Violin Lessons in Ardmore, PA

Instruments: Guitar Violin Cello Viola Bass Guitar Electric Violin Electric Guitar Classical Guitar Acoustic Guitar

For my students learning guitar, bass guitar or ukulele, I recommend the Hal Leonard Series. Depending on the age and level of the student, there are a number of options to pick from, which allows me to get just the right fit! Along with the method book, I recommend what's called a blank TAB book which is used to write down chords, exercises and songs. Although the method books are important in guiding the students' progress and developing their technique, they are just a piece of the bigger picture. Read More

Instruments: Piano Violin

I have been teaching piano, violin, and basic music for over ten years. I have worked at music schools as well as taught private lessons. I have a masters in music and have a big performing repertoire. I love new students - from beginner to advanced, and of all ages. I think you can learn a lot about people based on what type music they like, so I look forward to meeting you and helping you play the type of music you love. Read More

Instruments: Violin

For more advanced students, who have an idea of what they want from their lessons, I will typically play less than with beginner students and focus on listening to the skills and techniques they have already developed. This allows us to have more in depth discussions about the finer details of their playing such as expressivity, technicality and really playing music as opposed to simply playing notes on a page. Read More

Instruments: Violin Viola

My teaching experience goes back to my high school days, as I began teaching privately 7 years ago, and have consistently taught in my home studio for the last several years. Encouraging regular practice, as well as focused practice, are some of the key points I like to emphasize for all of my students. Practicing correctly, as well as consistently, motivates students as they see their exponential progress. All seriousness aside, having fun and playing from the heart is the most important thing to remember. Read More

Instruments: Violin Viola

For beginning students, I initially focus on their setup and how to hold the instrument properly. Having this solid foundation helps in the future to avoid injuries and negative habits. After that, I use the Essential Elements books and Suzuki method books as a guideline with supplemental materials. At this point I would also begin introducing solo repertoire appropriate for a first recital performance. For adults, I try to find out what the student is interested in, and guide my teaching according to their level of interest, keeping lessons engaging and fun. Many times that includes playing fiddle tunes, which is very exciting to me too, since I have been involved in Irish culture since I was young. Read More

Instruments: Piano Voice Violin Viola Keyboard

Excellent, nurturing Suzuki violin pedagogy - treating music as a mother tongue to absorb, imitate, and engage with - informs my methods for beginning and intermediate students. Gradually, as the student shows readiness, we blend in the traditional yet humane study of expert violin playing and thoughtful musicianship modeled for me in Dorothy DeLay's masterclass. As distinct from many string players, I am also a devoted and accomplished singer. So breathing, posture, phrasing, color, line, and articulation are key to my approaches to making and teaching music, and thus to helping my students x22singx22 through their playing. Read More

Instruments: Piano Violin Viola

For the beginning student, I typically suggest a collection of specific studies from an array of sources, some designed simply for technique and others for the development of musical understanding. Naturally, these depend on the individual and their needs. I am most dedicated to facilitating the needs of each individual student and providing them the ability to express their musical ideas clearly and easily. For more advanced students, I will focus on honing technical proficiency and challenging them with new repertoire, preparing them for new musical opportunities, such as youth orchestras, chamber music, recitals, and competitions to further their growth. Read More