Clarinet Lessons in NYC New York

Instruments: Piano Clarinet

I like to teach from an understanding that depth is more important than scope, meaning thoroughly practicing a single piece of music is more effective than skimming over many things at once. This allows more mindful practicing and mastery. It also allows me to find my students' most effective learning methods and cater to their specific learning needs. I like to make goals for my student using this way of practicing. Read More

Instruments: Saxophone Flute Clarinet Piccolo

For Beginning students, I use Hal Leonard's Essential Elements and for the little more advanced Rubank's Elementary Method, Moyse For the beginning Debutant. For intermediate and advanced students will cover Moyse: De la Sonorite, Taffanel & Gaubert Daily Exercise Book, Trevor Wye's Practice Books for the Flute, Patricia George The Flute Scale Book, Reichert7 Exercises journaliers pour la flûte, Op.5. Among the other method book, we will work on your concert and competition pieces. Read More

Instruments: Saxophone Flute Clarinet Recorder

I want students to learn what they're most interested in, with the caveat that I can teacg them a "song" or I can teach them the instrument and they can play any song. Whenever I can I play duets with the students. It makes what they're doing sound more like music. And I make mistakes. That shows that mistakes are no big deal (1 wrong note is a mistake. Make the same mistake repeatedly, you're doing it wrong). Read More

Instruments: Clarinet

In my experience, every student is different with their personality and goals in music. My job as a teacher is to find and implement the best path for a student to achieve their goals and to realize the most of their creative potential. Music is about self-expression and communicating feelings and ideas to listeners. There are many ways to achieve this through different styles or genres. Regardless, there are basic concepts, which are common to all styles. Read More

Instruments: Saxophone Flute Clarinet Music

I started playing in the 4th grade. I played in RB bands in high school and enrolled at Berklee College of Music where I have a Bachelor Degree in Composition. I also studied privately with Charles Banacos (increible piano and jazz teacher), Jerry Bergonzi, Joe Viola, Joe Allard ( whose Saxophone methods I teach, who was the teacher of every major saxophone player in his day including Coltrane, Wayne Shorter, Michael Brecker, and countless others ) , learned circle breathing from Rahsaan Roland Kirk, recorded 2 albums at Grammavision with Al Macdowell (Bass player for 40 years with Ornette Coleman). recodered and learned as much as I could grasp from Don Cherry and Ornette. Read More

Instruments: Piano Saxophone Clarinet

When I teach beginners, I put my faith in the Hal Leonard Standard of Excellence series for woodwinds. For Pianist, the Suzuki series is quite good, as well as A Dozen A Day and the tried and true Mikrokosmos of Bela Bartok. For more advanced players, I like to work within their preferred style, ie RB, Rock, Classical, but also find it important draw relevant material from other styles like Jazz and non-Western music. Read More

Instruments: Piano Saxophone Flute Clarinet Recorder Music Keyboard

After graduating from college, I began teaching privately in my home state of Texas at the middle and high school levels in New Braunfels and Austin. Soon, I began teaching adults as well and when I moved to Washington D.C. in fall of 2006, I became the Music Instructor at The Art and Drama Therapy Institute, a center for adults with developmental disabilities. This experience had a great impact on me in terms of understanding the big picture in that the goals and methods relating to the technical aspects of music lessons, but the grand value that music offers in terms of the emotional and spiritual rewards as well. Read More