Music Lessons in North Babylon, NY

Instruments: Piano

I follow no particular method, although I try to inculcate a fluid technique. I have been greatly influenced by Gyorgy Sandor's ideas (author of On PIano Playing and a former teacher at the Juilliard School), but have evolved my own approach. I have found that a student's motivation and commitment are more important than the methods used. Consequently, I modify my "curriculum" to suit their individual personalities and talents. Read More

Instruments: Piano Voice

My teaching style is molded around the student. The first lesson will consist of me asking the student what he/she wants out of music and out of the specific discipline they have chosen. After that, I tailor the lessons to them and their learning speed. Read More

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

Convert to 9/8 by adding an 8th note to every example.  Play HH with Left Foot on quarter notes, eighth notes, and off-beats (&'s) for entire book, with RH aon Ride Cymbal Invent your own simple open-HH placements throughout book.   Funk:  Rockin' Bass Drum with the xxxx (RRRR & RLRL) patterns will work for basic funk Advanced Funk Studies Book 1 (yellow cover) by Rick Latham Future Sounds by David Garibaldi   Jazz: Alfred's Beginning Drumset Method (pages 32-45) & Book 2 (jazz section) Then, Advanced Techniques For The Modern Drummer by Jim Chapin (The quintessential book of jazz independence) Then, my progressive system to full independence and musical jazz drumming, using Ted Reed's Syncopation, 24 ways. Read More

Instruments: Voice

There are many methods in voice, but my favorite teaching method is Vaccai. Its a simple and thorough method that explores intervalic reading and understanding theory, as well as classical breath training. I also teach vocal improvisation with jazz standards and allow my students to research about other styles and genres that they are curious about. The most important thing is they keep a good vocal health practice that allows them to be versatile and creative. Singing is such a personal and meditative instrument that the more time you spend understanding your voice the more you will be able to achieve. Read More

Instruments: Violin Viola

Ialwaystellmystudentsthattheycanacheiveanythingtheywantanditisjustamatterofsettinggoals.EveryonedevelopsattheirownpaceandIalwaystrytoidentitywhatisholdingastudentbackfromreachingx22thenextlevel.x22Ialwaysemphasisthepostiveaspectsofastudent'splayingandtrytobuildonwhattheyhavealreadyacheived.Thegoaloftheteacheristoinspirethestudentandalsotailormyinstructiononwhatastudentneedsandwantstoachievewiththeirmusic. Read More

Instruments: Piano Voice

truly believe that singing should be a combination of passion and also technique. My lessons will focus on the fundamentals of singing in order to provide healthy vocal technique and a beautiful tone. It is extremely important in all genres for singing to have support, be able to use breath properly and have an understanding how of use the voice as an instrument properly to acheive a beautiful tone. After a few I would like students to not only have improved their sound and have songs they are confident in performing, but an understanding of how to read music and sight singing at the level of the student. Read More

Instruments: Saxophone Music

I then continue my studies at the Verona Conservatory with Barry Harris, at the American School of Modern Music in Paris with Johnny Griffin and Charles Lloyd, at the "GB Martini" Music Conservatory in Bologna with Barend Middelhoff and Tomaso Lama, as well as with Tom Kirkpatrick and Bob Franceschini.  Later I moved to The Hague, in the Netherlands, where I attended the Royal Conservatory (Koninklijk Conservatorium Den Haag) learning from musicians like Toon Roos, Eric Gieben, Erik Ineke, Rolf Delfos, Gwilym Simcock, Dave Glasser, Dave Libman, and Joshua Redman. Read More