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Featured Piano Teachers Near San Leandro, CA

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Here are just a few of the many teachers offering Piano lessons in San Leandro . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James D

Instruments: Piano Voice

For beginners I will start with a reputable system of books, such as Hal Leonard or Alfred's, supplemented by my own worksheets and song selections that are relevant to the student. For more advanced students I will use my own open method, finding songs that the student is eager to play and reinforcing the theory and techniques that will enable the student to advance quickly. Read More

Yehoshua J

Instruments: Piano Guitar Voice Drums Bass Guitar Organ

For beginner students who are pursing music on the tonal instruments, I typically start with learning the names of the notes on the instrument and the major scale in every key as it relates to the piano. For the bass guitar I start of with basic finger strength techniques and exercises while incorporating the major scale fingering form and Nashville numbering system for all tonal instruments. For voice, I start off by finding the range of the individual and then teaching warmup techniques while building the individuals technique through finding a song and learning how to sing along.  Read More

Cesar C

Instruments: Piano Keyboard

I have taught for over 40 years and am dedicated to helping all students reach their full potential. As a piano teacher I focus on developing a solid technique (ease of execution, tone, variety of touches, etc...), musical knowledge and stylistic awareness. I believe that we are all students and I simply try to pass on what I have learned, as well as what I continue to learn everyday. For me, the most important thing is personal growth. Read More

Octavio M

Instruments: Piano Cello Keyboard

I try to balance the needs of my students and work to strengthen their musical weaknesses for example working on Vibrato or bow distribution. Usually, I like to spend 10 minutes warming up both hands with long tones, scales, arpeggios, and other fun exercises. During the next 30 minutes, we tend to focus on fixing issues relating to the music such as rhythms or intonation issues. In the last 20 minutes of the lesson I tend to focus on musicality and finding inspiration to give to my students so they can exploit their potential. Read More

Jacob M

Instruments: Piano Guitar Voice Drums Bass Guitar Conga Latin Percussion

Jake has been playing guitar and percussion for over 20 years. He teaches all levels of guitar and congas, as well as beginning piano, voice and drum set. He went to Berkeley High School where he played guitar in the BHS Jazz Ensemble. He then attended the New School in New York City, majoring in jazz guitar studies. He has studied jazz guitar with Steve Erquiaga, Dave Creamer and Jack Wilkins, and congas with Josh Jones, Sandy Perez and other Cuban percussionists. Read More

Gretchen S

Instruments: Piano Organ

I try my very best to avoid criticism, encourage curiosity, and open doors at every lesson. Constant criticism can put a permanent damper on a student's love of music. Exploration can lead to a lifetime of enjoyment! In the Photo Gallery above, the first pic is of David, age 6-1/2, playing organ for the first time. He has been watching me play during a church service, so I offered to show him a few things. Read More

Francisco V

Instruments: Piano Drums Synthesizer Keyboard

My experience with music goes back since I have memories. Music has been in my life and family and this is why I decided to become a professional musician and study hard to improve my skills and knowledge. My first piano lession I had 10 years and my first professional keyboard I was 15. Drums came along with my brothers toy drum to finally buy a real kit. All my brothers are a musician and it really helped to open to different styles and concepts. Read More

Teacher In Spotlight

Alexis S

Instruments: Voice

What is your dream piece to perform and why?
I would love to perform the Bell Aria from Lakme or Zerbinetta’s aria from Ariadne auf Naxos with a full orchestra. I performed the latter in my masters recital with a pianist and it gave me a taste for the real thing. As far as a dream role, I would love to play Amalia in She Loves Me. I was incredibly fortunate to see Laura Benanti in the role on Broadway and I’m crossing my fingers that it comes back to broadway before I outgrow the role. The entire piece is wonderful and I can’t wait to sing Vanilla Ice Cream in front of an audience.

If you weren't a musician what do you think you'd be doing instead?
If I wasn’t a musician, I would still be acting. I can’t see myself doing anything outside of art full time. I have plenty of friends from school who gave up when it got hard and are now doing other things. They have very respectable jobs, but I know many of them see what I’m doing now and wish that hadn’t given up so soon. I always knew that I’d never be satisfied in my life if I gave up on performing and teaching. I’ve had plenty of different survival jobs along the way and it’s shown me that I can excel in anything I put my mind to, so I might as well excel at what I’m passionate about.

What is your favorite style/genre of music to play and why?
I absolutely love musical theater. I have since I was a little girl and I would pretend I was Maria leaving the Abby or Grizabella recalling her youth. It’s my first love and I hold it close to my heart. However, when you’ve put in the time, effort, and proper technique, singing opera is incredibly fun. There’s nothing like it. It feels like flying. However there are very few genres I don’t enjoy performing. I’ve been able to be in shows where I’ve needed to sing Elton John, Lionel Ritchie, Rogers and Hammerstein, and Puccini all in one night.

Does music run in your family? Tell us a little about your musical family members.
My grandmother was a church pianist and a savant when it came to her understanding of music. While untrained, she still had an amazing ear and could analyze chords like a master. My father was a percussionist and music minor in college and I grew up with him being my accompanist. Eventually I outgrew him and we needed to hire a professional to be able to keep up with the difficult arias I was performing. My mother’s side of the family is much more visual when it comes to art forms. My grandfather is a world famous ceramic artist and I attribute both sides of the family being instrumental in fostering an artistic environment.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I think I’ve always known it would happen. I played dress up as a little girl, pretending I was notable broadway characters. And in my mind I was performing in front of a full audience. More practically, I think I really knew in college. I had wonderful professors and saw how much they loved to teach and many of them still performed. Watching them be able to do both, was extremely encouraging and gave me hope in a bright future in musical artistry. Of course, there are years of performing for free before you make it big, so I think when that first real offer happened, that was when I knew all the hard work was paying off.

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