Voice Lessons in Somerset, MD

Instruments: Piano Voice Drums Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Djembe

Mike comes from a varied and vast array of musical experiences. He has a bachelor's of music in jazz studies from UNC Wilmington and a Masters of Music in Jazz Studies from the University of Maryland. A highly trained performer on classical and modern piano as well as traditional and contemporary drum set and percussion give Mike an edge in his teaching abilities. Mike has been playing drums and percussion for over 25 years, piano for around 15, and has been studying voice for almost a decade. Read More

Instruments: Voice Music

There are many different methods and styles to teach voice, but there are some basic fundamentals to good vocal technique and so for me its always important to start with a few basic warm ups, which normally includes simple vocal exercises such as scales and/or arpeggios, as well as working on good breathing. Its important for me to know what the student is interested and what they want to get out of the lessons, and specifically what repertoire they would like to work on, and from there we can work on a plan moving forward. Read More

Instruments: Voice

Music is hardwork! Despite its hard work, it is a Universal Language that connects us all and brings us joy. I teach my students to understand the musical experience that they provide for their audience. I let my students pick some of their own pieces with my provision.  I customize my lessons for the student. No student will have the same lesson, but my expectation for greatness will not be compromised. Read More

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Electric Guitar Acoustic Guitar

I am a composer, pianist, guitarist, and singer. In 2016, I graduated from The Peabody Conservatory of The Johns Hopkins University with a Doctor of Musical Arts degree in Music Composition. Prior to this, I obtained a Master of Music degree from Peabody in 2007, and a Bachelor of Music degree from the University of Arkansas in 2004. I have had performances of my music in Baltimore, New York, Seattle, Cincinnati, and Fayetteville, AR. Read More

Instruments: Guitar Voice Keyboard

I have been teaching students since the mid 1970's and have found a few key ingredients. First ... I need to be engaged as a representative of the craft ... excited about music and ... most importantly ... excited about the fact that the student is about to take on this new and / or continuing endeavor! If the student feels that you are genuinely there for them, a 'comfort zone' is created for the student ... now there is an environment in which much production can be achieved ... and the student will be able to thrive! Read More

Instruments: Piano Voice

Currently, the methods I use is based on the students ability to comprehend. I have created a series of teaching from various sources such as Alfred, Bastien, etc. I use a particular method based on the need of the student. I will teach the foundation of music such as scales, chords, sight reading and classical pieces. As the student progress, the student will learn different style of music such as gospel, jazz and pop. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

Recently I was hired as piano instructor for Quartertonez Music, in Washington DC. Also, I have had experience teaching and studying music education under my high school mentor, renowned music teacher Tim Savage; I was his student-teacher for a semester course at St. Lawrence University. Additionally, throughout my experience as his music student, his teaching approach has infused music education and facilitation lessons within the musical instruction itself. My past teaching experience also includes being a Drill Instructor for the Italian Department at Vassar College for two years during my time as an undergrad (I not only "ran drills" for students who had already started learning the material, but also had to compensate in a variety of ways for the unsuccessful, dysfunctional, or half-hearted engagement that is typical in a foreign language class). Read More