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Featured Clarinet Teachers Near NYC, New York

4325   5 STAR Musika Reviews

Here are just a few of the many teachers offering Clarinet lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Aquiles N

Instruments: Trumpet Trombone Saxophone Clarinet Drums Synthesizer Conga Latin Percussion Music Keyboard

My teaching experience has been quite rewarding and varied over the years. Every student has a unique and special passion that has drawn them into music and I make sure to acknowledge that in order to maintain that spirit even when a task is in front of them. My main focus is the technical aspect of the instrument, helping the student discover how it works for them, so they can shape the music the best way possible. Read More

Andreas M

Instruments: Saxophone Clarinet

Ive always enjoyed teaching. I think its important to share the knowledge that Ive gained, studying and working as a professional musician. I'm 27 years old and has been teaching for around 8 years. I went to school at Conservatory Van Amsterdam in Holland and The New School of Jazz in New York. I'm originally from Copenhagen Denmark, but I have toured all over Europe performed in Asia and The states, I've been lucky that music has taken me to different places. Read More

Robert G

Instruments: Saxophone Clarinet

The majority of my teaching experience dates back to high school. I had two great cello students during my senior year playing cello and are still involved in the arts. My hope is to find students that are serious about making technical advancements on their instruments as well as having a deeper understanding of harmony and the connections between all genres of music. Robert G. is a Dallas-born saxophonist and composer. Read More

Laura D

Instruments: Piano Saxophone Flute Clarinet Recorder

Im a skilled, enthusiastic teacher with years of professional teaching and performing experience. Im an established jazz artist in NYC, and I compose and arrange for my own band in addition to performing as a side-person with other musicians. Recently, I performed with my band at The Blue Note Napa in California, and you can also find me at jazz venues throughout NYC as well! Through music, Ive had the opportunity to perform both nationally and internationally. Read More

Edward D

Instruments: Trumpet Trombone Saxophone Flute Clarinet Euphonium Tuba

For a young child to love music, a teacher must introduce it to him or her in a passionate way, without forcing it one the child. The struggling student is just as capable of loving music, just as much as the accomplished one. As I mentioned earlier, all students learn at different paces, so I teach each student as close as humanly possible to their level. It is not important for a child to play like a professional musician, but to play like the student has put his or her heart into learning the music. Read More

Candice S

Instruments: Piano Voice Clarinet Keyboard

I am a passionate voice and beginning piano teacher with over ten years of experience teaching. For beginner piano students I use the Piano Adventures curriculum. With voice students I use an integrated technique involving Alexander Technique, Yoga, and the Swedish-Italian School of singing. I also believe in maintaining a positive and challenging learning environment for my students. I hold a Bachelor of Music Education from Seton Hill University and a Master of Music from Duquesne University. Read More

Norbert S

Instruments: Saxophone Flute Clarinet Bass Guitar Recorder Piccolo

I would very much like the opportunity to share my 40 + professional years of accumulated knowledge and experience with music students of all ages, skill levels, and backgrounds. I teach all saxophones, flute, & clarinet lessons specializing in Classical, Jazz, R&B, Funk, Soul, Afro/Cuban, Klezmer, and World Music. I have been teaching private lessons for over 25 years. I have taught master classes in colleges, universities, high schools, middle schools, grammar schools, and music stores all over the world. Read More

Teacher In Spotlight

Angelica D

Instruments: Piano Voice Trumpet Trombone Clarinet Euphonium Tuba

What advice do you have about practicing effectively?
1. NEVER GIVE UP. Yes, practicing can be frustrating, I completely understand because I too have been so frustrated during practice sessions to the point where I wanted to give up. 2. Start slow. You are obviously practicing for a reason - to learn and perfect a given assignment or task. Take a chunk of the music, even if it is only a measure at a time and work slowly through it, first establish correct pitches and rhythms. If you are not able to play correct pitches and rhythms at a slow tempo, why would you attempt at a faster tempo? Once you have these two factors down, increase the tempo moderately until you reach desired tempo with correct pitches, rhythms, articulation and dynamics. SLOW AND STEADY WINS THE RACE. 3. The 3x Rule - When you are having problems with a measure/section/rhythm/establishing pitches, DO NOT move on to the next measure/section until you are able to play the problem spot 3x without messing up! 4. Warm Up - Warm-ups are super important and are needed before practicing your music. It is essential to getting your muscles moving. Warm-ups do not have to be 15-20 minutes of scales - work on long tones, slip slurs, scales, arpeggios, technical studies or even sight reading. Make warming up fun!! 5. Listening - Listen to your piece! Youtube or google the piece performed by different musicians and even different instrumentation of the piece. Trust me it will do wonders.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelors of Music in Music Education from LIU Post. I chose this particular degree over any other music degree because although I love trombone, I love the idea of music education a little bit more.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
As you may have gathered from previous questions, my primary instrument is Trombone. My secondary instrument is Euphonium/Baritone Horn. I chose to start learning this instrument mainly because I loved the timbre, or the musical sound of it. The Euphonium possess this mellow yet beautiful sound that is just so wonderful to ear. It also has the same embouchure as trombone so it was a very easy transition for me, I just had to dominate fingerings. I play very minimal tuba, fingers are similar to baritone and euphonium. I also play a little bit of trumpet and clarinet and took 4 years of piano in college.

Does music run in your family? Tell us a little about your musical family members.
No, surprisingly, music does not run in my family. I mean, my mom took piano lessons as a child and can play the instrument very well, but she was definitely forced into doing it by her mother. Although my family is not what one would define as "musical," they have stood by me throughout my musical journey and have not only supported me, but also encouraged me endlessly. To this date, they have attended every audition, every NYSSMA, every recital, and every concert, including, but not limited to, Wind Symphony, Wind Ensemble, Brass Ensemble, Chorus, Symphonic Orchestra, Brass Ensemble, Marching Band, Trombone Choir, and Wind Quartet.

What does a normal practice session look like for you?
If I am playing for the first time that day I ALWAYS start with a warmup. Long tones first, followed by lip slurs and then I run through all major scales in thirds, followed by arpeggios. Next comes minor scales- natural, harmonic and melodic. After all of this, I pick a technical exercise from the Arbans book. I work on that for a little while until my muscles feel good and I am happy with the work I have accomplished, making sure that I played through the exercise correctly using appropriate articulation and dynamic. Next I choose to work on either an etude, orchestral excerpt or a solo piece. I spend the majority of my practice on one or two of these options.

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