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Featured Voice Teachers Near Escondido, CA

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Here are just a few of the many teachers offering Voice lessons in Escondido . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ruben M

Instruments: Piano Guitar Voice Ukulele Keyboard Classical Guitar Acoustic Guitar

As I mentioned before, my teaching style can best be described as easygoing, but precise and adapted to each students needs. I focus on the person trying to learn as much as on the learning itself. Yet, Im not demanding or harsh in my delivery or expectations. Rather than a standard, vanilla approach, I try learn my students personality, learning style, and sense of humor pretty quickly and work to adapt the facts and knowledge of music to each student as an individual human, not an appointment. Read More

Hiroko Y

Instruments: Piano Voice Keyboard

I teach private lesson, which means I plan and teach according to the individual's goal and level. When a student has one song that he or she just want to improve, I will help and focus on that song. When a student want to learn general piano, I use "My First Piano Adventure" piano book series. For piano technique, I use study materials from Certificate of Merit (Piano tests in California). Read More

Ivan S

Instruments: Guitar Voice Music Acoustic Guitar

It has become very addictive to me to see my students succeed. It is not all about them learning how to play an instrument, but also to have them believe in themselves. Trusting they can go beyond and know they can learn more than they could possible imagine. My students gain a lot of confidence when this happens. This does not happen from one day to another, but with a lot of discipline, effort, dedication and love for the music and the instrument that will make the sound become music. Read More

Leonardo D

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Clarinet French Horn Piccolo

Our former students have gone onto win the Governors Award for Musical Theatre Performance, Tisch School for Performing Arts, and Westminster Choir College. While at Harrison High School & Washington Middle school, I implemented an after-school academy for the performing arts, which includes: a dance program, jazz vocals, musical theatre lab, and a Finale writing program which our students use state of the art equipment to write and record their own material. Read More

Joyce L

Instruments: Voice

There are two major philosophies I've uncovered when teaching lessons. 1. The use of descending lines to erase the "break" in ones voice. Early while studying, myself, I was taught to sing ascending, trying to maintain the same sound - this is defeating. Rather, bringing the top down is the "way to go." 2. Keeping the sound forward makes changing from one vowel to another quite easy and palpable. We generally begin by humming, getting vibrations away from the throat and into the front of the mouth. Read More

Noelle K

Instruments: Voice

I assess each student in their first lesson to see their entrance level and motivation. From there we discuss goals and I cater each lesson for each student. For children and teens it is usually to feel confident singing, prepping auditions and performances. They usually have a lot of motivation and a willingness to take risks and know they are being taught in a safe space to explore. Adults usually come in for confidence, to sing on key in front of their friends to professionals who need an extra ear to refine their instrument and skills. Read More

Phoebe S

Instruments: Voice Violin Viola Ukulele Mandolin Electric Violin Fiddle

I employ a very eclectic, rotating repetoire. For beginning violin students, I use the Suzuki method of ear-training, however I am not married to that curriculum. I prefer to use beginning Suzuki materials in tandem with standard American folk and pop music, in accordance to the student's interests. I am qualified to teach all the way through Suzuki book 10 if the student prefers a more classical approach. Ear training is fundamental in my approach to all instruments and styles. Read More

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Recent Articles from the Musika Blog

10 Reasons Why Everyone Should Be Playing Ukulele

...easy to pick up, the ukulele has a wonderful way of making complicated music sound simple. It brings out vulnerability in a performer because there’s no sound effects or virtuosic solos to hide behind. Playing a song or two on stage with the uke might be just the thing to bring out emotion and feeling in your performance.     Reason #8: Ukes are great for songwriting   There’s far less playing and writing options on the ukulele compared to other instruments. This sounds like a bad thing, but it’s actually not. In music and any other artform, being confronted with a... Read More

Guitar Gear: A Beginner's Guide

...analog gear. The power of an amplifier is measured in Watts, and the range is typically from about 15W to 100W. The higher the Wattage, the louder the sound of the amplifier, however there is a big difference in volume between a digital amp of a certain Wattage and a tube amp of the same. The tube amp will typically be much louder than the digital amp, even if they have the same amount of power.   Effects   Effects are very important to most guitar players, particularly electric guitarists. There are a seemingly infinite number of effects that can shape and hone the sound and ... Read More

Jazz Scales: The Altered Scale

...A concept that I introduced in the last article is using the blues as a tool for practicing and applying scales that alter the dominant chord. This is an effective practice method because the blues progression is both familiar and comprised of all dominant chords. It’s a quick and practical way to get your ear familiar with a new sound. A blues progression utilizing the altered scale would look something like: I’ve also written out an example that applies the altered scale to the standard “What Is This Thing Called Love?”: In this example, I substituted the dominant chords with altered dominant chords (as opposed to ... Read More

Suzuki Performance: An Approach to Playing for an Audience

...up where they left off and keep on playing. Maybe it’s better to start over – go ahead. But don’t dwell on mistakes. Just say, “Okay, it happened and I’ll know what to expect the next time.” Of course, if there is a real emergency, don’t just play through it. Stop, figure out what to do, and stay safe. But for other issues that come up, like a surprise cell phone rock anthem or a total mind blank, stay calm. You will survive. It’s natural to have a glitch every so often, and it’s all part of the Suzuki performance learning experience. You are ... Read More

Jazz Exercises for the Saxophone: An Introduction to Playing in 12 Keys

...for the saxophone on a tune may sound uncreative, unoriginal, and frankly, boring. But, this is the way improvising begins. As you learn more complicated exercises, your playing will begin to sound better and better. Even professional jazz musicians run exercises through tunes. Not only does it help to solidify the exercise, but it also helps to learn the tune.   The Benefits of Being Comfortable in 12 Keys There are an infinite number of jazz exercises for the saxophone. At a certain point, you just have to pick and choose what sounds good to you. It is impossible to learn ... Read More
10 Reasons Why Everyone Should Be Playing Ukulele
Guitar Gear: A Beginner's Guide
Jazz Scales: The Altered Scale
Suzuki Performance: An Approach to Playing for an Audience
Jazz Exercises for the Saxophone: An Introduction to Playing in 12 Keys

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