Violin Lessons in Cornwells Heights, PA

Instruments: Piano Violin Viola

I received my Bachelor's in Performance from Eastman School of Music. Shortly thereafter I joined the Boise Philharmonic Orchestra. In Boise, I taught privately as well as at Boise State University. In addition to instrumental lessons, I taught classes in music theory, aural skills, and chamber music. Recently, I performed with the Symphony No. One chamber orchestra in Baltimore, premiering new works written for the ensemble. Throughout my career I have had the opportunity to perform across the United States and in Europe. Read More

Instruments: Piano Voice Violin Viola Keyboard

Music is deeply personal; one must get to know each student's own personality, interests, and connections to music. Early on (both in the teaching relationship and in each lesson) one must assess where the student is, as to technical and musical growth, and with the music at hand. Then one finds, models, explains and encourages the next steps the student can achieve. Clear guidance and dialogue about what will happen outside the studio (listening, practice, rehearsal, performance) helps turn the weekly cycle of lessons into an upward spiral of progress, achievement, and reward. Read More

Instruments: Violin

I began studying the recorder in Israel at the age of five. Keenly interested in music, I embarked on my lifelong love of the violin at age seven when I began violin studies with Leon Asa. After emigrating to the United States in 1958, I continued my early violin studies with the late Emily Cleve Gregerson of Omaha, Nebraska. In 1967, while an undergraduate at the University of Chicago, I was accepted as an advanced violin student by Elliot Golub, who was at the time a member of the Contemporary Chamber Players at the University of Chicago under Ralph Shapey, and a founder of the acclaimed Music of the Baroque series in Chicago. Read More

Instruments: Piano Violin Electric Violin

Alissa is a young musician from Philadelphia, who has been studying piano and violin for 13 years. Philadelphia Performing Arts Charter School introduced Ali to orchestra and stage performance, having performed at various venues on the Avenue of the Arts, such as the Kimmel Center and Merriam theater. From there, she attended Creative and Performing Arts High School, a school that truly sculpted the creativity, individuality, and ambition that makes music a passion, rather than just a class. Read More

Instruments: Violin Viola

For beginning students, I initially focus on their setup and how to hold the instrument properly. Having this solid foundation helps in the future to avoid injuries and negative habits. After that, I use the Essential Elements books and Suzuki method books as a guideline with supplemental materials. At this point I would also begin introducing solo repertoire appropriate for a first recital performance. For adults, I try to find out what the student is interested in, and guide my teaching according to their level of interest, keeping lessons engaging and fun. Many times that includes playing fiddle tunes, which is very exciting to me too, since I have been involved in Irish culture since I was young. Read More

Instruments: Violin Cello Electric Violin Fiddle

As I am a licensed teacher, I follow a democratic method of instruction that provides the student with the technique they need, while also addressing the student's personal wishes and goals. I strive to choose music that captures the student's attention and interest, as a motivated student is a progressive student. I can be stringent and highly structured for the more advanced player, but also remain flexible with student practice schedules. Read More

Instruments: Piano Violin

I like to get to know my students well so I know how to keep the lessons exciting and enjoyable. Everybody learns at a different pace and that is good! Each success is worth celebrating and the way to get there is by setting realistic goals. I always offer yearly recitals for any students who would enjoy being a part of them. I don't believe in anybody being forced to participate in a recital if it wouldn't be enjoyable. Read More