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Featured Music Teachers Near Community, VA

4214   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in Community . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

German G

Instruments: Guitar Electric Guitar Acoustic Guitar

I encourage small but daily practice. you don't have to play guitar for 4 hours a day to make good progress. Just 15 minutes every day will be sufficient especially when you first start out. It is deeply satisfying when i see a student grasp a concept that they worked so hard on. set realistic goals and don't try to overwhelm yourself by trying to play extremely difficult music in a short amount of time. basics is key if you know the basics you can do the harder things and with ease. Read More

Cierra G

Instruments: Clarinet Recorder Bassoon

I have had the pleasure of teaching music and private lessons to elementary and primary aged children for 10 years. I have also worked with high school and middle school band students in preparation for festivals and other countywide auditions as well as college auditions. More specifically, I have been teaching in-home private bassoon and clarinet lessons in the Washington metro area for four years. Working one-on-one with students of all ages affords me the opportunity to get to know my students and to become even more invested in their success. Read More

Caitlin O

Instruments: Flute Piccolo

I believe learning an instrument is a very personalized process, and tailor the materials I use to the skill level and personal goals of each student. For brand new beginners, I typically start with the first Suzuki Flute book, Trevor Wye Beginning book for the Flute, and depending on the individual may begin with some of my own exercises that I write out for the student. For more intermediate to advanced students, I typically like to work out of the Selected Studies and Advanced Rubank books, as some of the more commonly asked audition excerpts for County/State Band typically come from these books. Read More

Stephanie S

Instruments: Violin

I have helped students achieve their goals as young as 4 years old and into their college years! I am trained in the Suzuki Method, but I also feel comfortable teaching any preference and learning style. I particularly enjoy teaching younger musicians and have focused my work on beginner students, as young as preschool. However, because of my extensive performing experience, I have been able to see many of my students into universities where they have continued to play the violin at top levels. Read More

Allison C

Instruments: Piano Cello Double Bass Keyboard

I am a professional classical bassist turned singer/songwriter - I also teach and play cello and general music. For over a decade I have performed with orchestras, chamber ensembles, bands, duets, trios, solo, etc... as well as teaching students of a variety of instruments and ages. Besides bass, I have taught piano, cello, pop vocals, ensemble skills, music theory, music production, and coached based on individual projects. I have played with the National Symphony at the Kennedy Center, in Russia, and at Carnegie Hall as a substitute musician as well as Quintango, a tango group based out of Alexandria, VA. Read More

Samuel S

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

My experience in teaching has been a very different ride than most. I was asked by Black Cat Music Shop if I would be interested in teaching and at first I was scared and didn't think I was ready. After having a hand full of students and seeing them progress faster than I thought they would I got excited for them. I then began more and more classes. I started teaching short 30min classes and 60min classes. Read More

John G

Instruments: Trumpet

In addition, I consider it of paramount importance to coach performers of all levels to “make music” rather than to merely play the notes on the page: Whether the goal be to prepare him or her for solo and ensemble competitions, concert music, jazz studies or the occasional religious service, conveying the significance of everyone’s own personal interpretation of a composition while performing it is what makes music come alive. Read More

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