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Featured Music Teachers Near Las Vegas, NV

4155   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in Las Vegas . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

William M

Instruments: Piano Trumpet Recorder French Horn Oboe Keyboard

For beginning students, I prefer to use the Bastien piano method. This serious comes in 4 levels and is very thorough The Bastien series offers numerous books for each level in addition to the lesson book. Each level comes with a recital book, a arepertoire book, and a theory book for students to write in. The solo repertoire book is exciting because it showcases the child's ability to interpret concepts learned in the lesson book. Read More

Eugene S

Instruments: Guitar Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

Teaching music is my passion! I love seeing my students make a progress and it makes me tremendously proud knowing that I am the one who taught them the new skills. I use an individual approach and lesson plan for each student, tailoring it to the specific student's needs and aspirations. It's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Read More

Katya B

Instruments: Piano

I usually teach beginners with books by Faber and Faber or Alfred's series. For adults or more advanced kids I select solo reperoire according to student's interests. Read More

Stan(ley) D

Instruments: Piano

Stan is an extremely experienced teacher and professional. He has over 30 years of experience teaching privately, and is known for his ability to relate well to his students and keep lessons informative and encouraging. His background is as a music director, teacher, licensed music therapist, and a certified audio and engineering technician. Stan has taught both private students as well as teaching in a classroom setting. Stan has had an international career as a performing and recording artist, music composer, audio designer and founding member of several well-known regional, national and international music groups His life work in the music industry totals over 25 CD's, commercial cassettes and LPs released featuring over 100 original compositions. Read More

Jason B

Instruments: Piano Bass Guitar

For younger students, I use the Faber Piano Adventures and supplement with Classical and Jazz materials. I am very familiar with this method, as the Fabers were my teachers throughout high school and I taught for them at their piano Insitute in Ann Arbor, MI, for several years. Read More

Matthew C

Instruments: Flute Drums

I truly enjoy seeing a student progress and find a passion for playing music. Depending on a student's learning style and speed, my methods of teaching will change. Some students will want to be challenged, and I can take things very rapidly or focus on weaknesses and slow things down based on a student's skill level. There are so many ways to teach teach a student, and I am not subject to only one of those teaching styles. Read More

Beau A

Instruments: Guitar Voice Bass Guitar Ukulele Electric Guitar Acoustic Guitar

I teach music differently. When learning a skill, consistency equals success. Lessons have to be engaging, personalized and fun. When teaching my students, I find out what music they love, their favorite songs and artists. I find out what music they would love to learn. Then I let that guide my instruction by teaching the students songs they want to learn (while teaching chords, theory and ways to improve) starting with the easier songs to keep it fun and engaging. Read More

Teacher In Spotlight

Robin T

Instruments: Cello

What musical accomplishments are you most proud of?
When I was little, I had terrible stage fright. Not only on the cello, but also in little roles I had in school plays. I could barely stammer out my lines! As a cello player, my hands trembled so much when I performed that I could barely play! I was so determined to be a professional cellist, so I read all the performance books I could get my hands on. Many of the techniques I learned to train for the stage were found not only in books for musicians, but also for sports. Between those mental toughness techniques and just pushing myself to get out there, I have conquered stage fright! Not only am I comfortable performing on stage, but also with speaking to the audience. I have grown to love being a performer!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I started playing the cello at age 9, but it wasn’t until I was 15 years old that I decided I wanted to be a professional musician. The defining moment was when I was performing in my local youth orchestra. We were performing a piece called The Pines of Rome. In one part of the music, I was so moved that I tears came to my eyes. It was so overwhelming and I knew then and there that I wanted to turn my music-making into a career.

When will I start to see results?
WIth consistent practicing, you will see/hear progress every week. Sometimes the progress is slow, but it is there! Sometimes, a student will have breakthroughs and giant leaps are accomplished in a short period. No matter what, I tell my students to “trust the process”. By that I mean, follow what your private teacher assigns and you will become better and better!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I have a few standard books I use for most of my students. For scales, Technical Studies, Volume One by Klengel. The author was also a cellist and I like his various options for scale study. It keeps things interesting! For facility, I like a book by Cossman. It may appear tedious, but the exercises are super effective! For more musical etudes, I like Sevcik, Duport, Piatti and Popper. I prescribe these fro my more advanced students and continue to practice them myself. The teach many techniques while remaining beautiful pieces. The book series I assign my beginners is called "Artistry in Strings" by Robert S. Frost. I love how they color-code the strings in the Introductory book. This is particulary useful for little kids beginning the cello. I also use the Suzuki Cello School books. I am certified iin Book 1, but really love using all of the volumes as they are pieces that coincide very logically with students' technical progress. A series that supplements the Suzuki books is called Position Pieces by Rick Mooney. These last two go hand-in-hand for successful skill development.

How do I know if my child is ready to start lessons?
In my experience, when a child can speak and say their ABCs, they can start learning a stringed instrument. Their are many games and songs that help little ones learn while having fun!

What advice do you have about practicing effectively?
I recommend writing down your game plan before starting a practice session. Take into consideration not only what your teacher assigned, but the amount of time you have allotted for your practice that day. Break down each assignment into manageable chunks and don't worry if you don't get through everything! It's more effective to have quality over quantity!

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