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Here are just a few of the many teachers offering Clarinet lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Saxophone Flute Clarinet Keyboard
My number one goal is to meet the student where they are at!--and we go on up from there. I like to develop a relationship with my students in which there is a shared responsibility. On my part, I will provide the necessary resources and guidance that will help them achieve their musical goals. Their part only requires a simple curiosity and willingness to learn something new along with a focused work ethic to put their newfound skills into practice! Read More
Instruments: Saxophone Flute Clarinet
In my previous teaching I have a very sound based approach. Everything will be easier and more fun if we can produce a good sound and tone out of the instrument. I have used this method in all of my previous students and found their niche to what they need to make lessons and their playing more enjoyable. We work at the students pace and make sure they are always ready to move on. Read More
Instruments: Clarinet
I am an American clarinetist and clarinet instructor from Portland, OR. Im currently pursuing a Masters of Music at the Manhattan School of music with Charles Neidich, and recently graduated from University of Oregon with degrees in Clarinet Performance as well as German in 2023. Ive loved classical music since high school, and my dream is to perform regularly as a soloist, chamber musician, and orchestral musician. I have a passion for sharing my love of music and clarinet, and regularly post practice/advice videos to a network of over 75,000 people on social media. Read More
Instruments: Piano Clarinet
I have marinated a private studio since I began my undergrad in Lawrence, Kansas. I took two semesters of clarinet pedagogy at KU and I frequently presented clinics to middle school students in Lawrence public schools. In New York, I am a faculty member with the MSM Sunday program as well as Musika. I have volunteered with MSM’s outreach program in New York public schools. Read More
Instruments: Saxophone Flute Clarinet
My greatest joy as a teacher is seeing students fall in love with music and find great joy and fulfillment playing their instruments! I pay close attention to the student's experience and tailor lesson content and goals to match individual needs and learning styles. I aim to cultivate an atmosphere of encouragement, commitment, inspiration and motivation that keeps students wanting to spend quality time with their instrument and learn to play the music that they most enjoy. Read More
Instruments: Piano Voice Saxophone Flute Clarinet Music
I have been teaching music for about fifteen years. Currently I teach music at a charter school where I am the lead music teacher. I currently teach high school students piano performance as well as AP music. I studied at the renowned Hartt School of Music, Jackie McLean Institute of Jazz in Hartford CT where I graduated with my bachelors in music with honors. Some of my mentors have included Steve Davis, Nat Reeves, Abraham Burton, Eric McPherson, Rene McLean and Javon Jackson.While in Hartford I taught saxophone and piano at the Artist Collective for two years. Read More
Instruments: Piano Voice Trumpet Trombone Clarinet Euphonium Tuba
What advice do you have about practicing effectively?
1. NEVER GIVE UP. Yes, practicing can be frustrating, I completely understand because I too have been so frustrated during practice sessions to the point where I wanted to give up.
2. Start slow. You are obviously practicing for a reason - to learn and perfect a given assignment or task. Take a chunk of the music, even if it is only a measure at a time and work slowly through it, first establish correct pitches and rhythms. If you are not able to play correct pitches and rhythms at a slow tempo, why would you attempt at a faster tempo? Once you have these two factors down, increase the tempo moderately until you reach desired tempo with correct pitches, rhythms, articulation and dynamics. SLOW AND STEADY WINS THE RACE.
3. The 3x Rule - When you are having problems with a measure/section/rhythm/establishing pitches, DO NOT move on to the next measure/section until you are able to play the problem spot 3x without messing up!
4. Warm Up - Warm-ups are super important and are needed before practicing your music. It is essential to getting your muscles moving. Warm-ups do not have to be 15-20 minutes of scales - work on long tones, slip slurs, scales, arpeggios, technical studies or even sight reading. Make warming up fun!!
5. Listening - Listen to your piece! Youtube or google the piece performed by different musicians and even different instrumentation of the piece. Trust me it will do wonders.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelors of Music in Music Education from LIU Post. I chose this particular degree over any other music degree because although I love trombone, I love the idea of music education a little bit more.
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
As you may have gathered from previous questions, my primary instrument is Trombone. My secondary instrument is Euphonium/Baritone Horn. I chose to start learning this instrument mainly because I loved the timbre, or the musical sound of it. The Euphonium possess this mellow yet beautiful sound that is just so wonderful to ear. It also has the same embouchure as trombone so it was a very easy transition for me, I just had to dominate fingerings. I play very minimal tuba, fingers are similar to baritone and euphonium. I also play a little bit of trumpet and clarinet and took 4 years of piano in college.
Does music run in your family? Tell us a little about your musical family members.
No, surprisingly, music does not run in my family. I mean, my mom took piano lessons as a child and can play the instrument very well, but she was definitely forced into doing it by her mother. Although my family is not what one would define as "musical," they have stood by me throughout my musical journey and have not only supported me, but also encouraged me endlessly. To this date, they have attended every audition, every NYSSMA, every recital, and every concert, including, but not limited to, Wind Symphony, Wind Ensemble, Brass Ensemble, Chorus, Symphonic Orchestra, Brass Ensemble, Marching Band, Trombone Choir, and Wind Quartet.
What does a normal practice session look like for you?
If I am playing for the first time that day I ALWAYS start with a warmup. Long tones first, followed by lip slurs and then I run through all major scales in thirds, followed by arpeggios. Next comes minor scales- natural, harmonic and melodic. After all of this, I pick a technical exercise from the Arbans book. I work on that for a little while until my muscles feel good and I am happy with the work I have accomplished, making sure that I played through the exercise correctly using appropriate articulation and dynamic. Next I choose to work on either an etude, orchestral excerpt or a solo piece. I spend the majority of my practice on one or two of these options.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Clarinet lessons in NYC, New York to students of all ages and abilities.
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