Voice Lessons in Woodsboro, MD

Instruments: Piano Voice

Melissa started teaching during her senior year of college when she took her first vocal pedagogy course. Teaching has been an important part of her schedule ever since. Over the years, she has taught privately, through various community schools, through several national companies, and she served as a Graduate Teaching Assistant at Illinois State University for two years. Thus, she has experience teaching all ages and skill levels. Her students have ranged from beginners to university music majors, from age 3 to age 72. Read More

Instruments: Voice

When I meet a student, I take notes on what kind of music they like, what their goals are, and why they feel like voice lessons are the best way for them to achieve that goal. From there I take the pace at whatever the student is comfortable with occasionally pushing it a little bit if progress seems to be too slow. I believe that it is important to challenge but not overwhelm. Read More

Instruments: Guitar Voice

Aestethics or "beauty" of the voice is subjective. In this method we favor the voice health. The ability to sing without fatigue. The confidence that we can trust in our instrument. The result of this work is after all a "beautiful" sound. And it will sound beautiful for every listener. "The acoustical result of a healthy sound is a beautiful sound. And we will agree in any culture that its beautiful because its an instinct aesthetic." (Eugene Rabine) The method itself comprehends 4 parts: 1) a theory about the functional system (how the instrument works) 2) a theory about the sensomotorial system (how one person learns a sensomotorial activity) And based on those 2 theories: 3) a specific Pedagogy 4) a specific Didactic I don't want to get too "technical" in this section, you're free to ask me if you have further questions about these aspect. Read More

Instruments: Voice

I begin with determining the objectives of my student. For example, a student may want to work on increasing his/her range, improving tone, learning techniques for a certain style, or may want to establish a repertoire of songs or “90-second cuts” for an audition. With that information, I design a program to meet these objectives. We proceed at a comfortable pace and monitor the goals and objectives often. My teaching style is relaxed and fun but devoted to working on proper vocal technique and confidence building. Read More

Instruments: Voice Flute

For young children (ages 4-10), I focus primarily on building a foundation in rhythm, pitch matching, and vocal warm ups (wolf howls, lip trills, tongue trills, etc.). I also encourage young children to bring in songs they enjoy singing, and use those songs to help build their understanding of musical structure. For slightly more experienced children (those who already can read music) I teach using the Royal Conservatory of Music (RCM) guidelines. Read More

Instruments: Voice

Regular practice is essential for all developing musicians as it tends to produce continuous musical growth and passion for their instrument. With both voice and piano, I like to combine both classical and modern music because it lies a solid foundation, while also keeping students engaged and having fun. Read More

Instruments: Voice

Every voice is unique and special.  I work hard to help each student find his or her own voice.  The environment I strive for is created by a collaborative and individualized effort. As an instructor, listening to the needs of each student is the key to finding an approach best suited for their needs. One must listen to their singing as well as how they communicate their understanding of their own instrument. Read More