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Here are just a few of the many teachers offering Piano lessons in Fairfield . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
I began instructing young adults in harmony, theory and piano when I was nineteen in Oakville, Ontario, Canada. After high school, I began putting my poetry to music and this led to a move to California to try and make it as a songwriter. I played with several music acts in the Bay Area, toured the east coast and Midwest, and wrote music for the theater, notably an original score for Bertolt Brecht's Caucasian Chalk Circle. Read More
Instruments: Piano Voice Keyboard
For piano the first part of the lesson is always technique (like doing push ups and running laps before u get on the court or field). Scales, Hanon, arpeggios etc... Then working on reading music and learning repertoire. Also fun parts, which depend on the student. Fun parts could be learning chord progressions of their favorite songs or writing their own music, or learning an cool jazz or rock jam song, learning how to be comfortable improvising, jamming with others etc.. Read More
Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar
I approach teaching in a way that encourages students to learn at a pace that's comfortable for them. Since the lessons are one -on-one, there is no need to keep up with a herd like you're in school. So I try to give a healthy balance of goals that are attainable only if the student practices and reviewing material from the past to see what has been retained while also showing how certain musical material is not like riding a bike... you will forget without some upkeep. Read More
Instruments: Piano
I like to set clear but realistic goals for students, so each student can learn at their own pace. I'm a big believer in positive reinforcement. I think the best motivation comes from within, and I aim to fuel this by finding out what inspires the student most and helping them reach their own goals. Read More
Instruments: Piano Organ
I began teaching in high school. Immediately after college, my studio grew to include 25 students. Included in the mix, some students were as young as 8 and several were adult beginners. Intermediate and advanced students also studied with me, as well as adults who were "re-beginners." (The term refers to adults who took lessons in childhood and have picked up their instrument again years later.) During graduate school, my assistantship included teaching piano classes comprised of students majoring in voice or music education. Read More
Instruments: Piano Guitar Saxophone Flute Clarinet
I've blended my methods with a response to each student I work with by requesting their trust, listening to their places of comfort and interest in playing music, and discovering new avenues of development with the student. I encourage them to draw from those areas in our sessions as we develop our repertoire and enhance individual growth from there. For beginners I tend to start with either Standard of Excellence books or Rubank and build custom practices from there. Read More
Instruments: Piano Voice Violin Cello Viola Mandolin Recorder Orchestral Percussion Music
It is my joy seeing my students learn from me and become successful in their musical journey. I help my students discover and develop their skill and talent in music. I always encourage my students to go beyond their comfort zone; to show their talents in music, and to share it to the community. I also incorporate games in my teaching. I also give my students an opportunity to choose the music they want to learn and teach it to get their interest. Read More
Instruments: Cello
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was something I knew I was going to be ever since I started playing the instrument. Even at such a young age, there was no doubt that this was the only thing I could be.
What is your favorite style/genre of music to play and why?
Romantic period of classical music. It still features the structure and tonality of previous genres, but creative enough to readily break these rules. It's in my opinion the best balance of structure and expressiveness.
If you weren't a musician what do you think you'd be doing instead?
A chef, for sure. I took up cooking as a way to pay my way through music school, and it was useful to me having a useful second skill.
What musical accomplishments are you most proud of?
I've finished writing my first full cello sonata. It is currently circulating in competitions around the world, and has already received positive feedback, and a semi finalist award.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Absolutely not. I'm particularly against the Suzuki method. "Methods" put students in a box, and by it's very nature it is a one dimensional way of exposing a student to the tools they need for the instrument. This is why a good teacher is so valuable. A great teacher can observe the students style, strengths, and weaknesses, and give personally tailored objectives to improve weaknesses and emphasize strengths.
What is your dream piece to perform and why?
I always found it a deep shame that Brahms never wrote a fully fledged cello concerto. My goal one day is to write such a piece as Brahms may have done, and perform it live with a symphony. I think I could die a happy man if that were to come to pass.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelors of Fine Arts in cello performance and music theory. I originally wanted to be strictly performance (after I narrowed down the ten or twelve majors that I wanted to pursue in college), but I became so fascinated with music theory and had a passion for composition, so I decided to do both for my undergraduate.
What do you think is the hardest thing to master on your instrument?
The bow. No competition. Anyone can learn distances on a fingerboard. It takes a true master to have your bow arm be able to produce any sound you could want and possibly imagine.
Why did you choose your primary instrument?
I started playing cello because my middle school orchestra had no cellos. A lovely local cellist volunteered to give me lessons to teach me the basics, and I fell in love immediately.
When will I start to see results?
This is probably a frustrating answer to, but it really depends. You get out of the instrument what you put into it. A serious commitment will produce higher quality results faster, and the inverse is true
How do I know if my child is ready to start lessons?
First of all, and I cannot stress this enough, they need to show an interest. Too may colleagues I have met have went through music school hating it because they were forced into it by their parents. Introduce them to the instrument and the music first, and if they are interested, then proceed with lessons. I dont think age matters nearly as much as this.
What advice do you have about practicing effectively?
Effective practice requires first and foremost honesty. It requires the ability to identify a mistake, and the ability to say to oneself "no, this could be better." Without these fundamentals, practice is essentially worthless.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Fairfield to students of all ages and abilities.
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