Drum Lessons in Riverside, MD

Instruments: Drums Mallet Percussion Conga Latin Percussion Music Djembe

For my beginner students, I usually start with how to properly hold the drumsticks. If a student doesn't have proper technique while playing the drums, they won't progress nearly as fast. I then like to go into learning rudiments and basic drum grooves. Once they start to get comfortable on a drum set, I'll throw in some basic sight reading. The books I mainly use are "Stick Control" by George Lawrence Stone, "The New Breed" by Gary Chester and "Syncopation" by Ted Reed. Read More

Instruments: Piano Guitar Drums Organ Conga Music Keyboard Djembe Acoustic Guitar

For beginning students who are children, I typically start with Alfred Piano Basics. Once the student has progressed to have a grasp of the fundamentals, I will begin to work from Czerny and introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Instruments: Drums

My teaching experience started in Baltimore, mostly backstage at local band jobs when other drummers would ask how I did certain groves and fills with speed and intensity while giving the band breathing room. I started to notice that the technique the other drummers were referring to was generally based on what I learned from the drummers who influenced me, and I was able to break it down well for those interested in learning more about it. Read More

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

For begining student I typically start with a book called Essential Elements. I supplement some of the things in the book with other literature and hand written exercise to help enhance learning experience. For Adults I try to find what genre and music style they would like to work on. This then allows me to plan a custom learning experience that best suits them and what they're looking to gain from the experience. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Djembe

For young beginning students, I use the Elementary Drum Method by Roy Burns. For middle school aged through adult students, I use either Progressive Steps to Syncopation by Ted Reed or Standard Snare Drum Method by Benjamin Podemski. For young drumset students, I use Alfred's Drumset Method by Dave Black. For middle school aged through adult students I use Realistic Rock by Carmine Appice for rock styles and Advanced Techniques for the Modern Drummer by Jim Chapin for the jazz idiom. Read More

Instruments: Drums Conga Latin Percussion Djembe

I want my students to discover their own voice on the drums, to find their own rhythms and express themselves authentically. Technical proficiency is important, of course, but it's only one part of the equation. I believe in nurturing a love of music that goes hand-in-hand with technical skills. By encouraging exploration and experimentation, I help my students tap into their creativity and discover the therapeutic power of drumming. It's about finding joy in the process, building confidence, and using the drums as a means of self-discovery. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Keyboard

Prior to studying at Peabody I toured professionally with various jazz ensembles, including competing for first place wins at the Reno (Nevada) Jazz festival for two years. At Peabody I studied with Fernando Laires and later, Robert Weirich where I excelled in contemporary music and difficult avant guarde performance ensembles. I was also a frequent guest performer for the Peabody Camerata Ensemble under director Gene Young. In the mid 90s I created the Bachelor of Music curriculum for the Maryland Bible College. Read More