubank beginning or intermediate method book. This provides a lot of melodic material for them to grow as a musician. Lastly, for the advanced we would start with Ferling Etudes which really challenge the student at a higher level. Read More
Instruments: Piano Guitar Voice Trombone Saxophone Flute Clarinet Oboe
My main music philosophy is to teach sound before sight: teach students to hear the music, and then read the notation. For beginners, I want them to become well acquainted with their instrument so I begin with the basic fundamentals, and then teach some traditional tunes before moving on to reading music. For students who can already read music, I like to work on sight-reading as well as finding solo repertoire that can be performed at recitals. Read More
Instruments: Piano Guitar Saxophone Drums Organ Synthesizer Music Keyboard Electric Guitar Acoustic Guitar
I have been teaching on and off since 2010 and now teach almost exclusively from my home studio in Bloomington, IN. I've had the experience of teaching everyone from 4 year olds to advanced adult students and implemented various teaching methods for the many different minds learning styles. I always liked to look at the art of music like learning a language so I have since learned to create individualized lesson plans for my students that gives students plenty time to "speak", that is learning the fundamentals, phrases, and tools to share their personal story and to study the vast pedigree of music that has come before them. Read More
Instruments: Piano Voice Saxophone Flute Organ
I like to challenge my students when I feel they should be. I also try very hard to showcase them whenever possible to show the community the great talent that is amongst us. I would have to say my main approach to teaching is figuring out what works best for each individual student, seeing as though everyone learns differently and at different paces. Forcing a student to learn something when they don't want to is something I do not allow, I can only encourage but not force. Read More
Instruments: Piano Saxophone Clarinet
I’m a positive instructor who thoroughly loves working with students, helping them meet their goals, and enabling them to enjoy music for the rest of their lives! I have a Masters in clarinet performance from Indiana University, but also hold a Bachelors in music education with a current K-12 instrumental teaching license. I’ve been blessed to perform all over the United States, at Carnegie Hall, and in 5 other countries with orchestras, bands, and a drum & bugle corps. Read More
Instruments: Violin Viola Electric Violin Fiddle Music
If you weren't a musician what do you think you'd be doing instead?
Writing and art for sure. I have pretty intense ADHD which led me to learn all kinds of arts and trades, seeing them as puzzles to play with and figureout.
What is your dream piece to perform and why?
I am actually currently working on Morpheus by Rebecca Clarke, which has been a dream of mine for a while now. The piece is very intimate in nature and represents the God of Dreams very well in a sort of floating dreamworld atmosphere with moments of intensity I haven't heard anywhere else. The story beats at play send me to a different world when I listen to them, and now I get to represent my own vision in this work. The other piece I dream of performing is the Kryukov Viola Sonata for very similar reasons in that the chromatic work of the piece creates intriguing sounds and moments of definitive character that shook my world and became my only music for a week straight upon first listening.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I mostly choose Suzuki for the introduction to the common repertoire. Hal Leonard is also an option I look to, but I'm not near as much of a fan. I also subscribe to teaching methods such as Orff and Kodaly, finding it absolutely vital to incorporate physical movement and play into my lessons. Games will be a common theme because gamefying skills make them easier to learn.
What does a normal practice session look like for you?
I like to start with some sort of technical warm up, be it scales, etutes, etc. From there, feeling warmed up, I utilize those for character building in my performance. I might decide to make a deeper character, and utilize dynamics and articulation to achieve that. After that, I look to my repertoire and develop a story with scenes and beats, and decide what styles are going to best represent the story I want to tell. Once that's decided, I set my metronome to make my notes as clear as possible while practicing my decided styles.
How do I know if my child is ready to start lessons?
Most likely your student will show a particular interest in their instrument over all the options they have in school. When they get home, and consistently all they want to do is hammer away at their instrument, it might be time to have a professional or experienced player guide their hammering away towards something that will make for a fulfilling career. Let's not also forget: if they ask you for lessons, they certainly are ready.
Why did you choose your primary instrument?
To be completely clear, I chose the viola in particular because of Jake the Dog from Adventure time, and I never looked back :) sometimes its just as simple as the media you consume that draws you to your instrument of choice.
What advice do you have about practicing effectively?
First, find multiple recordings of your music. Practice is not only picking up your instrument but also having a mental map of your music and what it conveys. People can produce a new outcome just by envisioning how it can be done without any movement. Secondly, finda. schedule that fits for you. Some people play 15 minutes 4 times a day, others play 2-3 6 hour days in a week. There's a lot of variety, just as long as its done and done with purpose, it works.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Saxophone lessons in Indianapolis to students of all ages and abilities.
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