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Featured Piano Teachers Near Baytown, TX

4313   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Baytown . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Caroline D

Instruments: Piano

I use two pianos minimum for my lessons, along with recordings at multiple speeds in order to minimize the rhythmic mistakes so common in private lessons. Students are taught to make the connection between what they are playing and hearing, and what others are playing and hearing. Composition and Improvisation play an important roll in this connection, which is why I make it a part of every lesson. Theory is also taught, and testing is available for those interested, but it is only an option. Read More

Kayce G

Instruments: Piano

For young beginners, I have come to love the Bastien Piano Basics Series. It’s fun, and loaded with colorful pictures, which is especially fitting for the little ones! However, I’ve come to find that it’s not a “one size fits all” when it comes to piano methods; I’ve used Faber’s Piano Adventures with a few of my current students, as well as Alfred’s Piano Basics. Read More

Nazanin A

Instruments: Piano

For children it will be differnet books from adults.For adult students I will choose the books and pieces based on their goals and expectations of playing the piano. Read More

Jimmy G

Instruments: Piano

I love to teach and share everything that I have learned with my students. I graduated from University of St. Thomas in Houston with a BA in Music in 2008. I have been playing the piano since I was eight years old, and I have participated in many piano recitals and competitions throughout my years, and I have been teaching the piano for more than 17 years. I have on occasion played for my church as well. Read More

Teacher In Spotlight

Matthew J

Instruments: Piano Voice

What musical accomplishments are you most proud of?
Music has taken me to Canada, Mexico, Holland, France, Ireland, Costa Rica and every state in America except Hawaii. I've toured with Reggae legends, Culture and The Itals, have played with The Slackers and Frankie Paul. I've recorded at Daptone Records in Brooklyn, where Amy Winehouse and Sharon Jones made their mark, and at Westlake studios in Hollywood where Thriller and Off The Wall and many other hit records were recorded, as well as at Arlyn Studios in Austin. It has also been my distinct pleasure to be a founding member of The Man Man Chaplains, an Austin institution in which many great local musicians have performed. We have held the longest standing residency in Austin as the house band at Flamingo Cantina since 2007.

What do you think is the hardest thing to master on your instrument?
Rhythmic independence is probably the most difficult skill to master on piano. The best feeling and greatest sign of mastery on a keyboard, at least for me, is the ability to play 2 rhythmically independent parts while singing. The piano is the greatest instrument for expressing a complete composition without accompaniment. It takes clarity of mind, familiarity with the instrument, a natural feel for time in order to accomplish it, but the feeling is remarkably rewarding. Only the piano allows this sort of rhythmic independence. All other instruments are either monophonic or require both hands to play a single rhythm part.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For very young children I recommend The Yamaha method. Its the method I used to learn at age 5 and it inspired me to play each day from the age of 5 until I was 13 years old, at which point The Yamaha method facilitated my easily moving from piano to saxophone. For teaching adults and working professionals I prefer less strict, more fluid methodology. I would be more inclined to skip the strict teachings of theory and focus more on the verbal and written shorthand more commonly employed by working musicians today.

What is your favorite style/genre of music to play and why?
While I'm grateful for my classical music education, I am a student of contemporary American music and the building blocks of American music are The Blues. The blues inform our chord progressions, melodies, scales, solos and improvisational themes. Jazz, Pop, Swing, Soul, R&B, Rock n' Roll, Country and even Roots Reggae are made up entirely of the music brought from the rural American Southeast to New Orleans and Chicago by Lightnin' Hopkins, Sonny Terry and Brownie Mcghee, Woody Guthrie, Jimmie Rogers and others. The most useful tools with which one can equip an American musician today are the tools taught to us by the blues.

Does music run in your family? Tell us a little about your musical family members.
My mother played piano and taught ballet when I was a child. She made sure I took up piano and practice daily. My Father played clarinet as a child, then became a guitarist. In college he and his lifelong musical collaborator performed as a blues and folk duo in New York and Massachusetts before returning to Texas. After moving to Austin in the 70s, hehad the House Band at The Armadillos, Balcones Fault. They performed each night that there was no touring headliner and opened for headliners of all kinds, including Jerry Garcia Band, Jimmy Cliff, Frank Zappa and many more.

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