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Featured Voice Teachers Near Chesapeake, VA

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Here are just a few of the many teachers offering Voice lessons in Chesapeake . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Holly S

Instruments: Voice

I am a firm believer that anyone who wants to improve their singing, to go forward from whatever level they are currently at, can do so if they take the first step to start studying with a voice teacher. It can seem daunting at first, but through the use of a variety of vocal exercises and the use of songs in whatever style of music you are interested in singing, you can start the process of gaining new tools and habits to increase your singing skills. Read More

Barbara M

Instruments: Piano Guitar Voice Ukulele Music Keyboard Acoustic Guitar

I have been playing piano, guitar and singing since I was 7 years old. I have been teaching music, including music theory and improvisation, for over 20 years. I have a Bachelor of Arts Degree in Music from S.U.N.Y. Cortland and a Master of Science Degree in Instructional Technology from New York Institute of Technology. Music is my profession and my passion. I have experience in a wide variety of musical styles and I design my lessons based on my students' interests. Read More

Cara M

Instruments: Voice

I fell in love with teaching when I started college years ago and my students have achieved much success in the art world. I adore my students and I treat their voices with extreme care and provide a very positive and relaxed atmosphere to allow growth but get work done. I am dedicated to nurturing voices and serving art. My students are encouraged to audition for productions, perform in pageants and recitals, participate in master classes with elite artists and competitions, record, and explore many other opportunities that benefit their community. Read More

Joseph U

Instruments: Piano Voice Trumpet Trombone Recorder Euphonium

I began teaching trumpet privately 44 years ago. Over the years I have added voice, beginning piano, trombone, euphonium,and recorder to my studio. I encourage each student to practice several times a week for as long as they can. I find that some students like to practice in one sitting, whereas others prefer to practice for 10-15 minutes before taking a break and then returning. I convey to each student that working at your craft for 10,000 hours will make you an expert. Read More

Nelia M

Instruments: Voice

Each student is different. My teaching style depends on the need of the student. However, generally, I will start with technical exercises to help the student work on a particular skill that can be used in a variety of songs (ex. tone production, vowels, diction). Then the next part of the lesson would be focused on a particular song. I also am happy to work on music theory and music literacy skills with students. Read More

Shane R

Instruments: Voice Trumpet Trombone Saxophone Flute Clarinet Euphonium Piccolo Mallet Percussion

For my own beginner students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Teacher In Spotlight

Emily A

Instruments: Flute Piccolo

What advice do you have about practicing effectively?
The key to effective practice is organization. Organization helps you stay on task and stay focused. It is easy to get stuck on one passage or on one tricky exercise, and it's even easier to forget something you wanted to focus on after yesterday's practice. Everyone is different, but in order to stay organized, I keep a practice journal. After every practice session, I write down what I think my goals for the next day should be. Sometimes the notes are more detailed (they include specific goals I want to reach or how much time I should spend on one thing) and sometimes they are more broad (things I want to get to, which I can check off and save all un-checked items for the next day). I struggle with tendinitis, and so I have a very limited amount of time each day that I can practice without injuring myself. My practice journal helps me streamline my practice and make those few hours as productive as possible.

Why did you choose your primary instrument?
I chose the flute when I was 5 years old. I wasn't able to pick up the instrument until I was in third grade, though. In kindergarten, my music teacher would show us Prokofiev's Peter and the Wolf from time to time. At the end of the movie, we were quizzed and asked to identify the instruments we had just heard. Time and time again, without fail, the only instrument I could identify was the flute: the sound of the birds. From that time forward, I knew I wanted to play the bird's music one day. It was a match made in heaven!

What does a normal practice session look like for you?
A normal practice session lasts at least two hours, and begins with warm-ups. Warm-ups are important for the body as well as the mind -- just like in sports. I warm up for about 30 to 45 minutes, and I alternate between several different exercises designed to improve technique and intonation. After that, I move onto etudes and orchestral excerpts. Finally, I work on my repertoire. In between all of this, I take breaks every 15 to 30 minutes. The breaks are just as important as the time spent practicing. During my breaks, I can rest my hands and mind, which is especially helpful after spending a half hour on frustrating and difficult material.

What is your dream piece to perform and why?
It would be my dream to one day perform Maurice Ravel's Daphnis et Chloe Suite No. 2. I have studied excerpts from that piece for a few years now, and they are simply my favorite. Ravel is my favorite composer hands down, and the Suite No 2. from Daphis et Chloe is my favorite among the pieces he has written. The music is challenging, yet stunningly beautiful and captivating. I get goosebumps every time I listen to the piece, and I can't even imagine how much more wonderful it would be to perform it one day.

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Recent Articles from the Musika Blog

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...out to write music. If you want to write music for any other reason than the pure joy of creating something new, then you’ll always be a slave to expectations.   Another reason to set songwriting expectations aside is because becoming a rich and beloved songwriter is most likely not in the cards for you. Even “successful” songwriters and musicians often struggle to pay their bills and live lives that most of us would consider to be pretty unglamorous. The music industry is currently suffering through the worst financial turmoil in its existence, and professional songwriters now frequently have to resort... Read More

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...all know and love today is built off of a tension and release that naturally occurs in the physics of notes and chords. Remember the A440 we were talking about? An A880 is the note an octave, or eight keys, above A440. The midpoint between these keys is an E660, or a Perfect 5th above A440. The relationship between one note or chord and the note or chord a 5th above it is probably the most important one in music. This is due in some part to something called the overtone series. As it turns out, when we hear a single pitch ... Read More

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...a story with the music and entrancing the audience. MusikaLessons.com: What tips can you give to anyone looking to begin playing the harp? Find a good teacher. Don’t worry about having an instrument, because a good teacher will help you locate a rental or an inexpensive harp for purchase. A good teacher will show you good technique that will be healthy for your hands, and a good teacher will keep you motivated. MusikaLessons.com: Thanks, Anne! Anne: My pleasure. You can find out more about Anne and her music, the Celtic harp, and about taking online harp lessons on her site at: www.CelticHarpMusic.com Find Jason ... Read More
10 Songwriting Tips To Help You Write Memorable Music
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Celtic Harpist Anne Roos

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