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Featured Guitar Teachers Near Houston, TX

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Here are just a few of the many teachers offering Guitar lessons in Houston . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ryan R

Instruments: Guitar Bass Guitar Synthesizer Electric Guitar Classical Guitar Acoustic Guitar

No two students are alike. Because of this fact, no two learning plans are equal. While the easy answer is, "We'll begin with the fundamentals," the more puzzling question and answer is, "How can I apply fundamentals in a meaningful way to the student to ensure that they stay engaged, interested, and focused?" Some students perform well while having the book thrown at them; others do not. My method for beginning students is to pierce the veil of HOW they learn before moving on to which fundamentals to apply, and how to apply them. Read More

Bryan B

Instruments: Guitar Cello Bass Guitar Banjo Ukulele Mandolin Double Bass Keyboard Electric Guitar Acoustic Guitar

I don't not use practice/lesson books. Unless the student wants to use it , I don't insist. I approach each student differently . I take it at their speed. I structure everything on what each student wants for themselves. Through lesson I also add new way to help, or advance them to or above their goals. Read More

Julio F

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Conga Latin Percussion

Venezuelan Musicians graduated in the University Institute of Musical Studies, in Caracas. I have done for more than 25 years studying music becoming this in my own lifestyle. In Music Teaching, I designed a learning system that has been for over 20 years, where my students ( children, youth and adults ) will learn as you go making music, faster and solid bases in understanding and implementation of the instrument. Currently I am dedicated to Christian Music and Worship, and Musical education in several instrument.  Read More

Harold C

Instruments: Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I use Berklee, Van Eps, custom-written material, and I also teach composition, theory, film scoring. My teaching approach: I possess a thorough knowledge of the instrument. Focus on proper technique for all students, regardless of his/her playing ability. Once proper technique is established, I utilize the Berklee Series as a basis for instruction. These volumes are supplemented by exercises, which I write specifically for the particular student’s needs. Read More

Teacher In Spotlight

Abbas P

Instruments: Guitar Voice Bass Guitar

Does music run in your family? Tell us a little about your musical family members.
No music in the family, unfortunately. Self taught initially.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I became a professional musician when I realized that there was nothing else that I wanted more in life.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Curiosity and desire are the most important things. It started from acoustic guitar to electric to classical and then to other string instruments such as the Mohan Veena, the Oud, the mandolin and ukulele. Then moved on to percussion.

If you weren't a musician what do you think you'd be doing instead?
I cant imagine being anything else

What is your favorite style/genre of music to play and why?
I love playing all styles and genres and that is exactly what makes music exciting for me. The constant variety keeps it constantly interesting. Life would be boring playing just one genre.

What is your dream piece to perform and why?
I dont have any such desire, If you keep playing according to your limits your limits keep growing and once impossible pieces become much easier. Having said that, I would love to play any of Paco de Lucia's works.

What does a normal practice session look like for you?
Warm up, scales and arpeggios, Start off with practicing from easier to harder pieces. Mostly a combination of old repertoire and newer things as well. I like to constantly learn new styles and techniques.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelors degree in music theory and composition and a Masters degree in performance of classical guitar. For the Masters degree a performance recital was required for degree completion.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
It depends on the subject matter and style of music being taught. For some kids it works great, for others they don't like the structured approach. I don't insist

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have not had such a privilege yet but I am sure with the right student and dedication, this is entirely possible. It takes a combination of the right student and the right teacher to create the synergy required.

What do you think is the hardest thing to master on your instrument?
Unlearning all the technique and just make music, and enjoy yourself without thinking about it. After all the years of training, you become a machine and have to become a little human again.

What musical accomplishments are you most proud of?
My Masters recital, being part of a World class band, playing jazz with Buddy Collette, writing over two thousand tracks and creating a production music library. Learning audio engineering and music production.

Why did you choose your primary instrument?
I fell in love with the guitar when I was 10 years old and saw someone playing it. It was the easiest instrument to buy and also to learn with plenty of resources to learn, such as books. It was also the most popular and hippest instrument growing up and did wonders for your social presence.

How do I know if my child is ready to start lessons?
He is excited and looking forward to it and that he has some control over small motor movements. He is not being pushed into this activity for any other reason.

When will I start to see results?
Depends on how much time you put into practicing at home. Practicing a little everyday. Enjoying your practice. If you can put in 20 minutes a day, you will see definite progress in a month

Did you have a teacher that inspired you to go into music? How did they inspire you?
My inspiration was Robert Guthrie. He was extremely proficient at the instrument and could physically execute any passage. He was an immaculate technician and most of all, he was kind and gentle and a great person to be with.

What advice do you have about practicing effectively?
Learn to recognize problematic areas and focus on those problems. Also be able to slow the practice tempo as much as needed for perfect execution. Learn to understand the relationship between mind, body and breath.

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Recent Articles from the Musika Blog

Piano Fingering Exercises: Scales, Chords, and More

...(RH): 2, 1, 2, 3, 1, 2, 3, 4   B Minor: Notes: B, C#, D, E, F#, G, A, B Fingerings (LH): 4, 3, 2, 1, 4, 3, 2, 1 Fingerings (RH): 1, 2, 3, 1, 2, 3, 4, 5   C#/Db Minor: Notes: C#, D#, E, F#, G#, A, B, C# Fingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3 Fingerings (RH): 3, 4, 1, 2, 3, 1, 2, 3   D#/Eb Minor: Notes: D#, F, F#, G#, A#, B, C#, D# Fingerings (LH): 2, 1, 4, 3, 2, 1, 3, 2 Fingerings (RH):... Read More

Soloing Over Blues Changes

...a solo using only eighth notes, but at some point you’d want to create rhythmic interest. To create the example above, I started off by using the digital pattern 12357532. Not every measure is a strict reading of that digital pattern. I altered some notes to make each measure flow better into the next measure, and make the pattern sound better melodically overall. Changing these few notes makes it sound slightly more like a solo than an exercise. It’s still an exercise, but it’s the next step in creating the melodic interest that can make a good jazz solo. Other than analyzing the blues ... Read More

Intro to Jazz Bass Technique

...There’s a famous story about the great jazz trumpeter Clifford Brown waking up and, while still in bed, going over his charts- first playing through all the roots of the chords, then the 3rds, 5ths, 7ths, 9ths, etc. This story always inspired me and has become a regular part of my jazz practice routine and jazz bass technique, although I don‘t practice my bass in bed!   Another major influence is jazz great Ray Brown’s Bass Method which consists primarily of fundamentals – scales, chords, arpeggios, and interval exercises. The last part of the book has more specific jazz bass techniques like ... Read More

A Case for Early Childhood Music Education

...on? Well, they obviously can’t verbalize or show us the steady beat, but they can experience it in their mother’s arms and by watching other babies bounced in their fathers’ laps. The point is, so much learning is from our environment. Social cognitive theorists study how we learn from our environment, through modeling and positive and negative reinforcement of others. Taking this into account, group music lessons or classes are inextricably valuable for our youngest learners who are just beginning to learn their place in the musical world. 2. Early childhood music education lays foundational knowledge through exploration and experimentation Obviously ... Read More

Types of Trumpets: Keys, Size, History, and Performance Practice

...onto the market; this was right on the tails of the B flat and C trumpets bursting onto the scene in the mid 19th century. Starting in 1861, D trumpets gained more and more momentum among soloists performing Baroque music. Handel’s Messiah and Bach’s B Minor Mass were popular works for the D trumpet. D trumpets have a bright sound—almost piercing—somewhere between the timbres of the C trumpet and the piccolo. Ravel and Stravinsky, among other composers, wrote music with parts specifically for the D trumpet. Performers don’t use D trumpets for the sole purpose of getting more range—it really only ... Read More
Piano Fingering Exercises: Scales, Chords, and More
Soloing Over Blues Changes
Intro to Jazz Bass Technique
A Case for Early Childhood Music Education
Types of Trumpets: Keys, Size, History, and Performance Practice

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