Violin Lessons in Rolling Hills Estates, CA

Instruments: Violin

Im a working composer, hailing from the Pacific Northwest, who is familiar with both the rigors of musicianship and the exploratory nature of creative work. I was awarded a masters degree in 2012 from Western Washington University where I also began a lengthy creative partnership with a non-profit dance company. Additionally, I lent my talents to some of the finest animators in the Seattle area, scoring works appearing at the Sundance Film Festival, the Seattle International Film Festival, nytimes.com, vanityfair.com, and numerous other venues. Read More

Instruments: Piano Violin Viola Trumpet Recorder Fiddle

I have been featured during that time as an on stage soloist and leader of backstage banda groups. I am also associate concertmaster of the California Philharmonic. Now that I am retired from the public schools and soon from the opera orchestra I have more time to teach privately and am looking forward to using my expertise and a performer and teacher to take students to any level they would like to go. Read More

Instruments: Violin Viola Music

I believe in the power of demonstration and playing along with the students. I also encourage students to practice vocal-instrumental coordination when establishing the concepts of musical expression within structures. I adopt some ear training for younger students as they develop a sense of pitch and theoretical knowledge for adults who learn better with checkpoints. I design and adjust learning plans constantly for individual students as they learn and help them with specific goals, long-term and short-term, and have achieved them 100% of the time. Read More

Instruments: Guitar Violin Bass Guitar Electric Violin Acoustic Guitar

Classes are customized per the student's individual needs. For some students, this means a standard repertoire: Schradiek, Scevcik, Hrimaly for violin. Hanon for piano. But for others, they would do better with a less formal approach. In all cases, the use of the ear is fundamental and primal. We will learn how to hear, and how to listen for timbres and intervals. (Basic interval training will be a part of everyone's lesson, as there's really no way around that.) Some students are intimidated by the classical repertoire, and the demands the classical tradition places on musicians. Read More

Instruments: Piano Violin Cello Viola

I believe that every student has their own learning style and I strive to teach to the student. Therefore, every student is taught differently, according to what works for them, and how the student is comfortable being taught. Student's will learn at their own pace while being encouraged to go beyond what they believe they are capable. Students will be given playing opportunities in an annual rectial, and semi annual group performances. Read More

Instruments: Guitar Violin Drums Bass Guitar Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Acoustic Guitar

As of this updated bio due to COVID-19 (Nov. 2020), Greg has been doing a hybrid format of teaching, primarily through Zoom with some in person instruction while maintaining orders of social distancing and wearing masks. He is currently on faculty at Santiago Canyon College, Santa Ana College, Neal Music Instruction in Anaheim, WePlay Music in Irvine, and La Serna High School in Whittier. He has previously taught at the Saturday Conservatory of Music in San Gabriel, Suzanne Middle School in Walnut, IvyCrest Montessori in Fullerton, and Music & Arts in San Dimas and Mission Viejo. Read More

Instruments: Piano Violin Viola Saxophone Flute Clarinet Oboe English Horn Acoustic Guitar

I use a wide variety of methods depending on the student's current ability level, musical preferences, and goals. I'm also willing to work with a method or book that a student is currently using. Generally, my students have a varying ratio of technique/scale study to work on the foundations, an etude/short piece study to help connect musical ideas and teach expression, and a solo piece that is prepared over a long period of time, most likely for a future recital. Read More