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Featured Piano Teachers Near Lyons, IL

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Here are just a few of the many teachers offering Piano lessons in Lyons . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Thomas G

Instruments: Piano Guitar Electric Guitar Classical Guitar Acoustic Guitar

For beginners at the start of the lessons, I usually get the know each student. Why would they like to learn? and What would they like to learn on guitar?; in order to make some reachable goals! Some will prefer to learn how to just physically play the guitar, and others may want a little more in depth understanding about the theory behind it and how to read music. When it comes to children, I believe the best way to keep them engaged and wanting to learn more is by making these lessons as fun as possible, while keeping nice and easy. Read More

Timothy G

Instruments: Piano Trumpet

For beginner students, Hal Leonard's Essential Elements provides a simple and easy to understand method to learning an instrument. For trumpet students, I like to integrate Earl D. Irons, H. L. Clarke, Arban, Stamp, Chicowicz and Caruso studies. In addition to technique, these books offer etudes and duets. For jazz improvisation students, iRealPro, The Real Book and Jamey Abersolds ii-V-I book (Volume 3). In addition to these method books, I also like to stress the importance of sight reading; books like Alan Raphs Dance Band book and other solo repertoire provide good sight reading training. Read More

Rebekah S

Instruments: Piano

I typically start beginners with the Teaching Little Fingers to play books. After going through the books at whatever rate the student needs to retain information, I will move on to solo repertoire pieces that align with the students' interests and tastes. I remember my piano teacher when I was a child bringing over several books for me to choose from, and it was the most exciting thing. I do the same with my students, so that the learning stays fun and students get to reap the rewards of their hard work throughout the process. Read More

Justyn J

Instruments: Piano Guitar Voice Trumpet Trombone Bass Guitar Recorder Euphonium French Horn Keyboard Acoustic Guitar

I am a teacher who looks to make music both fun and rewarding. As well as teaching the student how to make beautiful music, I also try and tie in our lessons as a way to becoming a better citizen. The habits that we form as a musicians will help us as individuals. Things like setting and working towards goals, tracking and monitoring progress, and educating ourselves beyond the lesson room are all things that will serve my students as individuals, no matter what discipline or situation that they will find themselves in down the road. Read More

Meghan F

Instruments: Piano Violin Music

I began my teaching career in 2014. I was involved in a program where I worked under established teachers and observed them teach. I then took over their classes and received feedback and guidance from them. Since moving to Chicago in 2017, I have worked with a music school and taught private lessons as well as group lessons in Chicago Public Schools. I am trained in the Suzuki method and heavily rely on that in my teaching. Read More

Gerson M

Instruments: Piano Guitar Electric Guitar

I would teach my students the basic notes of guitar reading. Once I have fully got my students into guitar reading notes I would then teach them the principals of chord structure and reading chord structure. I would also have them make a plan of what type of song each student would be into and how each and every one of them are going to apply it when playing it. Read More

Teacher In Spotlight

Marjorie L

Instruments: Piano

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I have developed my own method of teaching and currently and working to get them published ina book. The first lessons the student learns the keyboard, then the white key scale positions, and the rudimentary elements of music. I have designed my own worksheets, so the student learns to read music that is similar to the way keyboard music was taught during the classical period. The students also learn to read music, develop musical skills, and improve their talent by composing their own songs and transposing familiar tunes. After the student has acquired a basic knowledge of the keyboard, C and G position and chords, finger movements, then I ease them into printed music. I use easy classical music such as is found in Bartok's Mikrkosmos, Masterwork's Classic's Edited by Jane Macgrath, Alfred publisher, Technic is fun, and contemporary fun publications

What does a normal practice session look like for you?
If a student reviews their assignment 3-5 times a day, that is a good practice session. This is better than insisting on 30 minutes. When the brain is engaged in processing new information, it grows new brain cells. These will eventually integrate with other cells in other regions increasing the student's abilities. If an individual goes over something more than 5 times in sequence, the brain stops engaging and that is when bad habits can set in. It is better to go over some scale positions and chords, then use these in a form of transposing, improvising, and using these same elements in a notated piece.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have the equivalent of a double Masters of Music, Piano Pedagogy and Piano Performance. For the Master's degree and part of working on a doctorate, I was privileged to study with internationally known, Dr Maurice Hinson, known for his teaching, and hundred's of publications/editions with Alfred Publisher. I wanted to be the best piano teacher, and perhaps even a concert pianist. However, while working on the master's degree, I became involved with teaching children with autism, which inspired me to do everything that I could to help them, so I applied and was accepted at Indiana University and acquired an Educational Specialist Degree in Special Education. This degree is the same as a doctorate but many more electives on the doctoral level. Mine was in Brain Sciences, neurology, Autism, Developmental Disorders, and music.

What is your dream piece to perform and why?
Currently, I am working on selections from Rachmaninov's Moments Musical, and Chopin's "Winter Wind" Etude in a minor. Now that I've finished my degrees, and made a good start on my books, I deeply desire to get back into piano performance. Performing, or even just practising/ ]=, those pieces bring a great deal of satisfaction. My deepest goal is only to perfect these pieces. that is my personal challenge and goal. Another motivation for mastery of these selections is based on the effect that music has on the brain. When playing the piano, the brain is activated in many areas simultaneously. Music is very good for the brain and spirit of a man.

If you weren't a musician what do you think you'd be doing instead?
Pediatric Psychologist working with children with developmental disorders to improve their cognitive processing (which is what music does for the typical and atypical brain). I love working with children and their cognitive development. For me, there is little more in life that is more rewarding than helping a child improve their cognitive processing. In autism, improved cognitive functions results in an improved lifestyle for them and their families. To hear one of my autistic students speak in a complete sentence for the first time is a great reward!

What is your favorite style/genre of music to play and why?
Rachmaninov, Beethoven are my favourite composers. Rachmaninov presents some great challenges technically, and mentally. His music is very complex and difficult to perform. Some of his works such as Moments Musicaix N0. 4, in e minor, and No. 6, in C major are physically exhausting to perform. The speed and volume require much energy, both mental and physical. Beethoven's repertoire presents different challenges of technical skills to bring out what he is trying to say emotionally. His volatile dynamics represent sudden changes of emotions.

Does music run in your family? Tell us a little about your musical family members.
I come from a family of musicians. I have perfect pitch, as does my father, grandmother, and great-grandfather. My daughters have perfect pitch. One of my great grandfathers was a singer and was constantly singing hymns and praises. My other great grandfather was a music leader in his church and organized many music groups. My father was also a music director and soloist in several churches. My grandmother, who had perfect pitch, played hymns for her church and learned from shaped notes and read music according to the solfege system

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
The decision to become a professional musician was a gradual one. It came as a result of wanting to help people improve their mind and lifestyle. I had a friend who began teaching piano in high school, I thought that I could do that too. However, when I started studying at Butler University, I decided that I love piano so much, that I wanted to perform piano in order to help others enjoy piano music as well. I made a slight turn from that path and decided that helping children and other adults to learn music was a much better occupation.

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