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Featured Piano Teachers Near NYC, New York

4328   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel B

Instruments: Piano Trumpet

I have worked as an arranger and composer on a variety of albums and concerts with Grammy Award winning artists such as Sting, Wynton Marsalis and Rolando Villazón among many others. I have served as a music director for a number of productions and international tours. Throughout it all I have maintained a consistent schedule of teaching including both privately and in the classroom. My strength is my wide variety of musical experiences which I bring into every lesson. Read More

Christian S

Instruments: Piano Saxophone Clarinet Music Keyboard

I always want to help my students understand the basics of music and universal principles that can apply to any music they are interested in learning. Whether it's jazz, pop, classical, blues, most styles of music share these principles in common and are best played when the musician can understand the underlying structures. Rather than having students memorize one piece that they'll forget as soon as they move onto the next, I want my students to have the skills to play any music they like any time by helping them develop their ear. Read More

Matthew R

Instruments: Piano

The most important thing is that my students enjoy our lesson time together and progress at a pace that is comfortable and encouraging for them. I believe that if the material is too easy and there is no challenge then the students will lose interest. The same however, is also true if the material is too challenging for the student, the student will lose heart and not be motivated to practice. Read More

Alex D

Instruments: Piano Saxophone Flute Clarinet

My ultimate goal is to help students develop a love for playing and being around music. The last thing I want is a discouraged student or one that has become bored with music. Therefore, I will set realistic goals for my students so that they are not overwhelmed, but at the same time are constantly engaged and challenged by the material. I like to teach both by ear and by reading music, which accommodates different learning styles a student may have. Read More

Amy R

Instruments: Piano

I love music and playing the piano and seek to convey my enthusiasm to beginner or intermediate level students while also being strict and detail oriented to develop good habits for maximal expression and best results. I try to bring out what is unique in each student and help fulfill their personal goals. I have been playing piano for 50 years and it has enriched my life so much that I want to give this gift to the next generation. Read More

Anna V

Instruments: Piano Voice

I encourage parents to teach their children music from young age. Most of my students are kids from age 5-13, level starting from novice to intermediate. I have been practicing tutoring piano for 5 years and voice for 3 years. My teaching style not only includes standard piano playing skills, but also sheet music reading, musical hearing, and proper playing techniques. In regards to voice lessons, I am strongly convinced that knowing musical theory basics significantly improves understanding of vocal basics. Read More

Noelle V

Instruments: Piano Voice

I believe a lot in a "democratic classroom". This applies to public school teaching as well as private teaching. I always ask for the students input, opinions on rep, and am always asking them questions to get to know their personalities and other interests. With a beginner student, I would take the time to understand their long-term goals, why they're taking private lessons, and what they hope to get out of them. Read More

Teacher In Spotlight

Edward C

Instruments: Piano

Have any of your students won awards or been selected for special honors? How have they succeeded?
I recently had a student whose school participates in a statewide competition. My student came in second on her first time, and won it the following two times she was in it. She graduated in 2019 and auditioned for three college programs and was accepted by all three. She has not been the first to leave me and go on to study music in college. Other students I have participate in their school Holiday performances as accompanists of the other children singing.

Why did you choose your primary instrument?
I just liked the sound of the piano. It was featured at the first concert of the Philadelphia Orchestra I went to.

What musical accomplishments are you most proud of?
The work that I put in as a youth enabled me to graduate from music school cum laude. After which I was able to travel to Europe to study. I also worked as an assistant conductor for an opera company while still in school. The performances I have given.

When will I start to see results?
Every student is different! You cannot expect the same results from every student. Patience is the key thing that the parents need. Encourage your child at every opportunity. But also make sure they know what they are required to do. Then success will come

Did you have a teacher that inspired you to go into music? How did they inspire you?
I would say that the second teacher I had at Settlement School had the greatest influence on me. He was a demanding teacher but not a strict disciplinarian. He expected the students to be prepared so that they could make progress at every lesson.

How do I know if my child is ready to start lessons?
As a general rule, I would say that when a student has learned that alphabet and can read some is the time to begin. There are exceptions, of course. If the child has shown some talent or interest at an early age, then starting lessons could be called for. Remember, if there is someone in the home who has had previous lessons on the instrument, that gives the child a great advantage if they have questions.

What advice do you have about practicing effectively?
The student must be able to practice without as little background interference as possible. When they practice, they should know that there is a difference between playing and practice. Practice is the time to put in the work to iron out any problems they are having. In other words, DON'T play from beginning to end every time. If you have a problem with a particular passage, then turn that spot into an exercise in order to learn it better, then put it back into the context of the piece to see it you have mastered it.

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Beginners Guide to Recording Studio Equipment
A Case for Early Childhood Music Education
Cello Technique Exercises
The Landfill Harmonic

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