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Featured Piano Teachers Near Citrus Heights, CA

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Here are just a few of the many teachers offering Piano lessons in Citrus Heights . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Sierra Z

Instruments: Piano Voice Ukulele Keyboard

For beginning and intermediate students on piano, I generally teach out of Piano Adventures as a supplement, but teach other songs the student requests. For voice lessons, I tailor my supplemental book teaching to the students individual learning abilities, as well as learning songs they are passionate about. My philosophy on learning music is that a students should NEVER play a song that they hate! I tailor my instruction accordingly to keep lessons engaging and fun, no matter what their skill level. Read More

Khemya M

Instruments: Piano Guitar Voice Drums Conga Latin Percussion

For beginning guitar I start out with Chris Parkening: classical guitar book...learning finguring styles, rudiments, and notes. We then go into various techniques and develop song repetoire and chording and strumming styles. For beginning piano I start with level one Hal Leonard book for beg. piano and various beginning classical composers: Beethoven, Mozart, Tchakovisky, Jazz, etc. . I split this class into musicianship-learning notes and reading music, fingering and scales, and theory. Read More

Sarah W

Instruments: Piano Flute

For young students, we'll start our first few lessons with rhythm and singing games to break the ice. These games also help train the ear. For flute students, we will then progress to the basics of breathing, tone production, note fingerings, and music reading. Once we reach the point where the student can read and play simple tunes, we will start using Trevor Wye's Beginner's Book for the Flute. For teenage and adult students, we'll discuss your goals in our first meeting and go from there, whether those goals are learning to play for your own enjoyment, or preparing to apply for college and/or summer music programs. Read More

Noemi C

Instruments: Piano

I have a 20+ years experience in teaching piano, and a classroom Music teacher as well. Music Theory is my forte and started to develop reading skills and teaching with the aid of technology. I started playing piano in our church when I was in 6th grade, that's when I realized that Everyone has a talent of something they can contribute to the world, It is also important to know that we are all given different talents to use at different times. Read More

Gorjana Z

Instruments: Piano Voice Music Keyboard

At a young age of 14, Gorjana, was already as one of the youngest freshmen in the history of the Academy of Music Art, University of Arts, Belgrade, Serbia. She graduated shortly after turning 18, and was awarded a diploma by the Academia, distinguishing her as the most successful undergraduate students of her generation. She has won 13 national and 9 international piano competitions and played  as a soloist and chamber musician in various European countries, as well as in all major concert halls in Serbia and Montenegro.            In 2005, Gorjana earned the Master of Music degree in Piano Performance and Literature from the Eastman School of Music, University of Rochester, in the studio of Professor Barry Snyder. Read More

Junko H

Instruments: Piano

I started teaching piano as a private teacher in my piano studio right after I graduated from the music college in Japan. After 10 years of teaching experience, I decided to apply for the position of the music teacher in Zambia, Africa. I was sent there as a volunteer member by Japanese government. I taught about 30 students - piano, music theory, keyboard harmony and so on in the vocational college in Lusaka, the capital of Zambia, They were going to become the music teachers in the junior and high schools. Read More

Tony S

Instruments: Piano Guitar Voice Drums Bass Guitar Conga Electric Guitar Djembe Classical Guitar Acoustic Guitar

No matter the skill level, I like to keep my curriculum concise, applicable, and easy for all students to understand. I begin with a crash course in music fundamentals to give students a classical understanding of their playing, reading, and writing techniques. Next, I teach them scales, chords, and playing techniques that correlate with their level of playing and music comprehension. Once they have mastered said curriculum I teach them songs that they are genuinely interested in. Read More

Teacher In Spotlight

Jesse A

Instruments: Saxophone Flute Music

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on the saxophone is the tone. Tone is the defining factor between good players and great players. A saxophone teacher once told me that he could tell the level of a player by their first three notes. I didn't believe him until I became a teacher and understood that tone has a huge role to play in a player's skill level. The saxophone allows for so much nuance in the sound. It takes years to develop your technique and there is no shortcut. You can instantly distinguish the amount of time someone has dedicated to their instrument (any instrument really) by their tone.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My music degrees are in Jazz and Jazz Studies. Though I am a big advocate for the study of Jazz, what really drew me to this major was the versatility that it allows. Jazz music has been a basis for so many other genres including pop, rock, RnB, soul, funk, etc. It also has its roots in classical music with Romantic composers like Debussy and Ravel. The level of ability required jazz improvisation far exceeds that of simply interpreting music. Jazz is a performance medium and a method of composition and theory that builds on Classical music. It encourages Musicology and Music History for more informed performance. Ultimately, I felt that I could get a more comprehensive education and more employment opportunities by studying jazz rather than other majors.

Why did you choose your primary instrument?
My primary instrument is saxophone. Before playing sax, I had learned piano, clarinet and trombone, respectively. My mother encouraged me to choose an instrument that she felt was more graceful for playing in a church. Luckily, it had also been a popular instrument with my friends at school so I was more inclined to switch. Having a late start made learning sax difficult though. I could not play a note for at least a week but when I finally did it, I was so excited for my very first step that I just had to continue. The rest is history.

When will I start to see results?
Depending on your skill level, you can see results in as little as one lesson. Beginners usually have a period of rapid growth at first and become disappointed once they've improved and don't see the same results. Realistically, the rate of growth slows as a player increases in skill level. It takes twice the work to get half as far. But don't forget! If you are at the intermediate level, how you sounded at your first lesson! Use your previous experience to encourage your growth and remember that consistent practice routines are essential for consistent growth.

Did you have a teacher that inspired you to go into music? How did they inspire you?
During my time as an undergrad, I felt that one teacher taught me more than I had ever learned before. He taught jazz theory, composition and arranging. Though I already had a decent understanding, this teacher really took my game to the next level. He was meticulous about feedback to students but always encouraging. He provided creative opportunities to have our compositions performed and recorded that fueled my passion for arranging and I still use the skills he taught on a daily basis. I can honestly say that his passion for teaching launched my musical career.

What advice do you have about practicing effectively?
Develop a routine for practice that works for you in short sessions. Focus on one particular aspect of your playing to improve. For example, if one bar of music or one scale gives you the most trouble, work on only that for 10 minutes. Ten minutes of focused practice is better than an hour unfocused. Start by playing it as slow as you need to go without making a mistake. Gradually increase the tempo once you feel confident. If you make a mistake, decrease the tempo again. Avoid playing passages that you are comfortable with as they will waste valuable practice time (i.e. starting from the beginning over and over). Also, use creative approaches to practicing a passage such as playing it backwards, changing the rhythm, changing articulation. Your brain will learn to process the information differently allowing for better absorption of the material.

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